Sentences with phrase «edited by the publisher»

She had manuscripts that were professionaly edited by publishers but that were never published so she started self - publishing them and had some early success.

My backlist is composed of novels that were edited by the publisher, and just reading them taught me a lot.

It's true that your book will be edited by the publisher once it's picked up, however, you may never get the chance unless your manuscript undergoes some editing upfront.

It was one of my previously trad published novels from my back list, so professionally edited by my publisher.

And even when a book is edited by a publisher disasters can still happen — witness Robert Hughes's last book which was riddled with errors.

Prior to publication, these Titles are thoroughly vetted and edited by the publishers professional editorial staff to ensure accuracy.

Not exact matches

Traditional publishing is a slog — find an agent, pitch a book and if it's picked up by a publisher, sign away the rights to your work, then spend years doing edits and waiting for the book to slot into a publishing schedule — and the majority of these people don't score a deal, because most entrepreneurs «aren't in a position to be commercially published,» says Sattersten.

We need both the yin - yang and the either / or ways of thinking to carry out successfully the theological task... The effective method of theological thinking is possible when both yin - yang and either / or categories complement one another [What Asian Christians Me Thinking, edited by Douglas Elwood (New Day Publishers, 1976)-RSB-.

A general review of the endnotes from Gunter's paper reveals a fair number of sources who will corroborate the claim that Bergson's scientific views are nor only not outdated, but go very» much to the heart of current scientific methods and insights, but particularly, see A. C. Papanicolaou and Pete A. N. Gunter, eds., Bergson in Modern Thought Towards a Unified Science (New York: Harwood Academic Publishers, 1987), and for important background on how Bergson came to be seen as dated when he was not, see also, Milic Capek, Bergson and Modern Physics, (cited above) and The Philosophical Impact of Contemporary Physics (Princeton, NJ: Van Nostrand, 1961), and the volume edited by Gunter, Bergson and the Evolution of Physics (cited above).

(Grand Rapids, MI: Zondervan, 1997); E. W. Kenyon, In His Presence: The Secret of Prayer (Kenyon Publishing Society, 1999); E. W. Kenyon, Jesus the Healer (Kenyon Gospel Publishing Society, 2000); E. W. Kenyon, The Hidden Man (WA: Kenyon Publishing Society, 1998); E. W. Kenyon, The Wonderful Name of Jesus (Kenyon's Gospel Publishing Society, 1998); John Baker, Celebrate Recovery (CA: Celebrate Recovery Books, 1994); Bob and Pauline Bartosch, Overcomers Outreach: A Bridge to Recovery (La Habra, CA: Overcomers Outreach, 1994); Cathy Burns, Alcoholics Anonymous Unmasked (PA: Sharing, 1991); Cal Chambers, Two Tracks - One Goal (British Columbia: Credo Publishing Corporation, 1992); Martin M. Davis, The Gospel and the Twelve Steps (San Diego, CA: RPI Publishing Inc., 1993); Len C. Freeland, author of Chapter 28, «The Salvation Army» in (Alcoholism: The Total Treatment Approach, edited by Ronald J. Catanzaro IL: Charles C. Thomas Publisher, 1968); Mark H. Graeser, John A. Lynn, John W. Schoenheit, Don't Blame God: A Biblical Answer to the Problem of Evil, Sin and Suffering.

And this chokehold not only affects the inventory you find on Christian bookstore shelves, but which books are contracted by publishers, what content gets edited in the writing and editing process, and the degree of freedom authors feel they have to speak on their own blogs and platforms.

Yunus Negus, «Science Within Islam: Learning How to Care for Our World,» in Islam and Ecology, edited by Fazlun M Khalid and Joanne O'Brien (New York: Cassell Publishers Limited, 1992), 40.

Sacred Books of the Buddhist, translated and edited by Max Muller, Mrs. Rhys Davids and other scholars, and issued by various publishers.

He is currently editing a textbook on practical winemaking, which is currently being published on - line by trivinum.com and Wine Publishers, Adelaide.

Hello Baby (Seattle Edition) Written by Kathleen Petrich; Illustrated by T. Thomas Seelig; Edited by Sheryn Hara, Laura Z (full last name unknown) Book Publishers Network Silver — Children's Picture Books: Domestic Animals & Pets

The story - A woman's work is never done is based on Jacqueline Scott and Anke Plagnol's 2012 paper «Work — family conflict and well - being in Northern Europe», which was published as part of an edited collection by Jacqueline Scott, Shirley Dex and Anke Plagnol (Gendered lives: Gender Inequalities in Production and Reproduction, Edward Elgar publishers).

A European publisher today terminated a journal edited by climate change skeptics.

The American Journal of Human Genetics (AJHG) is owned and controlled by The American Society of Human Genetics (ASHG) and is edited, in conjunction with the publisher, by a staff appointed by the Society.

If you don't believe that, may I suggest reading the 2010 book, «The Risks of Prescription Drugs,» Edited by Donald W Light, PhD, Publisher: Columbia University Press.

Hollywood Raises Political Consciousness: Political Messages in Feature Films Book edited by Michael Haas, Published by Peter Lang, Publishers, 2013, with the following chapters:

Teachers can reuse and edit premium content, upload their own schemes of learning, search for activities created by other teachers or reliable authors and publishers, or create their own content using 20 + pre-built activity templates, all mapped on learning objectives.

Teachers who aren't familiar with more exotic technology like Photoshop and video editing needn't worry; they can still teach 21st century skills to their students by requiring them to create Word, Publisher, and PowerPoint documents, embed photos, credit sources with hyperlinks, and wade through a variety of Internet sites with a critical eye.

Reprinted from What Lies Ahead for America's Children and Their Schools, edited by Chester E. Finn Jr. and Richard Sousa, with the permission of the publisher, Hoover Institution Press.

This is a publisher - authenticated version of the following book excerpt: «From Generation to Generation: Fifteen Years of Education Entrepreneurship,» by Stacey Childress in Educational Entrepreneurship Today, edited by Frederick M. Hess and Michael Q. McShane, p. 26 - 31 (Cambridge: Harvard Education Press, 2016).

The publishers that continue to exist, will do so by transitioning to become service organizations, which provide editing, artwork, formatting, in other words the drudge work that keeps authors from writing.

The lack of editing by a pro editor or publisher will soon become apparent to even the most undiscerning reader.

I've had two memoirs published by small press publishers, and in both cases it wasn't the publisher, but the lack of professional editing that I rue.

As if that story you labored over for several years to get written, edited, accepted by a publisher, and then edited some more until it was fit to ship is somehow less worthy, less real, than books manifested in paper and ink.

On the other hand, even trash novels by traditional publishers are generally copy edited and professionally laid out.

But for some reason, it seems to be considered a major sin by self - publishers that I don't find many of their — barely edited or proofread — books masterpieces.

In the old days of traditional publishing, if you were lucky enough to have your manuscript accepted by a publisher, you didn't have to worry about editing.

(I seldom did, with 12 books by major publishers... never any publicity, little editing, very little money over the small advance, sigh.)

However, as my publisher is only a small one, I've been disappointed by having only minimal editing consultation and no marketing (apart from on the publisher's website).

If any of my books were owned by a library, at a later date I couldn't re - edit / re-write those books and try to get them published by a print publisher, as they wouldn't be mine anymore.

I've seen «professionally edited» manuscripts that are ridiculously long or too short to be considered by a contemporary publisher, or contain song lyrics (prohibitively expensive) or copyrighted characters.

Hell's bells, if we have to make sure we send an edited manuscript to our agents and editors before they «edit» it — and yes, there are a number of authors who pay freelance editors to go over their work before submitting it because they know there will be no real editing done by their editors at certain legacy publishers — and we have to do our own marketing and promotion and do it on our own dime, why are we giving legacy publishers the majority of money earned by our hard work?

One author, in particular, described how he or she is dyslexic and was relying heavily on the editing services promised by the publisher to make the book flawless; to his or her dismay, the book was printed with numerous errors throughout, including on the very visible back cover.

Publisher: Be Unlimited Press, a division of Be Unlimited, LLC Editor: John Maling (Editing By John) Creative Consultant: Judith Briles, The Book Shepherd Library of Congress Catalog Number: 20109043442010904344 ISBN: 978 -0-971736-70-2 1.

She gave me a format for a query letter and said she would edit it as part of the deal, but I don't know if I am ready to pursue having it accepted by a traditional publisher.

The Marin Branch is hosting Marin Writers Conference 2018 on April 22, featuring a keynote by Michael Larsen, a first - page editing workshop by editor Mary Rakow, a self - publishing panel with David Kudler and Ruth Schwartz from Bay Area Independent Publishers...

This trend will continue as independent editors start offering affordable editing services through the internet and first line authors start doing the math and realizing that they can make more money by self - publishing their books for $ 2.99 - $ 4.99 than they ever did by going with one of the «big six» publishers.

I'm an author and independent publisher, and I collaborate with the very same people employed by the large traditional publishers for editing and design.

We highly recommend that your work is edited and proofread by a book editor BEFORE you submit a manuscript to a publisher.

Owen, I don't think of it so much as stealing authors from publishers as publishers forcing them out by not providing the authors with the editing, support, promotion and, most of all, accurate accounting of sales that they should.

If I receive a book from a traditional publisher I am guaranteed that the book has been edited, formatted, and designed by a paid professional.

I've read ebooks (by legitimate ebook publishers) that have gone through the editing process and come out the published end with plenty of errors.

Nowadays, if your manuscript needs editing it gets rejected — most likely by the literary agent who could place it in the hands of publishers.

And although the PPB costs are eliminated, there are still various costs associated with publishing an ebook, such as cover design, layout & formatting, editing (professional), marketing and other miscellaneous costs (legal, distribution, author assistant etc) all which will be shouldered by the author (or publisher).

Most publishers give the digital edition of a title thought only after the fact — after the book has been written, edited, proofread, line - edited, typeset, and on its way to the printers — preferring to see what they can accomplish by tweaking whatever piece of digital rubbish their print workflow automatically craps out, wipe the InDesign shit - stains off it, and call it an ebook.

If your publisher is recommending the same person for both of these publishing process (which I find is most often recommended by the person who would be completing both of these processes...), I recommend getting plenty of references for editing and plenty of samples of book designs.