Sentences with phrase «edit his book so»

also, prissy, it is the impaired people who wrote, translated and edited the book you so joyfully insert deep in your rectum

And writers can only edit their books themselves so many times before they lose all objectivity.

You've edited your book so many times you can recite it by heart.

An example is a client who had a wonderful storyline but needed to hire an editor to professionally edit his book so the manuscript would be as ready as possible to show an agent.

Fabozzi gets practical experts to write for him and he edits the book so that it reads well.

Not exact matches

He is determined to work it out so he can get the book written and edited by the end of March.

A book, written by greedy patriarchal elite, re-written, edited to fit the cultural norms of the day says so... so why not buy it hook, line, and sinker?

I'm so glad that, as a Muslim, I don't have to actually defend the so - called «Bible» which is actually a collection of books edited over and over again by many people.

The present volume is really a collection of studies, and it might easily have grown to twice its size if other topics had been included: for example the miracle stories — I should have liked to examine Alan Richardson's new book on The Miracle - Stories of the Gospels (1942)-- or a fuller study of the so - called messianic consciousness of Jesus, the theory of interim ethics, the relation of eschatology and ethics in Jesus» teachings — see Professor Amos N. Wilder's book on the subject, Eschatology and Ethics in the Teaching of Jesus (1939)-- the influence of the Old Testament upon the earliest interpretation of the life of Jesus — see Professor David E. Adams» new book, Man of God (1941), and Professor E. W. K. Mould's The World - View of Jesus (1941)-- or sonic of the topics treated in the new volume of essays presented to Professor William Jackson Lowstuter, New Testament Studies (1942), edited by Professor Edwin Prince Booth.

This is my first book, so I'm not sure what to expect next — what the editing process will be like, when the book will be released, how long it will take to lose the ten pounds I gained while writing it, etc. — but I will keep you posted.

So in a post last week, I somewhat casually mentioned the fact the word «vagina» was being edited out of a draft of my new book, «A Year of Biblical Womanhood,» to be released by Thomas Nelson in October.

I want to add to this list my own expressions of thanks to those who made what might have been a difficult undertaking a rewarding one instead: Ruth Hopewell, who gave me the privilege of editing the book and consistently aided me in doing so; the Directors of Auburn Seminary, who granted a generous leave for my work on the project in Atlanta; Jim Waits and Elizabeth Smith, who anticipated everything I would need for the work to be done comfortably and efficiently; Lurline and James Fowler, who provided housing and friendship; Channing Jeschke, Candler's librarian, who made available and helped to arrange Hopewell's books and papers; Brooks Holifield, who worked with me on the last and knottiest problems in the text; and David Kelsey, on whose encouragement and sagacity I relied heavily when my assignment seemed most formidable.

When I was writing More Than Serving Tea I confided in a few friends who helped my husband juggle the preschool and elementary school schedules so that I could get away to write, edit, and promote the book.

Originally, I wrote this guide for myself, so that I would remember all the steps involved to taking my book manuscripts from a Word documents, all the way through editing, typesetting, and design, to the ultimate goal of putting the books on Amazon, Barnes and Noble, and Apple iBooks.

So it is that people like Heaven Sent BELIEVE the «word of god» is a book edited in the 17th century from 16th century translations of 8,000 contradictory copies of 4th century scrolls that claim to be copies of LOST letters from the 1st century?

So I could edit my book (which is in the works right now) for a second edition, but this time specifically rig it for Kindle with an full assortment of links?

There are millions and millions of books available, but so many believe in this one book, a book that, despite being edited many, many times by human men, is called the «word of god».

Well, these are the words or events we had to edit out so that certain Christian bookstores would stock our books.»

This «book of extraordinary audacity,» the dust jacket claims, was not compiled by Grayling so much as «made» using the very «techniques of editing, redaction, and adaptation that produced the holy books of the Judeo - Christian and Islamic religions.»

I've been following you for a while now and I'm so glad that you've edited a new book.

I imagine the book has kept you quite busy for a good long while, and given the release date, I suppose it'll soon be going to press, so you may be in a rush for the final edits.

In fact, we fell for chiles so hard that between us we've authored thirty books on them and fiery foods, plus produced trade shows and video documentaries, and edited two magazines on the subject of pungent peppers.

And as a data collector by nature and training, I especially like the book's concluding feedback chart, which orders all the recipes in the book so you can keep track of recipes tried, any edits to presentation, and whether your baby / toddler did or did not like it (yay for rating scales!).

However, rather than simply accepting the opinion of states and critical Western scholars as the point of reference, the edited book Responsibility to Protect: Cultural Perspectives in the Global South by Rama Mani and Tom Weiss addresses the important and so far under - researched question of what scholars and activists from the global south really think about the R2P principle and how the R2P implementation process can account for those southern concerns and insights.

He edited a book in 2003 or so but I don't think anyone bought it in any real numbers.

The experience, including the opportunity to live and work in France, is so much more than just book editing.

Ricardipus: So everyone - how much were you edited for the book?

[Edited to add, for the last time: I have THOUGHTS on the developments in Career of Evil but I will keep them to myself so I don't spoil the book for anyone who hasn't read it.

At various points in his fantastically varied and storied career he wrote position papers on the need of support for a moribund Australian film industry, wrote and directed numerous episodes of such seminal TV shows as Homicide and Division 4 for Crawford Productions, was central in establishing film courses and departments in places such as Canberra and Brisbane (Griffith University), wrote plays and performed poems at Melbourne University and La Mama in the 1960s, directed feature films in the early 1980s (most memorably Ginger Meggs in 1982), made documentaries for the ABC and SBS (The Myth Makers, Images of Australia, The Legend of Fred Paterson, and numerous others), wrote and edited such books as Screenwriting: A Manual and Queensland Images in Film and Television, helmed commercials for a vast array of companies and government bodies, contributed film reviews to ABC radio (and more occasionally TV) across various states (for almost 40 years), wrote for numerous publications including Overland, The Canberra Times, Metro, The Concise Encyclopedia of Documentary Film, The Hobart Mercury, and so much more.

So the only thing that is actually new in this book is that there are some new artwork included and edited text.

But it's also about the subtle and not - so - subtle negotiations between being a journalist and being a groupie, which gives it some passing relation to the fascinating (if poorly edited and organized) interview book Crowe recently did with Billy Wilder, Conversations With Wilder.

I am obsessed with Bret Easton Ellis and I enjoyed The Informers, I just wish it had not been so overly edited (apparently over 40 minutes of footage was cut that was in BEE's original script and I have a feeling a lot of it would have helped the film be more dynamic as the book was.)

Using Book Creator allowed for easy edits to the digital work the kids had completed so far.

So I finished the last few touches on my first edit of AMERICAN REBIRTH, Book 3 of the American Rebirth Series, and gave it to my beta readers.

For a guy who has edited Toni Morrison, Nora Ephron, and others, he comes as across as a seriously uninformed dick who delights in «mansplaining» everything that is wrong with a wildly successful genre (that earns enough money to pretty much keep the rest of the industry flourishing and off life support because there are only so many painfully precious lit fic books one can read before wanting to go to a poetry reading and sarcastically catcall the people at the mic) that is dominated by women who for the most part seem to know what they are doing and drive 90 % of the innovation in book marketing and sub-genres.

As an editor, I feel I've developed that relationship with several authors for whom I've edited multiple books each, where I've pointed out the same pitfalls so many times, now I just write in the margin, «you're doing it again, that thing we've discussed.»

Rebecca, not counting the time it took to edit your book, how much time so you estimate it took to get your book ready for publishing at CreateSpace?

«I give my boss (who owns a small editing company) a weekly update of all the hot topics in book publishing news, and I get so tired of reading about people recommending self - publishing as essentially another get - rich - quick scheme.

Once you have spent so long writing your book, you owe it to yourself to allow a professional editor time to proofread and edit your book for you.

So while I'd rather be working on the final edits / production of the sequel (and I'm itching to make a start on the third book in the sequence), I'm also in parallel making plans for every self - promotional event I can think of.

This gets tricky, because technically, the publisher owns the final, edited version of your book, so to self - publish in print, for example, you may need to pay them back the full or partial editing fees for your own personal use.

If a full - length novel edit is out of reach for you, don't tell yourself that you'll publish the book anyway, wait until you've racked up $ 1,000 or so in royalties, then pay for an edit.

So they won't brand these books, they won't edit them, they won't market or distribute them, but they sure as hell will point authors there and take their money.

Corina Koch MacLeod explains the 4 levels of editing, so you know which your book -LSB-...]

As a writer, I want the publishing companies to still make a profit so we still have a chance to be authors, as opposed to anybody posting a book with no editing or proofreading onto an e-reader.

All of my lengthy books are still in need of so - called professional editing.

In the case of what is known as so - called «developmental editing» the whole structure of the book has to be considered.

Edit: I mentioned in my review that the author paid $ 1,000,000 for this abandoned villa because she said in the book that she wrote «milione» at the closing so many times.

So it's more important than ever that a book's core elements (ie, editing, formatting and cover design) are good enough to compete.

If readers want to find quality books, they can sign up to Bookbub or Booktastik, where discounted books are offered that have been vetted for editing, so it's a kind of gatekeeper service.