As we know far too well after seeing the movie, three stones were
edited out of this scene.
Not exact matches
On the Bottom Fluff
out - takes video, it is shown that the entire first
scene of this episode, with Richie and Eddie filling
out their dating forms, and featuring an uncredited appearance by Nadia Sawalha, was
edited out for timing reasons.
It doesn't make sense to cast her for a simple voiceover, unless she had filmed
scenes and were all cut
out of the final
edit.
As brilliant as I find the film in its parts, as a whole I can't completely rave, as the film does falter a bit due to a lack
of focus and there are some weak
scenes, especially as the film nears the ending, which should have been
edited out of the rather long film to make sure the storyline stays tight.
The Safdie Brothers match Pattinson and Duress» individual and collective performances with visual pyrotechnics
of their own, swapping
out an early reliance on claustrophobic close - ups, beginning with the notably disorientating
scene between Nick and the social worker that opens Good Time, for a cinema vérité - inspired, often exhilarating mix
of location shooting, hyper - active
editing, and dense, propulsive plotting.
There's a lovely
edited hotel room
scene that reminds us
of Out of Sight's hotel - set illicit liaison; Ficarra and Requa know that knocking on a door and being led into a room is sexier than just walking into a room together.
Editing can't be blamed, either, as there is no indication in the commentary that anything substantial was cut
out outside
of the
scenes featured in the supplements.
Clearly shot - later footage is shoehorned into
scenes so ungracefully that poor Kate Mara's real hair / fake hair / real hair
edits become actively distracting, characters make abrupt U-turns with no explanation, any sense
of causal logic goes
out the window, and the film does not so much end as just stop practically mid-sentence.
We had to make difficult
editing decisions because some
scenes were just so gorgeous and the acting was fantastic, but we wanted to focus on the pacing
of the film and had to cut them
out.
Sarah Jessica Parker filmed
scenes as Gloria Steinem but they were
edited out of the movie.
There's a lot
of people calling them the best post-credits stingers ever for a Marvel Comics film and you'd be hard - pressed to argue, but according to the film's scribes there were two ideas they had for the
scenes that didn't make the cut — one nixed early in development, the other which was actually shot and then
edited out.
But Clooney realized in the
editing room that even though Brolin's
scenes were «the funniest in the movie», they «let the air
out of the balloon, in terms
of tension in the film».
Under the direction
of Justin Lin, (taking the reins from J.J. Abrams who directed the previous two «Treks») action
scenes are so chaotically
edited it's often difficult to figure
out who's bashing and crashing into whom.
The movie never finds the comic pace needed for a «night on the town» flick like this one, constantly pulling one
out of the enjoyment
of the madcap adventures with a joke that needed a rewrite or a
scene that needed another
edit.
Bonus: • Audio Commentary with Director Pete Docter and Co-Director Ronnie Del Carmen • Two Animated Shorts • «Paths to Pixar: The Women
of Inside
Out» Featurette • «Mixed Emotions» Featurette • «Story
of the Story» Featurette • «Mapping the Mind» Featurette • «Our Dads, The Filmmakers» Featurette • «Into the Unknown: The Sound
of Inside
Out» Featurette • «The Misunderstood Art
of Animation Film
Editing» Featurette • «Mind Candy» Featurette • Five Deleted
Scenes • Three Trailers • Sneak Peeks • DVD Copy
Even more graceless is the seemingly haphazard way the film has been
edited, with
scenes either abruptly clipped or relentlessly drawn -
out (a possible byproduct
of the film having four credited editors).
In particular, an appallingly misguided sex
scene montage seems so
out of place as to make one wonder if that sequence was
edited on his day
of rest.
Miller
edits the film using a visually appealing comic - book paneled style, as if the film were ripped right
out of the illustrated pages
of Punk magazine (the publication's origin itself exists as a prominent subplot
of the film), which was one
of the main publications that wrote at length on the CBGB
scene at the time.
The interesting aspect
of work on The Young Pope is that, despite the limited production times, we managed to come
out of the constrictions
of the TV series: fast
editing and elaborate camera movements alternate with
scenes in which the importance
of the dialogues allows a longer and less action - filled framing.
Plus, the book offers plenty
of unique charms, comparisons
of scenes to their literary equivalent, discussion
of the film's different incomplete
edits, a fold -
out timeline, and updated cast / crew bios and credits.
Statements especially on
editing («Well, I asked myself how long a
scene should be and then I cut it in half») clarify the DIY trial - and - error
of the thing — which, no matter where you fall
out on the film, should come as a shock to no one.
Dante also points
out sections where
scenes were reshuffled during the final
editing, and describes some
of the deleted material included on the DVD.
We can speculate on the roots
of its popularity: that it satisfies the genre and arthouse crowds; that it uses framing, sound,
editing and camera movement to unreel a transfixing tale and flesh
out excruciatingly authentic characters; that it dares to coax
out the ghosts lurking in every watery passageway in Venice, Europe's most ornate and singular city; that it contains arguably the greatest sex
scene on film.
Blu - ray / DVD Combo Pack Extras: Lava; Riley's First Date; audio commentary with the director, co-director and producer; Paths to Pixar: The Women
of Inside
Out; Mixed Emotions; Story or the Story; Mapping the Mind; Our Dads the Filmmakers; Into the Unknown: The Sound
of Inside
Out; The Misunderstood Art
of Animation Film
Editing; deleted
scenes with intros and outros; Mind Candy; Selected Score; Remember trailer, Japan trailer; and Experience trailer.
, either, Zahler doesn't
edit the shit
out of the hand - to - hand combat
scenes, he lets the camera linger as Bradley brutalizes guard after guard and inmate after inmate.
With our storyboards in place, our
scenes mapped
out, we go and do the work
of timing and
editing your trailer.
By big
edit, I mean slicing the
scenes that don't carry the story forward, adding layers
of depth to your characters and figuring
out a way to pave over the big plot holes even if it means reworking the entire middle
of your book.
I don't plan to make a career
out of writing adult romance, so I've decided to
edit those
scenes, put them in order, post them on my site, and then finish writing the book on my site.
Even
edited so it would be «suitable» for kids that may have been in the audience (some
scenes were blacked
out), the Salem episode was still full
of disturbing
scenes.
Console releases are routinely self - censored for the German market without affecting the rest
of the continent; and if this was about the depiction
of Swastikas and Nazi salutes (which is illegal in Germany under the country's criminal code, Strafgesetzbuch, section 86a), why were the alien probe
scenes edited out too?
Content Warning: This game features
scenes of graphic violence, torture, and an implied rape (which we
edited out).
The film will be accompanied by an installation that includes Hershman Leeson's own (blurred) version
of the Carlotta portrait, which, through a Go Pro Camera peeking
out from the canvas, will capture the viewer's movements and
edit them in real time into a 3D installation that includes
scenes of the film.
For the most part
editing out hard - core
scenes, Jones allows his pieces to focus on the language
of body movement and even landscape as sites for subtler fantasy and romanticism.
As a child in Algeria, Abdessemed viewed such western films under the
edit and strict censorship
of the Algerian government, who cut
out any
scene that portrayed physical contact between the sexes.