Sentences with phrase «edition art print from»

I fell in love with this limited edition art print from Minted the moment I saw it and this is the perfect scale for this wall at 30 ″ x40 ″.

Not exact matches

London About Blog GraffitiStreet is a brand new urban art store selling limited edition screen prints and original artwork from the world's best graffiti and street artists.

Rent and buy art from an expertly curated selection of paintings, photography and limited edition prints at affordable prices.

Grey Matter Art, under license from Marvel, is proud to announce a new officially licensed, limited edition screen print for the character, Deadpool by the very talented artist, Florey.

Own the individual issues, or get the entire first volume (includes all bonus stories and fan art from the printed edition).

Own the individual issues, or get the entire third volume (includes all bonus stories and fan art from the printed edition).

Own the individual issues, or get the entire second volume (includes all bonus stories and fan art from the printed edition).

Our print portfolio ranges from Soft Cover Books and magazines to posters, mailers and limited edition art prints; and we serve clients across North America.

GraffitiStreet Graffiti and Street Art News About - GraffitiStreet is a brand new urban art store selling limited edition screen prints and original artwork from the world's best graffiti and street artisArt News About - GraffitiStreet is a brand new urban art store selling limited edition screen prints and original artwork from the world's best graffiti and street artisart store selling limited edition screen prints and original artwork from the world's best graffiti and street artists.

London About Blog GraffitiStreet is a brand new urban art store selling limited edition screen prints and original artwork from the world's best graffiti and street artists.

London About Blog GraffitiStreet is a brand new urban art store selling limited edition screen prints and original artwork from the world's best graffiti and street artists.

- releasing in Japan on August 31 for 6,480 yen - first - print copies will include a two - disc «User's Best Album» containing songs from across the Etrian Odyssey series - vote for which tracks you want to be included until April 9 - jacket that houses the CDs is a digipak illustrated by Yuuji Himukai - 10th Anniversary Box limited edition will cost 9,800 yen - it will include a copy of the game, special - make box, and 200 - page Character Art Works book - includes classes like Landsknecht, Protector, Runemaster, Medic, Gunner, Wanderer, Ninja, Dancer, Sovereign, and Hexer - adds new classes Pirate, Alchemist, Kenkaku, Monk, Farmer - Etrian Odyssey 10th anniversary commemoration broadcast on Niconico on May 20 at 19:30 JST - official website here

Be the first to receive an early edition DIGITAL copy of Navid's not - yet - released 90 page GRAPHIC NOVEL «BEDOUIN» + a signed COVER ART print from BEDOUIN.

Masterworks Collection - A Digital Portfolio showcasing of The Art of General Chaos from concept to completion, AND a limited edition print of Rampage World Tour Concept Art created by Aaron Hartline & Brian Colin; autographed by the game designers!

The special edition includes 3 CDs with music from the game, a dual - sided poster, and 25 character art cards printed on 5 - by -7-inch premium card stock with a slip case to hold them in.

Offer original art from local and nationally - known artists in a variety of media, as well as limited edition prints, posters and custom or contract framing.

Here's the basic plan: source a bunch of great artwork from readers like you, curate a digital exhibition, and then run a crowdfunding campaign to turn the work into a limited - edition run of fine art prints.

The first printing sold out within a day at the New York Art Book Fair; a second expanded edition is forthcoming from David Zwirner Books.

For Atelier Ace Issue, our series of limited edition art prints, we asked Brian Alfred, a multimedia artist originally from Steel City, USA, to envision an exclusive print for us and for you.

Here is another great book of Fairfield Porter's (I'm just now adding to this post) Edited with an introduction by Rackstraw Downes From the publisher's blurb... «This new edition of Art in Its Own Terms restores to print a key statement in the ongoing discussion between Modern art and its past, as Porter reviews such figures as de Kooning, Johns, Cornell, Rodin, Cezanne, Leonardo and many otheArt in Its Own Terms restores to print a key statement in the ongoing discussion between Modern art and its past, as Porter reviews such figures as de Kooning, Johns, Cornell, Rodin, Cezanne, Leonardo and many otheart and its past, as Porter reviews such figures as de Kooning, Johns, Cornell, Rodin, Cezanne, Leonardo and many others.

Nine of the exhibited drawings are a recent gift to the Parrish Art Museum and were taken from a print project by Riverhouse Editions in Colorado.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kenprints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenPrints, University of Lexington, Kentucky.

But if it cares so much about proper art why does its website (and print edition for all I know) keep running endless puffs for «artists» — the word it insists on — who do everything from portraying themselves as Heisenberg from Breaking Bad to making fake roses out of Ralph Lauren shirts?

Meets Jim Dine and introduces him to monotype techniques; writes catalogue essay for The Painterly Print: Monotypes from the Seventeenth to the Twentieth Century, Metropolitan Museum of Art, New York (travels to the Museum of Fine Arts, Boston, 1981); the monotype Window Sequence (Fire)(fig) is included in that exhibition; solo exhibition: Pace Editions, New York; group exhibitions: Aspects of the» 70's: Directions in Realism, Danforth Museum, Framingham, Massachusetts; Three Decades, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts; Realist Works on Paper, Virginia Museum of Fine Arts, Richmond.

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

Keith Haring: Journey of the Radiant Baby — Reading Public Museum, Reading, Pennsylvania, United StatesEditions on Paper — University of Valencia, Valencia, SpainKeith Haring: Art and Commerce — Tampa Museum of Art, Tampa, Florida, United StatesKeith Haring: Paintings, Sculpture, Objects and Drawings — Tony Shafrazi Gallery, New York, New York, United StatesAgainst All Odds — Rubell Family Collection, Miami, Florida, United StatesKeith Haring: POP Haring — Symbols and Icons Editions on paper from the Estate of Keith Haring — Singapore Tyler Print Institute, SingaporeComplete Editions on Paper — Centro Cultural Montehermoso Depsito de Aguas, Vitoria, Spain — Fundacion Caixa Galicia, Ferrol, SpainKeith Haring: Monumental Sculptures — Poppy & Pierre Salinger Foundation, Le Thor, FranceKeith Haring Drawings — Alona Kagan Gallery, New York, New York, United StatesKeith Haring — Early Drawings — Baltic Centre for Contemporary Art, Gateshead, United KingdomKeith Haring — Galerie Jerome de Noirmont, Paris, FranceKeith Haring Prints — Memo - art Galeria, Budapest, HungArt and Commerce — Tampa Museum of Art, Tampa, Florida, United StatesKeith Haring: Paintings, Sculpture, Objects and Drawings — Tony Shafrazi Gallery, New York, New York, United StatesAgainst All Odds — Rubell Family Collection, Miami, Florida, United StatesKeith Haring: POP Haring — Symbols and Icons Editions on paper from the Estate of Keith Haring — Singapore Tyler Print Institute, SingaporeComplete Editions on Paper — Centro Cultural Montehermoso Depsito de Aguas, Vitoria, Spain — Fundacion Caixa Galicia, Ferrol, SpainKeith Haring: Monumental Sculptures — Poppy & Pierre Salinger Foundation, Le Thor, FranceKeith Haring Drawings — Alona Kagan Gallery, New York, New York, United StatesKeith Haring — Early Drawings — Baltic Centre for Contemporary Art, Gateshead, United KingdomKeith Haring — Galerie Jerome de Noirmont, Paris, FranceKeith Haring Prints — Memo - art Galeria, Budapest, HungArt, Tampa, Florida, United StatesKeith Haring: Paintings, Sculpture, Objects and Drawings — Tony Shafrazi Gallery, New York, New York, United StatesAgainst All Odds — Rubell Family Collection, Miami, Florida, United StatesKeith Haring: POP Haring — Symbols and Icons Editions on paper from the Estate of Keith Haring — Singapore Tyler Print Institute, SingaporeComplete Editions on Paper — Centro Cultural Montehermoso Depsito de Aguas, Vitoria, Spain — Fundacion Caixa Galicia, Ferrol, SpainKeith Haring: Monumental Sculptures — Poppy & Pierre Salinger Foundation, Le Thor, FranceKeith Haring Drawings — Alona Kagan Gallery, New York, New York, United StatesKeith Haring — Early Drawings — Baltic Centre for Contemporary Art, Gateshead, United KingdomKeith Haring — Galerie Jerome de Noirmont, Paris, FranceKeith Haring Prints — Memo - art Galeria, Budapest, HungArt, Gateshead, United KingdomKeith Haring — Galerie Jerome de Noirmont, Paris, FranceKeith Haring Prints — Memo - art Galeria, Budapest, Hungart Galeria, Budapest, Hungary

1995 Choice Morsels from the Collection of the Centre National d'Art Contemporain, Centre National d'Art Contemporain, Grenoble, France Velge Noirhomme Gallery, Brussels Works on Paper, Baumgartner Galleries, Washington, DC Transatlantic, Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela Out Of Use 95: Caravanserraglio Arte Contemporanea, Pescara, Italy Pièces — Meublés, Espace Gran Dia / Galerie Jousse Seguin, Paris (curated by Robert Nickas) Komix, Brooke Alexander Editions, New York Peter Halley and Ettore Sottsass, Jay Gorney Modern Art, New York Pace Prints, Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, TN Exhibition in Honor of the 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalofrom the Collection of the Centre National d'Art Contemporain, Centre National d'Art Contemporain, Grenoble, France Velge Noirhomme Gallery, Brussels Works on Paper, Baumgartner Galleries, Washington, DC Transatlantic, Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela Out Of Use 95: Caravanserraglio Arte Contemporanea, Pescara, Italy Pièces — Meublés, Espace Gran Dia / Galerie Jousse Seguin, Paris (curated by Robert Nickas) Komix, Brooke Alexander Editions, New York Peter Halley and Ettore Sottsass, Jay Gorney Modern Art, New York Pace Prints, Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, TN Exhibition in Honor of the 30th Anniversary of the Israel Museum, Marian Goodman Gallery, New York Altered States, Forum for Contemporary Art, St. Louis, MO (curated by Robert Nickas, catalogue) Pittura Immedia, Malerei in den 90er Jahren, Landesmuseum Joanneum Graz, Klagenfurt, Austria (catalogue) It's Only Rock and Roll, Phoenix Art Museum, Phoenix, AZ (catalogue) Degrees of Abstraction: From Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (cataloFrom Morris Louis to Mapplethorpe, Museum of Fine Arts, Boston, MA New York Abstract, Contemporary Arts Center, New Orleans, LA (catalogue) Compensation, Gabinetto Disegni e Stampe Degli Uffizi, Florence, Italy Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, TX (catalogue); travelled to Illingworth Kerr Gallery, Alberta College of Art, Calgary, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; Armand Hammer Museum of Art, Los Angeles; Crocker Art Museum, Sacramento, CA; Museum of South Texas, Corpus Christi, TX; Lowe Art Museum, University of Miami, Coral Gables, FL; Polk Museum of Art, Lakeland, FL; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis (catalogue) Mesótica Painting, America non-representativa, Museo de Arte y Diseño Contemporaneo, San Jose, Costa Rica (catalogue) Open Your Heart, AIDS Resource Center's Seventh Annual Valentine Auction, Christinerose Gallery, New York Reinventing the Emblem, Yale University Art Gallery, New Haven, CT (catalogue) Private Passions, Musée d'Art Moderne de la Ville de Paris, Paris (catalogue)

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among oPrints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among oprints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

Photographed in 1980 and printed in 1980, this work is number three from an edition of fifteen plus three artist's proofs Other gelatin silver prints from the edition are in the collection of the Solomon R. Guggenheim Museum, New York, the Musée national d'Art moderne - centre Georges Pompidou, Paris; the joint collection of the J. Paul Getty Trust and the Los Angeles County Museum of Art, and the Museum of Contemporary Photography at Columbia College, Chicago.

1987 Allied Arts Council of Southern Nevada / First Interstate Bank Regional Art Collection, Las Vegas, Nevada The Works Gallery: «A View Through / Revisited» Long Beach, California Korean Cultural Service: «CURRENTS - Eight Contemporary Artists, American & Korean» Los Angeles, CA University of Hawaii at Manoa: «Glass: Another View» Honolulu, Hawaii Pence Gallery: «Works on Paper» Santa Monica, California Yurakucho Asahi Gallery: «Prints by Los Angeles» Tokyo Japan (traveling exhibition) Sena Galleries West: Arnoldi / Cooper / Dill, Santa Fe, New Mexico Stanford University Museum of Art: «The Anderson Collection Two Decades of American Graphics, 1967 - 1987» Stanford, California Scott Hansen Gallery: «Summer Selected Works» New York James Corcoran Gallery: «From the Sixties and Seventies» Santa Monica, California Elizabeth Leach Gallery: «Cirrus Editions, Ltd» Portland, OR

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing prprint) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing prprint) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing prPrint — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing prprint CR — Catalogue raisonné CTP — Computer to plate, digital printing process

Proceeds from the sale of limited edition prints supports The Metropolitan Museum of Art and its programs.

Simone Rosenbauer From the series Like Ice in the Sunshine, 2014 Available as 15 x 15» and 33 x 33» fine art pigment prints Signed, titled, dated, and editioned on label verso Each size in an edition of 8

, heavyweights of the art world, David Zwirner and Jeff Koons, launched a series of prints and editions from t

In return, you can choose from an array of beautiful rewards, including limited - edition prints, postcards featuring highlights from the archive, bespoke contemporary art experiences — including artist studio visits and day trips — and the publication itself.

This exhibition features over fifty of Frankenthaler's prints from her two decade collaboration with Universal Limited Art Editions (ULAE), during which she produced images that reveal her enchantment with what she called «the romance of a new medium.»

A court document from the lawsuit goes on to mention that the portrait is sold by an art gallery that represents Graham in Paris, where it is available as a limited - edition print in several sizes.

Perez recently completed her first limited - edition printed book of original poems and drawings titled twenty from the margins as part of her latest solo exhibition, The Giving Distance at the Southwest School of Art in San Antonio.

, heavyweights of the art world, David Zwirner and Jeff Koons, launched a series of prints and editions from the artist's famed and infamous career.

2005 Interview, Artforum, December Buchhart, Dieter and Fuchs, Mathias, cover and interview, Kunstforum International, no. 178, November - January Hales, Linda, The Washington Post, 11 September Sischy, Ingrid, The Artist Formally Known for Prints, The New York Times Style Magazine, Spring, pp.186 - 189 Johnson, Ken, A Sculptor From 2 Cultures Takes a Tour of Colonialism, The New York Times, 14 October Finch, Charlie, Artnet Magazine, 13 October Wilson, Michael, Artforum, 11 October Cotter, Holland, The New York Times, 2 October Pollock, David, The List Magazine, July 21 - August 4, p. 91 Picard, Charmaine, The Art Newspaper, no. 162, October, p. 2, p. 18 Krudy, Catherine E., Flavorpill NYC, 27 September - 3 October Smith, Roberta, The New York Times, 2 September Ponant, Pierre, Beaux Arts Magazine, August Holmes, Pernilla, Spoon, March / April, pp.23 - 24 Brownell, Ginanne and Sarah Sennott, Front and Centre, Newsweek, 14 February Rosenberg, Karen, New York Magazine, 17 October Picton, John, Cooper - Hewitt Design Journal, Fall, pp.8 - 11 Downey, Anthony, Bomb, no. 93, Fall, pp. 24 - 31 Baynard, Ed, Modern Painters, April, pp. 84 - 89 Hudson, Mark, Telegraph (online edition), 22 January Biro, Matthew, Art Papers, 22 January, p. 51 Cork, Richard, New Statesman, (online edition), 1 January Larsen, Lars Bang, Artforum, January, pp.172 - 173 Feaver, William, ARTNews, p. 26

D4D joined Two Palms in their booth at the Fine Art Print Fair at the Javits Center from October 25 - 29, raising significant funds from the sale of D4D editions by Marilyn Minter, Jonathan Horowitz and Cecily Brown.

As such the fair represents the whole landscape of contemporary art in editions, from traditional printmaking and photography, to the experimental style of 3D printing and digital art.

Close's photogravure portrait of artist Robert Rauschenberg, «Robert» (1998), appeared in a 2009 exhibition at the Heckscher Museum of Art in Huntington, New York, featuring prints from Universal Limited Art Editions.

Group of sixteen black - and - white prints after Sol LeWitt, from the limited edition folio «Black Gouaches,» published by Stephan Natkin / Galerie Digital Arts, France, circa 1992.

Postwar Prints and Multiples: Investigating the Collection presents over fifty prints and editioned artworks by leading figures in European and American abstraction, Pop and Op art, and Conceptual art from 1945 through the 1970s, including Ellsworth Kelly, Marisol, Claes Oldenberg, Jackson Pollock, and Andy WPrints and Multiples: Investigating the Collection presents over fifty prints and editioned artworks by leading figures in European and American abstraction, Pop and Op art, and Conceptual art from 1945 through the 1970s, including Ellsworth Kelly, Marisol, Claes Oldenberg, Jackson Pollock, and Andy Wprints and editioned artworks by leading figures in European and American abstraction, Pop and Op art, and Conceptual art from 1945 through the 1970s, including Ellsworth Kelly, Marisol, Claes Oldenberg, Jackson Pollock, and Andy Warhol.

Parkett editions have taken many forms; from prints, photographs, objects, media, and installations, to unique works of art.

not just a shop will stock a diverse range of home, fashion and giftware — from cards, stationery, bags and jewellery, through to limited edition prints and one - off artworks — all created by those who studied at UAL's six leading art colleges.

Producing bespoke work from her studio in Kew Gardens, Lu uses traditional silkscreen print techniques to create her bold, limited edition wall art.

From artist - designed jewelry and accessories to limited - release prints and editions, we've assembled a list of 20 gift ideas for the art lover in your life Read More

Receive a limited edition (15) portfolio of 5 panoramic 8x20 «archival pigment prints from the Abandoned in Place series printed on archival Hahnemühle Fine Art Baryta paper, plus a signed copy of the book.