Sentences with phrase «editing techniques like»

Using new gene editing techniques like CRISPR / Cas9 to treat genetic diseases is fine under certain conditions, but it should not be used to enhance people, a panel of experts says.

Not exact matches

Less clear - cut are nascent techniques like gene editing, or surgical procedures such a head transplants.

It's important to bear in mind that it will take a long time to hone these techniques, which are still early on in the drug development pipeline - and things like genome editing will take decades to come to fruition for HD patients.

I love the editing technique employed here... the film feels like a silent short from the 1920s but also very contemporary.

A patent application has been filed and testing is underway on the protein — called HT - TALENs (short for HIV - targeted transcription activator - like effector nucleases)-- which uses a newly developed gene - editing technique to rid the body's cells of the immunodeficiency virus before it has a chance to multiply and possibly develop into AIDS.

There are a number of restrictions on exactly how a technique like CRISPR can be used, which include parameters like only using it to edit a genetically inherited disease.

Gance uses techniques not much associated with silent film, like a hand - held camera, multiple superimpositions, split split screen, rapid - fire editing and flashbacks to rivet the audience's attention and bring history to vivid life.

I wanted to try to use narrative techniques and shoot it, edit it, and produce it in a way that felt like you have a front row seat to the journey of our characters.

Director Paul McGuigan, who so far has specialized in ultra-cool, ultra-modern flicks like The Acid House and Gangster No. 1, immerses himself almost completely in crude, muddy 14th century life, save for a few present - day editing techniques that jar the action from time to time.

The don't make movies like this anymore and that's a shame, because even though it's a film essentially about «sport killing»; there is a poetry to it that I think is lacking in modern films; mainly because of current editing techniques.

What attracted critical minds like Jacques Rivette, Eric Rohmer, and others to Nicholas Ray and his oeuvre — bored stiff as they were by the risk - averse, respectable, and ultimately neutered «cinema of quality» — was the stamp of the personal and the element of danger they discerned in his films, whether that meant the improvisatory handling of actors with a touch deft enough to coax remarkable performances out of even non-professionals; the «superior clumsiness,» cited by Rivette in «Notes on a Revolution,» resulting in «a discontinuous, abrupt technique that refuses the conventions of classical editing and continuity»; or the purely visual flourishes Ray relished — ranging from the sweeping, vertiginous helicopter - mounted shots in They Live By Night to disorienting, subjective POV compositions like the «rolling camera» during a car crash halfway through On Dangerous Ground, its very title indicating the source of Ray's critical appeal.

Films like Jean - Luc Godard's Breathless, Agnes Varda's Cléo from 5 to 7, and Alain Resnais» Last Year at Marienbad frequently employ filmic techniques that place the viewer in a heady, alienated state of mind; think of the discontinuity editing employed in Breathless, the gritty cinema vérité style of Cléo, or the trance - inducing tracking shots in Marienbad.

Click To TweetIn my own practice, substantive editing is like a line edit that dips into the elements of narrative technique I typically include in a developmental edit, such as point of view and narrative distance, dialogue tags and beats, the balance of showing vs. telling, and filtering.

This type of editing also looks at your narrative technique — things like point of view, pacing, transitions, hooks, and dialogue tags and beats.

Like Robert Rauschenberg, Polke refused to edit anything out of his paintings or to put limits on the materials or techniques he used.