Sentences with phrase «editing experience on»

Today, we look at the core PDF viewing and editing experience on these two devices.

Not exact matches

As long as there is written content, there will be a need for editors (this blogger discusses an instance in which her roommate and fellow editor took on an entire thesis over the weekend) so if you have writing experience and a good eye, freelance editing may be a business idea to consider.

I edited a friend's book on her experiences surviving domestic violence.

Drawing on his well - honed journalistic experience, including editing leading wine magazines and as a national newspaper wine columnist,

Also, be sure to check out the Best of March 2016 and tune into this week's Edit Your Life episode on letting kids experience risk (such an important topic in my opinion).

«With extensive experience at both large and small agriculture and industrial biotech companies, she is uniquely positioned to help Caribou capitalize on the potential opportunities for CRISPR - Cas gene editing to develop improved crops and bio-based products.»

She writes about her experiences and lessons along the way on her blog She's written two plant - based children's books and is currently editing her memoir; «The Vegan with a Leather Purse.»

Drawing on her extensive experience in health communications, editing and writing, Dr. Weinberg provides sophisticated articles, done - for - you materials, blog posts, newsletter content, workshop packages and more to help other professionals build their practices and spread their message of health.

Thanks to Brenda DeSmit in Canada, on facebook, for posting this (I've edited it for length): I must post my experience with Green Smoothie Girl & her 12 Steps to Whole Foods program.

I had no experience of photography or editing when I decided to follow my passion and I'm surprised at how much I've learnt coming right from the bottom of the learning curve despite being the least technical person I know on planet earth.

While I'm working on processing that experience (and editing video), I'll show you gals what I wore....

So, from experience of overpacking then only wearing a few practical things (bet you're not surprised I do this a lot) I narrowed down an edited list of what I ACTUALLY wear on beach vacations.

If a friend asks for your help editing a paper, for example, I've said things like, «Sure, I think I could really help you improve this based on my experience editing articles at work.»

Because the documentary «Oklahoma City» is an episode of «American Experience,» opening theatrically before airing on PBS on Tuesday, and because it documents events that were widely broadcast on television, much of the movie plays like a tightly edited rundown of familiar material.

The 10th film to be released on Blu - ray Disc with a Dolby Atmos - encoded soundtrack, and having won an Academy Award for Best Sound Editing, this film provides a great home theater viewing experience.

After the «out of body experience» of putting «Party» together in the editing room, she might like to focus only on being behind the camera for her next feature, she mused.

The director edited it to resemble the experience of being there, how time stretches and dissipates, focusing on the minutiae of the present moment, etc..

Although he apparently possesses the ability to move objects in classic poltergeist style, he's a passive witness for much of the time, a blank slate on which we can project our own experience of loss or those suggested by extensive use of the Kuleshov effect, a technique by which neutral expressions are given meaning through editing.

Co-creators and executive producers Abbi Jacobson and Ilana Glazer are back with season four of Broad City, which has become a hilarious showcase for female friendships in addition to being a place that's hosted a number of kick - ass female cameos, including Alia Shawkat, Cynthia Nixon, Kelly Ripa, Patricia Clarkson, Rachel Dratch, Tracee Ellis Ross and Hillary Clinton, «The extraordinary experience of not only working with two stupidly funny people — it's not even right how funny they are — but on top of that, they are women and they also write and produce and edit and do all of that stuff on their show.

Not only does that reading explain the fervent use of voice - over, never more present here, recounting and musing on each experience with that hushed, inimitable whisper, but it also explains the unique aesthetic of Malick's films: his desire to capture fragmented but ideal forms of corporeal, natural and architectural beauty, rendered so by Emmanuel Lubezki's superlative cinematography and some elliptical, compelling editing.

Finally allowing frequent travelers to recreate the sanitized, cocoon - like viewing experience of watching a movie on an airplane in their own home, Sony has announced a new initiative that will place the «clean» versions of some of its films, edited for broadcast or airplanes, onto home video releases.

The Criterion set features both versions, and the theatrical cut features commentary by Bertolucci (who launches in to the film before he remembers to introduce himself), screenwriter Mark Peploe (who calls it «the biggest screenwriting experience of my life»), producer Jeremy Thomas, and composer / actor Ryuichi Sakamoto, all recorded separately and edited together in a dense, meaty that builds on the accumulation of observations and insights.

However, The American contrasts this detachment with its subjective use of sound and editing where the film will cut to what Jack notices or emphasise a dramatic noise to give the audience a sense of the tense, suspicious and always on - guard view of the world that Jack experiences.

by Alex Heeney An essay on how Luca Guadagnino uses framing and editing to expand and contract time, allowing us to experience it in the same way that Elio and Oliver do.

A different form of improvisation is felt in «Touchy Feely,» the fifth feature from Lynn Shelton; instead of the loose outlines and dialogue of the director's recent films («Your Sister's Sister,» «Humpday»), it's the film's subjective and technical experience that feels crafted on the spot and cemented in the editing room.

Evans quotes Mark Twain to his own great delight as he waxes nauseating about how amazing the children were, how complicated was the editing process to put the final glow on that masterpiece, and how deeply personal the experience was.

Many of these films belong to the postmodern lineage of Chris Marker's La Jetée (1962) and Alain Resnais» Je t» aime, je t» aime (1968), whose basic conceit — representing the fragmented experience of time travel using tricks of editing and narration — is especially suited to science fiction on a budget.

Writing about the pain of leadership (in a chapter for Out - of - the - Box Leadership, edited by Paul D. Houston et al., 2006), Murphy writes, «I've come to believe that it is common for even the most competent and well - adjusted managers to experience real psychological pain — even suffering — on the job.»

Qualifications: • Bachelor's degree, and five to seven years of experience in a related position • Standout samples of video and editing work • Demonstrated experience with a range of digital storytelling and tools, and strong engagement with digital trends • Strong people - management skills, and a knack for developing talent, both in - house and freelance • Experience with a variety of social media platforms for audience development • Experience developing partner relationships for distribution or content creation • Experience in audio / video production / editing a plus • Background in teaching or education policy a plus • Passionate visual journalist with an innovative spirit and a drive to understand and service our audience • Appreciation for EPE's mission in the education community is essential, but a background in education content is not • Experienced leader who can coach a team to excellence and articulate a vision for our visual operations to stakeholders • Strong news judgment, video storytelling, and editing expertise • Experience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • Adaptabilityexperience in a related position • Standout samples of video and editing work • Demonstrated experience with a range of digital storytelling and tools, and strong engagement with digital trends • Strong people - management skills, and a knack for developing talent, both in - house and freelance • Experience with a variety of social media platforms for audience development • Experience developing partner relationships for distribution or content creation • Experience in audio / video production / editing a plus • Background in teaching or education policy a plus • Passionate visual journalist with an innovative spirit and a drive to understand and service our audience • Appreciation for EPE's mission in the education community is essential, but a background in education content is not • Experienced leader who can coach a team to excellence and articulate a vision for our visual operations to stakeholders • Strong news judgment, video storytelling, and editing expertise • Experience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • Adaptabilityexperience with a range of digital storytelling and tools, and strong engagement with digital trends • Strong people - management skills, and a knack for developing talent, both in - house and freelance • Experience with a variety of social media platforms for audience development • Experience developing partner relationships for distribution or content creation • Experience in audio / video production / editing a plus • Background in teaching or education policy a plus • Passionate visual journalist with an innovative spirit and a drive to understand and service our audience • Appreciation for EPE's mission in the education community is essential, but a background in education content is not • Experienced leader who can coach a team to excellence and articulate a vision for our visual operations to stakeholders • Strong news judgment, video storytelling, and editing expertise • Experience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • AdaptabilityExperience with a variety of social media platforms for audience development • Experience developing partner relationships for distribution or content creation • Experience in audio / video production / editing a plus • Background in teaching or education policy a plus • Passionate visual journalist with an innovative spirit and a drive to understand and service our audience • Appreciation for EPE's mission in the education community is essential, but a background in education content is not • Experienced leader who can coach a team to excellence and articulate a vision for our visual operations to stakeholders • Strong news judgment, video storytelling, and editing expertise • Experience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • AdaptabilityExperience developing partner relationships for distribution or content creation • Experience in audio / video production / editing a plus • Background in teaching or education policy a plus • Passionate visual journalist with an innovative spirit and a drive to understand and service our audience • Appreciation for EPE's mission in the education community is essential, but a background in education content is not • Experienced leader who can coach a team to excellence and articulate a vision for our visual operations to stakeholders • Strong news judgment, video storytelling, and editing expertise • Experience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • AdaptabilityExperience in audio / video production / editing a plus • Background in teaching or education policy a plus • Passionate visual journalist with an innovative spirit and a drive to understand and service our audience • Appreciation for EPE's mission in the education community is essential, but a background in education content is not • Experienced leader who can coach a team to excellence and articulate a vision for our visual operations to stakeholders • Strong news judgment, video storytelling, and editing expertise • Experience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • AdaptabilityExperience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • Adaptability to change

I know that many Facing History teachers were part of the Master Teacher Institute, have taken the workshop on ethical editing and already begun to use iWitness so please share your experience as well!

The interactive whiteboard was used occasionally to record ideas during small group discussions, but members of the focus group, admittedly, found typing and editing comments on that whiteboard difficult due to their lack of experiences with the environment prior to this study.

Leta Hollingworth, the great psychologist who wrote two seminal books (Hollingworth, 1926: Hollingworth, 1942) on gifted education, as well as many articles and chapters in edited books, and who conducted a highly influential study on profoundly gifted children (children of IQ 180 +) experienced this emotional intensity from an early age.

EDIT: I'll also add that on low - traction surfaces, like gravel, you can also experience a phenomenon called torque steer.

story editing: constructive feedback on the structure and essence of your manuscript from a professional editor and experienced book critic and writer

Relevant educational background Professional development (courses, study groups, self - study) Experience (projects they've worked on) Type of editing they do Type of manuscripts they work on

As the author of five fantasy novels, all of which are currently sold on Amazon, I am not without experience in the area of text editing when it comes to finalizing one's fiction book for publication in one form or another.

Others aren't entirely satisfied with their trad - pub experience, but they feel it's preferable to setting out on their own and having to do everything from editing to cover design to promotion on their own.

Buying this type of academic assignment from online custom writing company is always a good idea because of our friendly team of experienced professionals who will perform an in - depth research on your topic, write the content of excellent quality, proofread, and edit your marketing report with the highest level of expertise;

This statement is predominantly based on the fact that editing is an art which can be developed only through experience.

Knowing exactly what an editor can do for you and how to decide on one takes a bit of effort, but we recommend starting with an editor with experience editing books in your genre, who you feel comfortable with, and who fits within your price range.

Based on our experience working with hundreds of authors, we've found that performing only a proofread — a final edit once the manuscript has been laid out — results in a lengthy list of revisions, which can be costly and time - consuming to implement.

With a staff of writers and editors who've worked on dozens of topics and manuscripts in our decade - long tenure as Phoenix, Arizona's premiere book editing and writing company, Midnight Publishing has considerable experience addressing the many varied needs -LSB-...]

This is especially difficult to do if you have little - to - no experience with editing and / or are on a tight budget.

The edit in her fast - turn story is a little rough on this point, but he's saying that they want to see «the Kindle experience» — regardless of device — put onto «Goodreads as close to their (the readers») fingertips as possible.»

I look forward to posting some more articles soon on my professional editing experience reading submitted manuscripts, hoping that some writers might benefit from it.

To me, critique partners are developmental editors — some have more experience than others, but when I'm swapping critiques with someone, we are (usually) doing an in - kind swap for developmental editing (sometimes it's more of a line edit or copyedit, depending on need or skill of the person involved).

SUGGESTED READING Andrew Davidson's Favorite Novels: Tess of the D'Urbervilles, Thomas Hardy Perfume, Patrick Süskind Skinny Legs and All, Tom Robbins The Bone People, Keri Hulme Lolita, Vladimir Nabokov Jane Eyre, Charlotte Brontë The Eyre Affair, Jasper Fforde The Remains of the Day, Kazuo Ishiguro Frankenstein, Mary Shelley A Prayer for Owen Meany, John Irving Suggestions for Further Reading The Divine Comedy (The Inferno, The Purgatorio, and The Paradiso) by Dante Alighieri, translation by John Ciardi Medieval Germany: An Encyclopedia, edited by John M. Jeep The Mystics of Engelthal: Writings from a Medieval Monastery by Leonard P. Hindsley Henry Suso: The Exemplar, with Two German Sermons, translated, edited, and introduced by Frank Tobin Light, Life and Love: Selections from the German Mystics of the Middle Ages, edited by W. R. Inge Surviving Schizophrenia: A Manual for Families, Consumers, and Providers by E. Fuller Torrey, M.D. Rising from the Flames: The Experience of the Severely Burned by Albert Howard Carter III, Ph.D. and Jane Arbuckle Petro, M.D. Severe Burns: A Family Guide to Medical and Emotional Recovery by Andrew M. Munster, M.D., and the Staff of the Baltimore Regional Burn Center Holy Terrors: Gargoyles on Medieval Buildings by Janetta Rebold Benton The Holy Bible, King James Version, 1611 Also of Interest The Name of the Rose, Umberto Eco The Shadow of the Wind, Carlos Ruiz Zafón The Time Traveler's Wife, Audrey Niffenegger Jonathan Strange & Mr. Norrell, Susanna Clarke The Thirteenth Tale, Diane Setterfield The Magus, John Fowles Possession, A. S. Byatt Interview With the Vampire, Anne Rice The Rule of Four, Ian Caldwell and Dustin Thomason The Dante Club, Matthew Pearl

Your PDF reading and editing experience will be whatever pdf editor you are using on the device.

I have four years of editing experience and have helped many clients sign with literary agents, several of whom have gone on to sell to Big Five publishers, as well as hit the USA Today Bestsellers» list.

Unless you are planning on podcasting live (which is too scary for us to contemplate), the bane of our experience has been the editing process.