There's one sequence involving balloons that is the most irritatingly
edited piece of film in a long while.
Not exact matches
It's a quiet
film with no score and set during the height
of the Civil War, but it's masterfully
edited to be a period
piece that keeps you glued to your seat.
It's a decent
piece of low - budget
film - making that shows what you can do with artfully built tension, skilful
editing and a handful
of shocking moments.
Tight
editing and pace make for a careful and thoughtful
film that is a very strong
piece of cinema.
This early test
edit of the real match would help Martin work with directors to create the perfect climactic set
piece for their
film.
Tagged With: Blake Edwards, D.W. Griffith,
film editing, Peter Sellers,
Pieces of My Heart, Robert Osborne, Robert Wagner, TCM, Turner Classic Movies
Ramsay would send Greenwood, who had read the script early on, five to fifteen minute
pieces of the
film while she was
editing with the hope
of luring the busy musician.
This award - winning
film from Iran is a stunning
piece of work, beautifully telling a raw human story with expert writing, direction, photography,
editing and acting.
Her appearance, to look down her nose at an investigating Lois Lane, feels like a moment that was debated in the
editing room, but other reinserted
pieces have the extraneous aura
of being planned for a Blu - ray long before the
film even hit theaters.
I'm not one who typically notices anything wrong with the technical side
of movies; yet even I, after the
film, could envision the
editing room as the team
pieced together moments.
Extras: «Night
of Anubis,» a never - before - presented work - print
edit of the
film; new program featuring filmmakers Frank Darabont, Guillermo del Toro, and Robert Rodriguez; never - before - seen 16 mm dailies reel; new
piece featuring Russo about the commercial and industrial -
film production company where key «Night
of the Living Dead» filmmakers got their start; audio commentaries from 1994, featuring Romero, Russo, producer Karl Hardman, actor Judith O'Dea, and more; archival interviews with Romero and actors Duane Jones and Judith Ridley; new programs about the
editing, the score, and directing ghouls; new interviews with Gary R. Streiner and Russel W. Streiner; trailer, radio spots, and TV spots; an essay by critic Stuart Klawans.
Even the weakest action set
piece (which is plagued by a few instances
of quick yet confusing
editing) is better than most
films.
In the
editing room, he conjures up a
film form for Joy that's extremely artful, even experimental, as he disrupts the chronology
of events within a scene,
piecing together some sequences in unconventional ways, most laudably used in the
film's conclusion which intertwines the present day with the future.
Smith compares the
film to dark character
pieces of the 70's while Walker talks about his
editing style
of holding on a shot for maximum effect.
The
film is shot and
edited nicely and would have course be improved upon in HD with a lack
of detail in some paintings and art
pieces that would be more intensive on Blu - ray.
Jonah Hill brings the
piece enough
of his stellar comic timing to make the comedy a decent one to catch on cable on a rainy day, but can't save a
film that needed a few more rewrites and at least one more trip to the
editing bay.
Special Features Restored 4K digital transfer, with 7.1 surround DTS - HD Master Audio soundtrack on the Blu - ray, both supervised by director David Lynch 7.1 surround DTS - HD Master Audio soundtrack on the Blu - ray, supervised by Lynch Alternate original 2.0 surround soundtrack, presented in DTS - HD Master Audio on the Blu - ray The Missing
Pieces, ninety minutes
of deleted and alternate takes from the
film, assembled by Lynch Interview from 2014 by Lynch with actors Sheryl Lee, Ray Wise, and Grace Zabriskie New interviews with Lee and composer Angelo Badalamenti Trailers PLUS: Excerpts from an interview with Lynch from Lynch on Lynch, a 1997 book
edited by filmmaker and writer Chris Rodley
It's a well -
edited piece that doesn't spoil any
of the
films but is still able to bring across each movie's emotional center.
The original MCA LP was a re-recording
of select cues (typical for the band, much like Firestarter or Flashpoint), and Varese Sarabande reissued the album on CD a few years later, but TD's original score recording's never appeared anywhere save on fan
edit and bootleg albums (mostly as a pastiche
of unreleased cues among other
film & non-
film bits &
pieces).
The students drew a storyboard
of the scenes for the video, selected actors for the various parts, and then
filmed and
edited the
piece themselves — and their creative efforts didn't go unnoticed: They won the 2007 iVIE award for the most innovative video in education.
When
editing my project, I could change the camera angles in a number
of ways, use a number
of filters, dictate when a
piece of music or score come into my
piece, and add a
piece of text anywhere at anytime in my
film.
And since neither is one
of those poorly
filmed and
edited pieces that are best viewed as moving wallpaper as you drift in and out
of the gallery, both are worth devoting time to.
But his experience working in
film editing,
of cutting celluloid and «putting together the various frames
of film... was later to influence his use
of «close - ups and «long shots» in the triptychs and hanging
pieces.
In the
film's imagery, performers and set
pieces have been removed through photo -
editing to expose architectural elements and to create new readings
of these theatrical spaces.
Typical responsibilities
of a Video Editor include:
editing film pieces, collaborating with the production team, ensuring logical sequencing, cutting files digitally, and inputting music.