Sentences with phrase «edged color abstractions»

Not exact matches

Some of the new styles and movements that appeared in the early 1960s as responses to abstract expressionism were called: Washington Color School, Hard - edge painting, Geometric abstraction, Minimalism, and Color Field.

Calling up diverse references, from still life vanitas to hard - edge abstraction, color theory diagrams, and optical illusions, Eaton's work deeply engages with vision on physiological, technological, and philosophical terms.

«Painterly Pasted Pictures» an exhibition of 20th century painters of collage curated by E. A. Carmean Jr. @ Freedman Art, New York, NY 2013 «Color & Edge» with Lauren Olitski Poster and Ann Walsh @ Sideshow Gallery, Brooklyn, NY 2012 «Extreme Possibilities: New Modernist Paradigms» The Painting Center, NYC, NY curated by Karen Wilkin 2009 «Direct Sculpture: A Dialogue in Polymers», Student Union Gallery, Univ. of Massachusetts Amherst, Amherst, MA 2006 «Greenberg in Syracuse; Then and Now», Company Gallery, ThINC, Syracuse NY 2005 «Studies in Abstraction: Lauren Olitski, Susan Roth, and Ann Walsh», curated by Wendy S. Evans, Student Union Gallery, Univ. of Massachusetts, Amherst, 2005 «Rural Artists / Urban Sensibilities», C. W. White Gallery, Portland ME 2003 «The Clement Greenberg Collection», Joe & Emily Lowe Gallery, Syracuse, NY 2003 «Clement Greenberg, A Critic's Collection», Portland Art Museum, Portland, Oregon 2001 «The Mirvish Teaching Collection», Agnes Ethrington Gallery, Queens University, Kingston, Ont.

Color field painters efface the individual mark in favor of large, flat, stained and soaked areas of color, considered to be the essential nature of visual abstraction along with the actual shape of the canvas, which Frank Stella in particular achieved in unusual ways with combinations of curved and straight eColor field painters efface the individual mark in favor of large, flat, stained and soaked areas of color, considered to be the essential nature of visual abstraction along with the actual shape of the canvas, which Frank Stella in particular achieved in unusual ways with combinations of curved and straight ecolor, considered to be the essential nature of visual abstraction along with the actual shape of the canvas, which Frank Stella in particular achieved in unusual ways with combinations of curved and straight edges.

Painting was in her blood, but she diverged from her mother's penchant for hard - edge abstraction, and instead gravitated in the 1950s toward a more informal, intuitive process centered on color relationships and fluid gestures, which she has been developing and refining ever since.

Color Field painting is related to Post-painterly abstraction, Suprematism, Abstract Expressionism, Hard - edge painting and Lyrical Aabstraction, Suprematism, Abstract Expressionism, Hard - edge painting and Lyrical AbstractionAbstraction.

Associated with Op Art, Hard - edge painting, Color Field painting, Lyrical Abstraction and Abstract Expressionism, Poons has challenged critical expectations throughout his career, transitioning through several distinct phases of work.

Aesthetically, the presentation includes Valledor's early expressionist abstract paintings and signature reductive and minimalist compositions with an emphasis on his later hard edge and color - based abstractions from the 1970s and 80s that included illusory and optical constructs exploring space and creating a tension between the two - dimensional and three - dimensional worlds.

[33] Lyrical Abstraction, Conceptual Art, Postminimalism, Earth Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 1970s.

Well, you create a picture that is about as tough and difficult, and against the taste, as you possibly can, like a mustard - colored, hard - edged abstraction.

In 2014 they set up two exhibition spaces, Art House in Santa Fe and Orange Door in Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the focus of this article.

Sadie Benning and Julia Rommel connect with the hard - edge color - field abstraction of the 1960's, pushing outward against the edges of the canvas through their innovative use of materials.

This documentary explores a critical decade in American life, when an explosion of artistic energy produced Pop art, Minimalism, Color - field painting, and hard - edged abstraction.

The effortless confluence of art and high - end real estate come together to present a unique group of artworks exhibiting high femme abstraction with a sophisticated blend of techniques, materials, and color but with the definitive raw edge of downtown New York.

The fact that Mr. Noland, a pioneer of Color Field painting in the 1960's, works in series and in a usually Minimalist mode of hard - edge abstraction sometimes brings the curse of formula to his compositions.

His work is associated with Geometric abstraction, Abstract Illusionism, Lyrical Abstraction, Hard - edge painting, Color field painting, Shaped canvas painting, and 3D Computeabstraction, Abstract Illusionism, Lyrical Abstraction, Hard - edge painting, Color field painting, Shaped canvas painting, and 3D ComputeAbstraction, Hard - edge painting, Color field painting, Shaped canvas painting, and 3D Computer Graphics.

Electric Soup features Krushenick's dynamic paintings that juxtapose bold forms with hard - edged abstraction, revealing a body of work that exists independent of and simultaneously connected to Op art, Pop, Abstract Expressionism, Minimalism, and Color Field painting.

Although the work of Larry Poons is is associated with Op Art, Hard - edge painting, Color Field painting, Lyrical Abstraction and Abstract Expressionism, during the course of years he has developed authentic art practice.

Color Field painting, hard - edge painting and lyrical abstraction [120] emerged as radical new directions.

A variety of abstract styles ranging from geometric abstraction, lyrical abstraction, hard - edge painting and color field painting are linked with the work of Ronald Davis.

Post-War Abstraction: Our inventory also contains examples of abstraction from the 1950s through the 1970s, including Abstract Expressionism, Op Art, Washington Color School and California Hard EdgAbstraction: Our inventory also contains examples of abstraction from the 1950s through the 1970s, including Abstract Expressionism, Op Art, Washington Color School and California Hard Edgabstraction from the 1950s through the 1970s, including Abstract Expressionism, Op Art, Washington Color School and California Hard Edge Painting.

When I began to show my work with David Whitney in 1969, I was painting stained abstractions, bordered by bands of color painted on the edges.

Inspired by the hard - edged abstraction of Frank Stella and the shaped supports of Ellsworth Kelly, Parazette builds his paintings meticulously by adding layer upon layer of acrylic until each plane of color is flawless, its edges accentuated with precise pin stripes.

The shapes in his acrylic hard - edge geometric abstractions are neat, their colors beautiful and harmonious, their juxtapositions perfectly contiguous.

Hard Edge Painting emerged as more than a reaction against Abstract Expressionism; it reflected a renewed interest in color isolated from emotion using geometric abstraction and a new approach to compositional unity within a single plane.

Pizzuti Collection, Columbus, OH; «California Visual Music — Three Generations of Abstraction,» Guggenheim Gallery, Chapman University, Orange, CA; «Local Color,» San Jose Museum of Art, San Jose, CA; 2010 California Biennial, Orange County Museum of Art, Newport Beach, CA; «Keeping it Straight: Right Angles and Hard Edges in Contemporary Southern California,» Riverside Art Museum, Riverside, CA; and «Gyroscope,» Hirshhorn Museum and Sculpture Garden, Washington, DC.

Many of Hofmann's most uninhibited, «loose» abstractions, with their soft - edged patches of intense color and whiplash drawing, appear informed by Kandinsky's dynamic paintings from 1910 — 14 — not surprisingly, since Hofmann owned several intimate Kandinsky works on paper of this type, which his wife brought to America when she joined her husband in 1939.

However, his rejection of the expressive brushwork employed by other abstract expressionists such as Clyfford Still and Mark Rothko, and his use of hard - edged areas of flat color, can be seen as a precursor to post painterly abstraction and the minimalist works of artists such as Frank Stella.

The exhibition title itself is a literal reference to the historical terminology Hard - Edge painting; which was first coined in the late fifties and used to describe intense and abrupt delineation of color within the burgeoning Geometric Abstraction and Op - art movements.

«CHEMICAL SUBLIME» opened with a brutally colored, hard - edge abstraction, Untitled (Sleepiness, Antipsychotic, Pain), 2017.

Understood as an umbrella under which hard - edge painting, color stain painting, lyrical abstraction, and minimal painting stood, post-painterly abstraction introduced a more logical and systematic approach to creativity.

Post-painterly abstraction encompasses a broad group of American painters who reacted to Abstract Expressionism, either through the pursuit of Hard - edge abstraction or by creating open compositions of washes and poured areas of color.

In 1964, the author of the term, critic Clement Greenberg used it in the title of the exhibition featuring new tendencies in color field painting, hard - edge abstraction, and the Washington Color Sccolor field painting, hard - edge abstraction, and the Washington Color ScColor School.

Hard - edge painting, geometric abstraction, appropriation, hyperrealism, photorealism, expressionism, minimalism, lyrical abstraction, pop art, op art, abstract expressionism, color field painting, monochrome painting, neo-expressionism, collage, intermedia painting, assemblage painting, digital painting, postmodern painting, Neo-Dada painting, shaped canvas painting, environmental mural painting, traditional figure painting, landscape painting, portrait painting, are a few continuing and current directions in painting at the beginning of the 21st century.

The move towards a more hard - edge style of abstraction, the clear lines, high contrast of color and its various hues, along with the rejection of the tactile application of paint were seen as the dominant features of such movement [2].

Alongside color field painting and post-painterly abstraction, hard edge painting was introduced to the world of abstract art as a response to the gestural Abstract Expressionism.

Given the title Post-Painterly Abstraction, or «concrete abstractions,» these later works exhibited large, crisp - edged geometric forms with aggressive colors and were met with great acclaim, establishing him as a major figure in the art world.

His Doors series, which brought him this early success, are based on real doors found in public institutions like hospitals and schools, but Hume represents them sparsely and richly, liberally borrowing strategies from the color field and hard - edge abstraction movements.

Digital art, hard - edge painting, geometric abstraction, minimalism, lyrical abstraction, op art, abstract expressionism, color field painting, monochrome painting, assemblage, neo-Dada, shaped canvas painting, are a few directions relating to abstraction in the second half of the 20th century.

The presentations have addressed specific decades and geographies as well as certain movements and tendencies, including Color Field, geometric and hard - edge abstraction, Op Art, Pop Art, Minimalism, Feminism, and Conceptualism in a variety of media.

For Greenberg they possess a radicalism that comes more from Impressionism than Cubism, while his later dissatisfaction with increased mannerism of the Abstract Expressionist paintings led him to coin the term Post-painterly Abstraction under which he included the novel tendencies in abstraction such as color field painting, hard - edge abstraction, and the Washington CoAbstraction under which he included the novel tendencies in abstraction such as color field painting, hard - edge abstraction, and the Washington Coabstraction such as color field painting, hard - edge abstraction, and the Washington Color Sccolor field painting, hard - edge abstraction, and the Washington Coabstraction, and the Washington Color ScColor School.

Monumental in scale, the BLOCKHEADZ paintings feature square and rectangular cartoon faces in loose grid patterns that recall hard - edged abstraction and color field paintings.

In one group of works from 1976, paint is applied in layers of subtle color (a signature of her work in all media); a 1966 series of distilled, hard - edged abstractions evoke the architecture of the artist's childhood home with its white clapboard siding and picket fence.

Aesthetically, the presentation includes Valledor's early expressionist abstract paintings and signature reductive and minimalist compositions with an emphasis on his later hard edge and color - based abstractions from the 1970s and 80s.

«Painting in Place», LAND Los Angeles Nomadic Division, Los Angeles, CA «Learning to See: Josef Albers and the Interaction of Color», Scottsdale Museum of Contemporary Art, Scottsdale, Arizona «Work», Klaus von Nichtssagend Gallery, New York, New York «Painting in Place», Los Angeles Nomadic Division, Los Angeles, California «EDGE, ORDER, RUPTURE», Galerie Lelong, New York, New York «Lines and Shapes: Geometric Abstraction From the Art Bank Collection», Art Bank Gallery, Washington, DC

NORTH ADAMS, MASSACHUSETTS — In the Abstract brings together a mix of multi-generational artists whose works represent a potent and muscular approach to contemporary abstraction that adopts and adapts various formal strategies of painting — from hard - edge geometries and dense color blocks to gauzy color fields and expressionist marks — with that of sculpture, photography, digital processes, and video.

The most significant of the often loosely defined movements of early contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.

The Hard - edge painting style is related to Geometric abstraction, Op Art, Post-painterly Abstraction, and Color Fielabstraction, Op Art, Post-painterly Abstraction, and Color FielAbstraction, and Color Field painting.

His paintings of the 1960s, 1970s and 1980s are associated with geometric abstraction, hard - edge painting, color field, and lyrical abstraction, although he did not readily subscribe to any category for his work.

I've never thought of Ellsworth Kelly's hard - edged abstractions as having much to do with the clumsy upside - down figures of the German Neo-Expressionist Georg Baselitz, but the colors and diagonals of Kelly's Green Black (1958) and Baselitz's The Lamentation (1983) parallel each other enough that the pairing grew on me.