Oftentimes, with dance movies, the camerawork and
editing choices cut away from the full body, showing us different parts and gestures, trying to generate a sense of excitement and movement through the editing.
Not exact matches
There is a step by step look into the film processing technique used to achieve the sun - blasted look of the Mexican scenes; a demonstration of the
editing choices and process of three scenes narrated by editor Stephen Mirrione (watching each scene become subtly sharpened and focused through each successive
cut is a real education in the art of
editing); and an instructional look at the art and technique of sound
editing, hosted by sound editor Larry Blake.
Also, this series seems to release super slow, too bad as it jars with the extreme fast pass of the story, its not a good thing, but the story and art and all that, pretty good, the concept alone is interesting, and the characters and concepts as presented are good, but, these volumes are
edited to a degree, which is odd, this is a teen series, so, why
cut the swearing, why change the names, why doctor the art when there's nothing mature to cover up in the first place... not good
choices on the part of the American release staff, though this volume doesn't have those things to such a degree so, maybe those comments should be for a earlier volume.
But in the 1940s, when he was
editing art books and immersed in Dada, his medium of
choice was the relatively gesture - free one of collage, mostly made of
cut - and - torn paper with paint added.