Sentences with phrase «edges of the painted form»

While «formulaic,» something I railed against in the late 1960's and early 1970's Minimalist - Conceptual art world, I find the process surprisingly interesting, particularly passing it through the filter of non-taped edges of the painted form.

«While «formulaic,» something I railed against in the late 1960's and early 1970's Minimalist - Conceptual dominated art world, I find the process surprisingly interesting, particularly passing it through the filter of non-taped edges of the painted form.

Not exact matches

John Yau, however, recently noted that the forms in Held's early 60s paintings, such as The Yellow X, extend beyond the picture plane, creating an awareness of the environment beyond the canvas edge.

Abstracted landscape paintings (rolling hills and mountains in the form of stripes and semicircles) have frames on their lower edges that extend...

These pieces include a pair of paintings by Nak - Beom Kho, depicting closely cropped, chiseled male faces of mannequins, and black - and - white photographs of Nakamura's sculptural works such as Car Cover (1991), which show two forms that each resemble the shape of a car — one rounded and the other square - edged.

Done in enamel on identically sized aluminum panels, the highly concentrated compositions are the result of a visual algorithm in which the forms increased incrementally in height and width as they moved outward from the central, vertical axis — a narrow, empty space — toward the painting's physical edges.

Partly a reaction against Abstract Expressionism, best known in the thickly layered paintings of American artists Willem de Kooning and Jackson Pollock, Hard - Edge emphasized angular lines, reduced forms, precise surfaces, and rich colors.

The lightness of being in his work, the range of forms, contours, edges, saturations and coloring — and the lightness of the spaces in between his network of slashes, swatches, and other painterly exchanges, is so navigable for the eye that the paintings are airy, permeable, and most significantly, written in a language that is all his own.

Could you talk a little bit about the edges of forms in your paintings and how you think of achieving those edges and why you don't like hard edge specifically as a term.

[13] Begun around 2001, the Piths, canvases with deliberately frayed edges and covered in thick black strokes of paint, indicate Truitt's interest in forms that blur the lines between two and three dimensions.

Sydney Ball, Zianexis, 2009 Acrylic on canvas, 152 x 168 cm March 4 - 21, 2010 The following extract is taken from «Sydney Ball: prophet of abstraction» by Wendy Walker, Sydney Ball: The Colour Paintings 1963 — 2007, p21 The emergence at the end of the 1990s of an insistent form in Ball's paintings — reminiscent of shapes in early drawings of rock formations from his landscape works — gave rise to the asymmetrical, ragged - edged motifs in the abstract Paintings 1963 — 2007, p21 The emergence at the end of the 1990s of an insistent form in Ball's paintings — reminiscent of shapes in early drawings of rock formations from his landscape works — gave rise to the asymmetrical, ragged - edged motifs in the abstract paintings — reminiscent of shapes in early drawings of rock formations from his landscape works — gave rise to the asymmetrical, ragged - edged motifs in the abstract -LSB-...]

The exhibition includes several of Andrade's major Op art paintings, which combine hard - edged geometric forms and lines into illusory, and sometimes hallucinatory, compositions.

From the metal, mechanical edges of Chimes» constructions to the sinuous drips in Steir's paintings, line takes different forms in this group exhibition of paintings predominantly from the 1970s.

In these paintings, one's eye is drawn not to the center of the canvas, but to the bold forms that appear incised at the edge of the surface.

For over 30 years Hadid engaged with architecture as a form of landscape painting, transforming the traditional hard, geometric edges of building into organic, liquid - like forms.

The kite - like form at the core of the hard - edged paintings, and specifically the acute angles inside its triangular parts, offers a geometric basis.

The painting's right edge crops the blue form while the left side of the green square about the unpainted vertical band.

Rooted in the language of architecture, Voisine's paintings, prints and drawings convey a sense of shifting spatial interactions through the use of symmetry, color, surface, and precise, hard - edged forms.

It presents color - driven work in the form of monochrome, hard - edge and color field painting, sculpture and immersive installations.

The brushstrokes that bunch up along the edge of the centralized form in City Island (1958) are as involved with paint handling as Kelly gets.

The abstract classicists painted forms that are, in Langsner's words, «finite, flat, rimmed by a hard clean edge... not intended to evoke in the spectator any recollections of specific shapes he may have encountered in some other connection.

Mental maps form the basis of his working method: they push against the edges of the picture plane; his larger paintings exceed a strictly 2D plane, being more like relief sculptures, employing layer upon layer of collaged forms — abstract painting, ephemera from travel, photography and juxtaposed linear structures — to denote the performative aspect of his initial research.

The darkening forms that edge the paintings create a sensation of swooping in and flying low over landscapes at the twilight hour.

Although his early works can be considered a form of Op art, as he depicted ovals and circles on flat surfaces of paint, he developed in his later years a style that is more linked with hard - edge and color field painting.

And then there are hard - edged paintings in which space and colour are flat, flat, flat and the canvas plays tricks on your eyes, forming faces made from collections of interchangeable symbols such as smoke, fire, alligators, matches, razor blades, cigarettes and the letter «z».

There is a sense that the activity continues outside the borders of the paintings as the forms flirt with the edges or get chopped off by them.

Electric Soup features Krushenick's dynamic paintings that juxtapose bold forms with hard - edged abstraction, revealing a body of work that exists independent of and simultaneously connected to Op art, Pop, Abstract Expressionism, Minimalism, and Color Field painting.

Hard - edge painting is characterized by large, simplified, usually geometric forms on an overall flat surface, precise, razor - sharp contours and broad areas of bright, unmodulated colour that have been stained into unprimed canvas.

Whereas the forms of his wooden panel paintings feature the careful precision and hard - edges of geometric abstraction, the imperfections and «accidental noise» innate in Biltereyst's cardboard relief prints appear exploratory and rapidly configured, expressing not only the raw energy of creative problem - solving usually revealed in artists» preparatory sketches, but also an interest in graphic elements battered by everyday use, exposure and interaction.

Jenny Saville, whose paintings of the female form replace Rubens's joy in bodies with a morbid edge, is curating a complementary show called La Peregrina, which will include work by Freud, Bacon, Picasso and Sarah Lucas.

In abstract painting during the 1950s and 1960s several new directions like hard - edge painting and other forms of geometric abstraction began to appear in artist studios and in radical avant - garde circles as a reaction against the subjectivism of abstract expressionism.

Ippolito continued to open up the picture plane in his oil on linen 1980s works with the soft diffusions of color and suggestive forms of «Paesaggio» (1980), the floating irregular shapes of «One June Morning» (1988) in a blue / lavender mist, the opposing edges of shapes hanging on within the blue field of «Small Painting» (1982), and the floating orange - on - orange diffusions suspended in «Orange» (1982), all pieces which exemplify Ippolito's belief in «color as light.»

In his «Eccentric Polygon» series, from 1965 and «66, he embraces asymmetry and bold color, creating forms delineated by painted fields and by the edges of the canvas.

In folded form, the paintings asserted a quiet materiality; the textiles — in a range of white, cream and brown hues — often frayed at the edges.

Moving from drawing, to painting, to sculpture, the physical manifestation of her forms brings to life the precision of Herrera's sharp edges.

The Automatiste movement gave way in the mid-1950s to a rigorous form of hard - edge abstraction first marked in the work of Leduc and the Plasticiens, a group that was formed in 1954 by the critic Rodolphe de Repentigny (who painted under the pseudonym Jauran) and 3 other painters; it first exhibited in 1955.

Many of the forms and compositions recall mid-century Minimalism, Hard - edge painting, and modernist architecture with its utopian ideals of living.

So, as we pass through this collection of around 40 drawings and paintings, we're supposed to look for clues and hints of the later brilliance and construct a narrative or timeline that leads to its blossoming (which, here, comes in the form of At the Edge of Town (1986 - 8), a painting showing a figure emerging onto the kind of semiabstracted landscape for which Doig is best known).

Tony Delap, Modern Times III, 1966 Wood, fiberglas and lacquer, 32 x 84 x 38 inches March 7 — April 4, 2009 Pushing the edges, often literally, of his primary disciplines, artist Tony DeLap has dedicated close to half a century to exploring the seam between sculpture and painting, merging the boarders of architecture, design and art, reducing to the most basic expression of form, shape, scale and color, while remaining devoted to the -LSB-...]

The curators discussed issues of material specificity and spatial concerns in contemporary painting practices, and examined the work of cutting edge artists whose work ignites a dialogue about sculptural and installation forms of painting.

Created by layering thickly painted areas with fragments of found maps, the composition mixes mechanical reproductions with tactile brushwork to yield a central circular form edged by both paint and paper.

Bleckner, of course, has been mining the territory mapped by tragic loss and fleeting beauty throughout his career, and his waxy new works ---- clock faces overlaid by bright floral motifs on canvas and paper ---- continue in this vein and show him in peak form as he returns to gestural painting from recent harder - edged, airbrushed works.

Together forming an oasis of color, each painting is dominated by a bright tone and finished with the artist's signature slanted edges, pushing the piece into the physical space of the viewer.

A consummate draftsman, Hammersley formed the edges of the shapes in his paintings with a palette knife, never using tape or a mechanical device to form a straight edge.

In abstract painting during the 1950s and 1960s several new directions like Hard - edge painting and other forms of Geometric abstraction like the work of Frank Stella popped up, as a reaction against the subjectivism of Abstract expressionism began to appear in artist studios and in radical avant - garde circles.

Contino's early works are hard - edged geometric paintings (including shaped canvases) composed of thick lines and contrasting solid colors that divide the canvas and form intricate shapes.

There is, however, a marked variety in the formal means of the paintings of 1947, ranging from precisely edged forms and dense Cézanne-esque brushwork to loosely painted, disconnected areas that spill over the surface.

However, in his drawings, Moon deployed loosely defined forms with lines that are softened by the use of pastels, making them distinct from the more strictly geometric shapes and sharp edges that characterise his paintings.

Works by seven artists — Colin Cina, Bernard Cohen, Noel Forster, Derek Hirst, Michael Kidner RA, Jack Smith and Richard Smith — developed the form in divergent directions, from the hard - edged paintings of Hirst to Kidner's optically expanding pattern pieces.

Though not as well - known as figures such as Frank Stella, Sol LeWitt, or Dan Flavin, Ryman is nonetheless one of the pioneers of Minimalist painting, whose works attempt to empty the painting of content — and color — in order to focus almost entirely on form and process, an idiom in which he has continued to work for some sixty years, long past the demise of Minimalism as a cutting - edge movement.