Sentences with phrase «edition artist proof»

Not exact matches

This work is number ten from an edition of ten plus two artist's proofs.

This is the second sculpture in the edition of 3 (and 1 artist's proof) and was recently installed for six months in New York City at the intersection of Park Avenue and East 53rd Street; the first sculpture in the edition is permanently installed at the Laguna Gloria Campus of The Contemporary Austin, TX.

This work is number one from an edition of twelve plus three artist's proofs and is accompanied by a certificate of authenticity signed by the artist.

Sotheby's Contemporary Art Evening Auction, Nov. 11, 2014 Lot 48: GLENN LIGON, «Warm Broad Glow,» 2005 (neon installation; number one of an edition of one plus one artist's proof).

THOMAS J PRICE, «Material Visions, 2016 (aluminium composite, palladium, concrete, felt, edition of 5, plus 2 artist's proofs).

This work is the artist's proof from an edition of three plus one artist's proof.

This work is the artist's proof aside from an edition of three.

Last year, when the gallery held the show «Yes, No, Maybe: Artists Working at Crown Point Press,» it featured the final - edition print of «Green» from its collection alongside these three preliminary impressions or proofs.

This work is artist's proof number 2 from an edition of 4 plus two artist's proofs.

Photographed in 1980 and printed in 1980, this work is number three from an edition of fifteen plus three artist's proofs Other gelatin silver prints from the edition are in the collection of the Solomon R. Guggenheim Museum, New York, the Musée national d'Art moderne - centre Georges Pompidou, Paris; the joint collection of the J. Paul Getty Trust and the Los Angeles County Museum of Art, and the Museum of Contemporary Photography at Columbia College, Chicago.

This work is the artist's proof from an edition of three unique variants plus one artist's proof.

Aaron Siskind (American, 1903 - 1991) HOMAGE TO FRANZ KLINE: FIVE PHOTOGRAPHS BY AARON SISKIND Portfolio, 1973 - 75, edition of 22, including 7 artist's proofs.

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process

(above images) untitled (peeing figure), 2012 stainless steel from an edition of 3 and 2 artist's proofs figure: 96 x 30 x 27 inches (243.84 x 76.2 x 68.58 cm) urine stream: 56 x 10 x 1/2 inches (142.24 x 25.4 x 1.27 cm) images courtesy of luhring augustine

Image: Helen Frankenthaler, «Yellow Span,» Trial Proof 6, 1968 © 2018 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York / Universal Limited Art Editions (ULAE), West Islip, New York

Pace Prints is pleased to present a unique artist's proof of Keith Haring's 1990 silkscreen edition, The Blueprint Drawings.

Artists are invited to develop their plates, followed by a period of proof printing together with Polígrafa's experts until the results are deemed «Bon à Tirer» («ready to print»), at which point the signed and numbered edition is produced.

There is a later bronze edition of six plus one artist's proof.

Landmarks» acquisition was cast as the artist's proof alongside an edition of three, and it will be the only example of the piece in the United States.

An early, transformative piece, the present lot is number one from a small edition of two (plus one artist's proof), making it a rare example from a formative period.

It is from an edition of three and one artist's proof and one printer's proof.

The work is an artist's proof from an edition of 5 and has an estimate of $ 4,000 to $ 6,000.

overall: 120 by 240 inches..., executed in 1997 as part of Art Metropole's Billboards by Artists series of which one work was presented on a billboard in downtown Toronto» This work is number 5 from an edition of 5 with three artist's proofs.

ABOUT THE PRINT Linotype on paper Print size: 550 x 450 mm (21 5/8 x 17 3/4 inches) Image size: 410 x 360 mm (16 1/8 x 14 1/8 inches) Print folder: 600 x 500 mm (25 5/8 x 19 3/4 inches) Printed in 2011 in an edition of 100 plus 5 artist's proofs All copies are signed and numbered by Wilhelm Sasnal

Hub, 2000 mixed media on magnetic sheeting 2.5 ″ x 8 ″ x 3 ″ edition of 6 2 artist proofs Collection, University of Michigan Special Collections Library Collection, Detroit Institute of Arts

Featuring 125 working proofs and edition prints produced by 25 artists between 1972 and 2010 at Crown Point Press in San Francisco, one of the most influential printmaking studios of the last half - century, Yes, No, Maybe goes beyond celebrating the flash of inspiration and the role of the imagination to examine the artistic process as a sequence of decisions.

Gus Kayafas (American, b. 1947) Miami: Photographs by Gus Kayafas, a portfolio of eighteen untitled photographs from an edition of 25 copies plus 8 artist's proofs, published by Palm Press, More...

The porcelain ceramic sculpture is numbered 3/3 from an edition of 2 plus an artist's proof.

It is one of an edition of three and one artist's proof.

The polychromed wood sculpture was 17 1/2 by 20 1/2 by 17 inches and was executed in 1991 as the second of an edition of 3 plus one artist's proof.

This work is one of XX (twenty) roman numeraled Artist's Proofs, aside from the regular edition of 75.

A major sculpture highlight was Lot 25, «La Serpentine,» a 22 - inch - high statue of a woman, by Henri Matisse that is from an edition of 10 and one artist's proof.

2017, pigment prints on cotton and painted panel with encaustic medium and mixed media inclusion on steel shelf, detail, variable edition of 2 and 1 artist proof

It will be a limited edition of 380 serigraphs, plus artist's proofs.

There are 189 works in the show, and each is in an edition of three, with two artist's proofs.

Hodgkin has donated an Artist's Proof of the 20 long print (originally published in an edition of 7, when it sold out), to be auctioned alongside works by Cecily Brown, Keith Haring, Jim Hodges, Tracey Emin and Jeff Koons.

Strictly limited edition of 3 copies & 2 Artist Proofs, signed, dated and numbered verso by Lee Jaffe.Read more

This work is number two from an edition of three plus one artist's proof.

(64.1 x 77.8 cm) signed, dated «87» and numbered AP II / VIII in pencil (an artist's proof, the edition was 71), published by 2RC Edizion d'Arte, Rome, unframed.

HELEN FRANKENTHALER Reflections II, IV, and VIII three lithographs in colors, 1995, on Lana mould - made, all signed and dated in pencil, two annotated «P.P. I» and one numbered 15/30 (the editions were 30 plus 10 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, Reflections II with a small handling crease in the lower margin, two with a few spots of stray printing ink in the margins, otherwise all in very good condition, framed various sizes (3)

This work is number three from an edition of three plus two artist's proofs.

Helen Frankenthaler (1928 - 2011) Spring Veil etching, aquatint and drypoint in colour, 1987, Fabriano Rosaspina paper, signed and dated»87 in pencil, inscribed Bon à tirer, an impression aside from the standard edition of 51 (there were also eight artist's proofs), published by 2RC Edizioni d'Arte, Rome, printed by Vigna Antoniniana, Rome, with their blindstamps, in good condition, framed Image 233 x 355 mm., Sheet: 438 x 654 mm.

This work is number ten from an edition of twelve plus six artist's proofs.

Helen Frankenthaler Yellow Span 1968 Aquatint in colors, on Richard de Bas Auvergne à la main paper, with full margins, I. 13 3/4 x 18 5/8 in (34.9 x 47.3 cm) S. 19 3/4 x 26 in (50.2 x 66 cm) signed, dated «68» and numbered 30/75 in pencil (there were no recorded artist's proofs), published by Universal Limited Art Editions, West Islip (with their blindstamp), unframed.

Helen Frankenthaler Four Pochoirs portfolio 1970 The complete set of four pochoirs in colors, on Arches Imperial Rough watercolor paper, the full sheets, 32 x 23 in (81.3 x 58.4 cm) all signed, dated «9/30/70», «10/19/70», «10/28/70» and «11/14/70» and numbered 50/50 in pencil (there were also 6 or 7 artist's proofs), coordinated by Rosa Esman, published by Abrams Original Editions, New York (with their inkstamp on the reverse), all in very good condition, all contained in original pink fabric - covered portfolio with green ties (occasional scattered foxing).

HELEN FRANKENTHALER Flirting with Stone (H. 171) lithograph in colors, 1985 - 90, on Arches Cover, signed and dated in pencil, numbered «P.P. I» (the edition was 60 plus 14 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame L. 36 3/4 x 26 3/4 in.

HELEN FRANKENTHALER (american b. 1928) «ORANGE DOWNPOUR» from «four pochoirs» 1970, signed and dated in pencil, numbered 15/50 (there were also 7 artist's proofs in Roman numerals), the full sheet; Abrams Original Editions, New York, publisher.

(78.1 x 55.9 cm) signed, dated «10/19/70» and numbered 17/50 in pencil (there were also 6 artist's proofs), published by Abrams Original Editions, New York, minor soiling at center upper sheet, adhesive remains in places on the reverse, otherwise in very good condition, unframed.

HELEN FRANKENTHALER (B. 1928) A Little Zen, from Four Pochoirs (Harrison 29) pochoir and screenprint in colors, 1970, on Arches Imperial Rough, signed and dated in pencil, numbered 9/50 (there were also 7 artist's proofs), published by Abrams Original Editions, New York, the full sheet, the paper slightly toned, soft rippling throughout, a few small stains in places, pale time staining, otherwise in very good condition, framed S. 22 x 30 1/2 in.

HELEN FRANKENTHALER Reflections VI lithograph in colors, 1995, on Lana mould - made, signed and dated in pencil, numbered «P.P. I» (the edition was 30 plus 10 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame L. 16 3/4 x 13 3/4 in.