Sentences with phrase «edited by art historian»

Compiled and edited by art historian Eva Meyer - Hermann, the catalogue raisonné illustrates and document approximately five hundred paintings by the artist from 1975 to the present day.

Compiled and edited by art historian Eva Meyer - Hermann, the catalogue raisonné will illustrate and document approximately 500 paintings by the artist from 1975 to the present day.

A monograph on Wall's work written by the Tate curator Chris Stephens was published by Momentum, London in 2006, and in 2015 Brian Wall: Squaring the Circle, edited by art historian Peter Selz, was published in conjunction with a solo exhibition at the de Saisset Museum at Santa Clara University.

Not exact matches

In serendipitous coincidence, a scholarly publication Thank You for Your Love 1994, edited by Xin Wang, curator and art historian based in New York, with contributions from Cindy Xingyi Qi, MA student at the Institute of Fine Arts, New York University, will be available in the summer of 2018 to closely examine the multifaceted implications of the Transformations gathering not only for the participating artists, but also for the art historical discourses in 1990s New York and that of contemporary Chinese Aart historian based in New York, with contributions from Cindy Xingyi Qi, MA student at the Institute of Fine Arts, New York University, will be available in the summer of 2018 to closely examine the multifaceted implications of the Transformations gathering not only for the participating artists, but also for the art historical discourses in 1990s New York and that of contemporary Chinese Aart historical discourses in 1990s New York and that of contemporary Chinese ArtArt.

The Galerie Diane de Polignac in Paris is preparing the Catalogue raisonné of the works on canvas by Gérard Schneider edited by Laurence Schneider, the artist's daughter, and Patrick Gilles Persin, an art historian.

Edited by Paula Feldman and Karsten Schubert, It Is What It Is includes texts by some of the most influential art historians and critics of today, such as Donald Judd, Dore Ashton, Rosalind Krauss, Lawrence Alloway, Germano Celant, Holland Cotter.

This book, transcribed, compiled and edited by Geoffrey Dorfman, consists of interviews, talks at the Studio School in New York (often in the form of meditations,) a portfolio of selected paintings, and pointed debates with Ad Reinhardt and the art historian, Leo Steinberg, among others.

Previous titles include: On Ron Gorchov, (2008) edited by Phong Bui; Pieces of a Decade: Brooklyn Rail Nonfiction 2000 - 2010, (2010) edited by Theodore Hamm and Williams Cole; Texts on (Texts on) Art, (2012) a collection of essays by the art historian Joseph Masheck; The Brooklyn Rail Fiction Anthology 2, (2013) edited by Donald Breckenridge; Oh SanArt, (2012) a collection of essays by the art historian Joseph Masheck; The Brooklyn Rail Fiction Anthology 2, (2013) edited by Donald Breckenridge; Oh Sanart historian Joseph Masheck; The Brooklyn Rail Fiction Anthology 2, (2013) edited by Donald Breckenridge; Oh Sandy!

In 2017, with the collaboration of Federico Sardella, the art historian who orginally began to archive Simeti's work on canvas, Dep Art will publish the Simeti Catalogue Raisonné, edited by Skira.In addition to its exhibition activity, Dep Art is active in the promotion and organization of initiatives in public institutions and galleries, both in Italy and internationally.The most important exhibitions include those dedicated to Mario Nigro (2017, 2006), Henk Peeters and Jan Schoonhoven (2017), Alberto Biasi (2016, 2013), Emilio Scanavino (2016, 2012, 2008), Turi Simeti (2015, 2013), Pino Pinelli (2015), Ludwig Wilding (2014, 2013), Salvo (2017, 2010, 2007) and Emilio Vedova (201art historian who orginally began to archive Simeti's work on canvas, Dep Art will publish the Simeti Catalogue Raisonné, edited by Skira.In addition to its exhibition activity, Dep Art is active in the promotion and organization of initiatives in public institutions and galleries, both in Italy and internationally.The most important exhibitions include those dedicated to Mario Nigro (2017, 2006), Henk Peeters and Jan Schoonhoven (2017), Alberto Biasi (2016, 2013), Emilio Scanavino (2016, 2012, 2008), Turi Simeti (2015, 2013), Pino Pinelli (2015), Ludwig Wilding (2014, 2013), Salvo (2017, 2010, 2007) and Emilio Vedova (201Art will publish the Simeti Catalogue Raisonné, edited by Skira.In addition to its exhibition activity, Dep Art is active in the promotion and organization of initiatives in public institutions and galleries, both in Italy and internationally.The most important exhibitions include those dedicated to Mario Nigro (2017, 2006), Henk Peeters and Jan Schoonhoven (2017), Alberto Biasi (2016, 2013), Emilio Scanavino (2016, 2012, 2008), Turi Simeti (2015, 2013), Pino Pinelli (2015), Ludwig Wilding (2014, 2013), Salvo (2017, 2010, 2007) and Emilio Vedova (201Art is active in the promotion and organization of initiatives in public institutions and galleries, both in Italy and internationally.The most important exhibitions include those dedicated to Mario Nigro (2017, 2006), Henk Peeters and Jan Schoonhoven (2017), Alberto Biasi (2016, 2013), Emilio Scanavino (2016, 2012, 2008), Turi Simeti (2015, 2013), Pino Pinelli (2015), Ludwig Wilding (2014, 2013), Salvo (2017, 2010, 2007) and Emilio Vedova (2010).

The book was written and edited by Nigerian independent curator and art historian Okwui Enwezor, who is widely recognized as one of the world's foremost experts on contemporary African art.

The catalogue raisonné (an art historian's bible, detailing each work's provenance, exhibition history, and scholarly apparatus) is being published by the French publishing house Cahiers d'Art and has been edited by Yve - Alain Bois, an authority on abstract painting at Princeton's Institute for Advanced Study.

Written and edited by legendary performance art historian RoseLee Goldberg, Performa 09: Back to Futurism is the definitive document of the unforgettable Performa 2009 biennial.

Edited by curator and writer Hans Ulrich Obrist, this book includes contributions by art historians, critics and architects — including Yona Friedman, Thomas Hirschorn and Gwendolen Webster — who discuss ways in which the Merzbau resonates in their fields, and provide new perspectives on Schwitters» under - examined masterwork.