Simone DeSousa Gallery is pleased to present Stitches, a 40 - page limited -
edition color gallery book published on the occasion of Mark Newport's solo exhibition Stitches, on view at Simone DeSousa Gallery in Detroit, Michigan, from January 13 - February 24, 2018.
Not exact matches
Walton Ford, Limed Blossoms, 2007 six plate
color etching and aquatint plate size 12 x 9 inches, paper size 18.5 x 14 inches
edition of 100 published by Paul Kasmin
Gallery, produced and printed by Wingate Studio SOLD OUT
Walton Ford, The Tale of Johnny Nutkin, 2001 six plate
color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches
edition of 50 published by Paul Kasmin
Gallery, produced and printed by Wingate Studio SOLD OUT
Be sure not to miss an intricate and fantastical woodblock and lithograph
edition entitled Monkey Biz by Duke Riley at Graphicstuide / USF; seminal prints by prominent American Pop artists Roy Lichtenstein and Andy Warhol at Gregg Shienbaum Fine Art; a visually hypnotic nine -
color screen print by Jason Middlebrook at Flying Horse
Editions; an impressive suite of etchings entitled The Caprichos by Emily Lombardo at Childs
Gallery; striking figurative lithographs by American artist Robert Longo at Hamilton - Selway Fine Art; a bold woodcut by Royal Academy artist Eileen Copper at Rabley Contemporary
Gallery UK; three - dimensional print sculptures by Lesley Dill and mixed media prints by Cuban artist Sandra Ramos at Tandem Press; a series of haunting portraits by the American artist Monica Lundy at Stoney Road Press / Ireland; colorful mixed media work by Stanley William Hayder at Susan Teller
Gallery; subtle and contemplative photolithographic prints by Linda Schwarz at Wildwood Press LLC; and bold and colorful works by Alexander Calder and Chuck Close at Thomas French Fine Art.
Walton Ford, Benjamin's Emblem, 2000 six plate
color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches
edition of 50 published by Paul Kasmin
Gallery, produced and printed by Wingate Studio SOLD OUT
Walton Ford, Swadeshi - cide, 1998 - 99 six plate
color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches
edition of 50 published by Paul Kasmin
Gallery, produced and printed by Wingate Studio SOLD OUT
Walton Ford, Compromised, 2003 six plate
color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches
edition of 50 published by Paul Kasmin
Gallery, produced and printed by Wingate Studio SOLD OUT
Walton Ford, Visitation, 2004 six plate
color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches
edition of 50 published by Paul Kasmin
Gallery, produced and printed by Wingate Studio SOLD OUT
Walton Ford, Dying Words, 2005 six plate
color etching and aquatint plate size 14 x 18 inches, paper size 22.5 x 30 inches published by Paul Kasmin
Gallery, produced and printed by Wingate Studio
edition of 75 SOLD OUT
Walton Ford, La Historia Me Absolvera, 1999 six plate
color etching and aquatint plate size 36 x 24 inches, paper size 44 x 31 inches
edition of 50 published by Paul Kasmin
Gallery, produced and printed by Wingate Studio SOLD OUT
2007 six plate
color etching and aquatint plate size 12 x 9 inches, paper size 21.5 x 16 inches
edition of 75 published by Paul Kasmin
Gallery, produced and printed by Wingate Studio Price: Upon Request
James Turrell's first print
editions with Pace Editions, only the second suite of color prints in his 50 - year career, have just been released (see link to his page above) and his first exhibition at Pace Prints will take place at our 32 East 57th Street gallery, September 11 - October 1
editions with Pace
Editions, only the second suite of color prints in his 50 - year career, have just been released (see link to his page above) and his first exhibition at Pace Prints will take place at our 32 East 57th Street gallery, September 11 - October 1
Editions, only the second suite of
color prints in his 50 - year career, have just been released (see link to his page above) and his first exhibition at Pace Prints will take place at our 32 East 57th Street
gallery, September 11 - October 18, 2014.
From left, Installation view, Carrie Mae Weems, «
Color: Real and Imagined», 2014 (archival pigment with silkscreened color blocks, edition 1 of 10, 2 AP) and images from «Kitchen Table Series,» at Pippy Houldsworth Gallery, Lo
Color: Real and Imagined», 2014 (archival pigment with silkscreened
color blocks, edition 1 of 10, 2 AP) and images from «Kitchen Table Series,» at Pippy Houldsworth Gallery, Lo
color blocks,
edition 1 of 10, 2 AP) and images from «Kitchen Table Series,» at Pippy Houldsworth
Gallery, London.
Sara Greenberger Rafferty, «Remote,» 2011, 5.5 x 8 inches, 64 pages, partial
color, text by Claire Barliant, published by Rachel Uffner
Gallery and PictureBox,
edition of 1000
CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington
Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art
Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle
Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist
Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle
Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti
Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (
edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R.
Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden
Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H
Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (
edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art
Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind
Gallery, San Francisco, CA 2009 TRANS: form
color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they ar
color, Meridian
Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated
Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they ar
Color, curated by Jane Lincoln, Higgins Art
Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art
Gallery, Oakland, CA Visual Noise, UMC
Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind
Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow
Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union
Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.
Alongside legends Watson, Comte, Von Unwerth and many others, Camera Work features David Drebin limited
edition photographs in «
Color» exhibition in Berlin at CWC
gallery from September 15th - December 1st.
«Red, Yellow, Blue», Hiram Butler
Gallery, Houston, Texas «Celebrating the Spectrum: Highlights from the Anderson Collection», de Young Museum, San Francisco, California «Knowing Space», School of Visual Arts, New York, New York «Drawings & Works on Paper», Galerie Lelong, New York, New York «W U N D E R K A M M E R», Bartha Contemporary Ltd, London, United Kingdom Reductive Minimalism, University of Michigan Museum of Art, Ann Arbor, Michigan Structured «
Color», McKenzie Fine Art, New York, New York «
Editions» 14», Lower East Side Printshop, New York, New York «Real Estate», Ventana 244, Brooklyn, New York «
Coloring», Atlanta Contemporary Art Center, Atlanta, Georgia
Michael Rosenfeld
Gallery, 2002,
edition 2000, 67 pages, 31
color reproductions, forward by Lisa Phillips, Director of the New Museum of Contemporary Art, essay by Carter Ratcliff.
We are pleased to announce a limited
edition 18
color screenprint on Coventry Rag 290gsm that the artist has printed in collaboration with Kayrock Screenprinting Studio and
Gallery, available for sale.
Featuring 33
color plates of art work and installation shots, artist essays, and exhibition notes from our
gallery director, this catalog marks the first
edition of the annual Koi No Yokan catalog series.
Helen Frankenthaler (American, 1928 - 2011), «Geisha,» 2003, Ukiyo - e woodcut in 23
colors on Torinko paper, pencil signed and dated lower right,
edition 39/50, published by Pace
Editions, Inc. (New York, NY),
gallery label (Lillian Kornbluth Arts, Santa Barbara, California) affixed verso, image / sheet: 38 «h x 26 «w, overall (framed): 42 «h x 30 «w. Provenance: Estate of Lillian Kornbluth (Paterson, New Jersey / Santa Barbara, California)
There are several
editions from En / Of with work by David Lieske, Liam Gillick and Jonathan Monk; the Candida HÃ ¶ fer photograph comes from a recent museum show at Museum Morsbroich Leverkusen in Germany; the Sarah Morris is a 23 -
color silkscreen print that was published by the Whitechapel
Gallery in London; the Christopher Wool was printed in 2006 by Brand X Projects / Neptune Fine Art in New York; the Thomas Scheibitz was just released from Texte Zur Kunst; and some fantastic new editions by gallery artists Cody Hudson, Heiner Blumenthal, Nathaniel Robinson, Michael Pfisterer and Dorothee J
Gallery in London; the Christopher Wool was printed in 2006 by Brand X Projects / Neptune Fine Art in New York; the Thomas Scheibitz was just released from Texte Zur Kunst; and some fantastic new
editions by
gallery artists Cody Hudson, Heiner Blumenthal, Nathaniel Robinson, Michael Pfisterer and Dorothee J
gallery artists Cody Hudson, Heiner Blumenthal, Nathaniel Robinson, Michael Pfisterer and Dorothee Joachim.
Indeed, the seamless merging of art into commerce is made plain in the pop - up store located on Madison Avenue adjacent to Gagosian's uptown
gallery and the retail store found inside the 24th street
gallery space, which are stocked with clocks, tee shirts, mugs, iron - ons and limited -
edition tchotchkes emblazoned with Hirst's signature
colored spots.
And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable
Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied
edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine
Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River
color photocopies of photographs of black and white paintings 1991 Creates
edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas
2012 — 2013 OS, Whitney Museum of American Art, New York, USA (solo) 2009 Museum Ludwig, Cologne 2009 Galleria Gió Marconi, Milan 2008 Portikus, Frankfurt am Main 2008 Galerie Chantal Crousel, Paris 2008 LAXART, Los Angeles (GuytonWalker) 2008 Carte Blanche III: «Gedichte der Fakten «-- Arbeiten aus der Sammlung Arend und Brigitte Oetker, Galerie für Zeitgenössische Kunst, Leipzig, Germany 2008 Wade Guyton and Kelley Walker, MAMbo, Bologna, Italy (solo) 2007 Friedrich Petzel
Gallery New York, USA (solo) 2007 Galerie Francesca Pia, Zurich, Switzerland (solo) 2007 Wade Guyton: Objects are much more familiar, Power House, Memphis, USA (solo) 2007 Degree Zero, Richard Telles Fine Art, Los Angeles, USA 2007 DUMP, Postmodern Sculpture in the dissolved field, Nasjonalmuseet for Kunst, Arktitektur og Design, Oslo 2007 For the people of Paris, Sutton Lane, Paris, France 2007 The Lath Picture Show, Friedrich Petzel Gallery, New York, USA 2007 Very abstract and hyper figurative, Thomas Dane Gallery, London, UK 2007 Galerie Gisela Capitain, Cologne, Germany (solo) 2006 Paintings, Westlondonprojects, London, UK (solo) 2006 MAMBO, (Guyton / Walker collaboration), Bologna, Italy (solo) 2006 La Salle de Bains, Wade Guyton, Lyon, France (solo) 2006 U Stencil, Hard Hat Editions, Geneva, Switzerland (solo) 2006 Color, Power & Style, Friedrich Petzel Gallery, New York, USA (solo) 2006 Haubrokshows, Berlin, Germany (solo) 2006 Carpenter Center, Harvard University, Empire Strikes Back (GuytonWalker collaboration), Cambridge, Massachusetts, USA (solo) 2006 Casey Kaplan gallery, Pose & Sculptur
Gallery New York, USA (solo) 2007 Galerie Francesca Pia, Zurich, Switzerland (solo) 2007 Wade Guyton: Objects are much more familiar, Power House, Memphis, USA (solo) 2007 Degree Zero, Richard Telles Fine Art, Los Angeles, USA 2007 DUMP, Postmodern Sculpture in the dissolved field, Nasjonalmuseet for Kunst, Arktitektur og Design, Oslo 2007 For the people of Paris, Sutton Lane, Paris, France 2007 The Lath Picture Show, Friedrich Petzel
Gallery, New York, USA 2007 Very abstract and hyper figurative, Thomas Dane Gallery, London, UK 2007 Galerie Gisela Capitain, Cologne, Germany (solo) 2006 Paintings, Westlondonprojects, London, UK (solo) 2006 MAMBO, (Guyton / Walker collaboration), Bologna, Italy (solo) 2006 La Salle de Bains, Wade Guyton, Lyon, France (solo) 2006 U Stencil, Hard Hat Editions, Geneva, Switzerland (solo) 2006 Color, Power & Style, Friedrich Petzel Gallery, New York, USA (solo) 2006 Haubrokshows, Berlin, Germany (solo) 2006 Carpenter Center, Harvard University, Empire Strikes Back (GuytonWalker collaboration), Cambridge, Massachusetts, USA (solo) 2006 Casey Kaplan gallery, Pose & Sculptur
Gallery, New York, USA 2007 Very abstract and hyper figurative, Thomas Dane
Gallery, London, UK 2007 Galerie Gisela Capitain, Cologne, Germany (solo) 2006 Paintings, Westlondonprojects, London, UK (solo) 2006 MAMBO, (Guyton / Walker collaboration), Bologna, Italy (solo) 2006 La Salle de Bains, Wade Guyton, Lyon, France (solo) 2006 U Stencil, Hard Hat Editions, Geneva, Switzerland (solo) 2006 Color, Power & Style, Friedrich Petzel Gallery, New York, USA (solo) 2006 Haubrokshows, Berlin, Germany (solo) 2006 Carpenter Center, Harvard University, Empire Strikes Back (GuytonWalker collaboration), Cambridge, Massachusetts, USA (solo) 2006 Casey Kaplan gallery, Pose & Sculptur
Gallery, London, UK 2007 Galerie Gisela Capitain, Cologne, Germany (solo) 2006 Paintings, Westlondonprojects, London, UK (solo) 2006 MAMBO, (Guyton / Walker collaboration), Bologna, Italy (solo) 2006 La Salle de Bains, Wade Guyton, Lyon, France (solo) 2006 U Stencil, Hard Hat
Editions, Geneva, Switzerland (solo) 2006
Color, Power & Style, Friedrich Petzel
Gallery, New York, USA (solo) 2006 Haubrokshows, Berlin, Germany (solo) 2006 Carpenter Center, Harvard University, Empire Strikes Back (GuytonWalker collaboration), Cambridge, Massachusetts, USA (solo) 2006 Casey Kaplan gallery, Pose & Sculptur
Gallery, New York, USA (solo) 2006 Haubrokshows, Berlin, Germany (solo) 2006 Carpenter Center, Harvard University, Empire Strikes Back (GuytonWalker collaboration), Cambridge, Massachusetts, USA (solo) 2006 Casey Kaplan
gallery, Pose & Sculptur
gallery, Pose & Sculpture (cur.
Tina Barney, «Bike Parade,» 2017 chromogenic
color print
edition of 5 © Tina Barney, courtesy of Paul Kasmin
Gallery