Sentences with phrase «edition lithograph of»

Pat has donated a framed limited edition lithograph of «King Street Blues» as part of the Festival Arts Giveway.

Not exact matches

Of course there is the regular paperback edition, but also (for those who want a bit more): a hardcover collector's edition that comes with a «lithograph» artwork by Yoji Shinkawa.

Oh, and there's an absurd $ 399.99 special edition of the game that comes with «a remote controlled Claptrap steward robot, a collectible steel case, and 12 exclusive lithographs.»

One each of the following limited edition, artist - signed, Alice: Madness Returned lithographs: HMS Gryphon, Mysterious East, Queensland Gate, Snail Flight, Street Rats, The Doll House, Vale of Tears, Wake Up Alice + all previous reward tiers from $ 25 level below

The Ultimate Loot Chest Limited Edition ($ 149.99 on Xbox 360, PS3 and PC) will include all of the Deluxe edition's items, plus a collectable scaled replica of the red loot chests; steelbook case; Creatures of Pandora wide - format ID chart; lithograph postcard set; field notes from Sir Hammerlock; cloth map of Pandora; and a numbered certificate of authenticity.

Mithril Edition is the most expensive retail release as it includes Limited Edition 12 ″ Tar - Goroth Balrog vs. Carnan Drake Statue, Collector Box, Gold Edition Game with Exclusive Steelcase, Premium Case with Magnetic Ring of Power, Exclusive Mithril War Chest, Official Game Music Soundtrack, Cloth Map of Mordor, Collection of Exclusive Lithographs and Tribes Sticker Pack, although as it has officially sold out; you can anticipate to pay over # 300 for what is essentially an ultimate edition of Middle - Earth: Shadow of War.

In this lithograph, created as a benefit edition for The Paris Review, Sultan covers the picture plane with an array of stylized orange flowers.

Sarah Sze Night 2003 offset lithograph and silkscreen 40 x 73 1/4 inches; 101.6 x 186.1 cm (framed) 39 x 71 3/4 inches; 99.1 x 182.2 cm (sheet) 38 1/4 x 71 1/4 inches; 97.2 x 181 cm (image) edition of 27

lithograph on paper; unframed edition 5 of 12 For over thirty years Dominique Blain has examined and addressed the links between relationships of domination, such as racism, mass...

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

Creates an untitled lithograph with embossing, printed in an edition of two hundred by Styria Studio, New York, and published by the Democratic Congressional Campaign Committee for the benefit of Artists Rights Today, New York.

Working with the original publisher, two of each of the 28 large format lithographs from the Smile - Isms set (edition of 45) will be made available.

Vendler had already done an edition of Ashbery's «Self - Portrait in a Convex Mirror» for Arion, printed on roundel pages — wheels of paper 18» in diameter — with work by several artists, including Willem de Kooning and Jim Dine, as well as a selection of Wallace Stevens with a frontispiece by Jasper Johns; 1992 saw an edition of Kaddish, White Shroud and Black Shroud with lithograph portraits by Kitaj.

In addition to his large - scale paintings, Katz has produced dozens of print editions using a variety of techniques, including lithographs, etchings, silkscreens, and linoleum cuts.

A unique example of a section of color lithograph including hand editions by the artist, collaged on a support board.

Lithograph, linocut, and screenprint in colors with hand - coloring and collage, on wove paper, 1984, signed and dated in pencil, from the numbered edition of 60 (there were also 10 ar...

Martin Kippenberger, Raft of the Medusa (1996), suite of fourteen lithographs, edition of 26, various sizes on various papers, each signed and numbered, in portfolio; portfolio measures 58.42 x 47.62 cm.

offset lithograph, 2009, signed and numbered from the edition of 300, Publisher Kaikai Kiki Ltd., Tokyo.

Offset lithograph, 2013, signed and numbered from the edition of 300, Publisher Kaikai Kiki Ltd., Tokyo.

Be sure not to miss an intricate and fantastical woodblock and lithograph edition entitled Monkey Biz by Duke Riley at Graphicstuide / USF; seminal prints by prominent American Pop artists Roy Lichtenstein and Andy Warhol at Gregg Shienbaum Fine Art; a visually hypnotic nine - color screen print by Jason Middlebrook at Flying Horse Editions; an impressive suite of etchings entitled The Caprichos by Emily Lombardo at Childs Gallery; striking figurative lithographs by American artist Robert Longo at Hamilton - Selway Fine Art; a bold woodcut by Royal Academy artist Eileen Copper at Rabley Contemporary Gallery UK; three - dimensional print sculptures by Lesley Dill and mixed media prints by Cuban artist Sandra Ramos at Tandem Press; a series of haunting portraits by the American artist Monica Lundy at Stoney Road Press / Ireland; colorful mixed media work by Stanley William Hayder at Susan Teller Gallery; subtle and contemplative photolithographic prints by Linda Schwarz at Wildwood Press LLC; and bold and colorful works by Alexander Calder and Chuck Close at Thomas French Fine Art.

Philip Guston (American, 1913 - 1980) The Street, 1970, from the portfolio Ten Lithographs by Ten Artists, edition of 120, published in 1971 by Shorewood - Bank Street Atelier, New York, for the Skowhegan School, Skowhegan, Maine, printed by Bank Street Atelier, New York.

Philip Guston (American, 1913 - 1980) Remains, 1979 - 80, from Eight Lithographs to Benefit the Foundation for Contemporary Performance Arts, Inc., 1981, proof outside of the edition of 50, published More...

Earth Day, 1970 Lithograph and chine collé on paper, 521/2 x 371/2 inches From an edition of 50 published by Gemini G.E.L. and The American Environment Foundation.

1992 Lithograph published by Olive Press, Cornell University, Ithaca, New York, [edition of 48].

The Hockney will be followed by three Alex Katz prints: two lithographs: Ann I (Est. $ 1,000 / $ 1,500) and Caroline ($ 700 / $ 1,000), as well as an unusual color spit bite and aquatint titled Beach Sandals, 1987 ($ 2,000 / $ 3,000) from an edition of 60.

Alongside the expected screen prints, lithographs and other paper - based editions are increasing numbers of 3D - printed sculptures.

Cindy, 2002 (Cindy Sherman) Lithograph 46 x 30 inches, the full sheet Signed & numbered edition of 120.

To help raise the funds necessary to build the collection, E.A.T. asked each of the selected artists to create a print as part of a portfolio of lithographs and silkscreens — The New York Collection for Stockholm — which was sold in an edition of 300.

Besides her editions of coloured lithographs, she has also at times produced series of monotypes — one notable series reflecting a visit undertaken to work in Venice.

A limited edition of 100 is available through Pace Prints, with a signed original lithograph with handwork by the artist.

«Trauma» collaboration with Björn Krondorfer lithograph, letterpress on handmade paper with text stencils 18 ″ x 24 ″ edition of 40 2013

In this original collage from, which precedes the later offset lithograph edition of 1992, Sturtevant makes her own version of Marcel Ducamp's Wanted $ 2,000 Reward.

«Ghosts» collaboration with Björn Krondorfer lithograph, letterpress on handmade paper with text stencils 18 ″ x 24 ″ edition of 40 2010

Jasper Johns has a prolific output of limited edition prints and multiples, producing near on 300 etchings, lithographs, and screenprints since the 60s.

Printed in an edition of 2,500, and edited by Bill Berkson, the book consists of a cloth - case portfolio holding loose signatures with poems by O'Hara paired with lithographs by thirty artists with whom he associated.

A book of Harland Miller's watercolours will be published by Reflex Editions Amsterdam as well as a special limited edition of 2 colour lithographs.

4 - color lithograph on Rives BFK paper 21 1/2 x 17 inches Edition of 62 signed and dated in pencil, numbered from the edition of 62 Literature Edward Foster, Robert Rauschenberg: Prints 1948/1970, Minneapolis Institute of Arts, Catalogue Number 52.

Pacita Abad, African Mephisto, unknown date, lithograph with pulp - painted chine - collé and metallic powder, 109.2 × 76.2 cm, 43 × 30 in., edition of 30, © Pacita Abad Art Estate

Polke, who encountered Fluxus at the very start of his career, relished the slapstick side of Conceptual art, as epitomized by «Higher Beings Commanded,» a 1968 edition of lithographs he made with Christof Kohlhöfer.

Barbara Balfour's exhibition is comprised of a varied edition of lithographs shown as a non-linear series.

(1982, lithograph and intaglio, 42 x 70 in, edition of 33)

This limited edition lithograph print by contemporary British artist Clare Woods, The Worrier Blue, combines a fluid dark purple and blue background with black crayon drawing of a figure.

HELEN FRANKENTHALER Reflections II, IV, and VIII three lithographs in colors, 1995, on Lana mould - made, all signed and dated in pencil, two annotated «P.P. I» and one numbered 15/30 (the editions were 30 plus 10 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, Reflections II with a small handling crease in the lower margin, two with a few spots of stray printing ink in the margins, otherwise all in very good condition, framed various sizes (3)

offset lithograph and screenprint in colors on wove paper, numbered HC 27/37 (aside from the edition of 50)

April 6 — May 6 Please join us for the opening reception Friday April 6, 7 - 10 PM An edition of lithographs by Brewer will be published with the exhibition.

Helen Frankenthaler (American, 1928 - 2011) A Slice of Stone Itself, 1969 lithograph edition 21/24, signed Frankenthaler and dated (lower right) 19 x 15 inches.

The collection of lithographs was published by Sam Francis and E. Kornfeld in 1964 and was printed in an edition of 2000.

Artist: Kiki Smith Title of Work: Litter (Fireplace Editions) Year: 1999 Plate Dimensions: 22 ″ x 30 ″ Material: Lithograph in 4 colors with gilding on Arches Cover White paper Photo Line: © Kiki Smith / Universal Limited Art Editions, 1999.

Helen Frankenthaler Reflections IX (from Reflections Series) 1995 6 - color lithograph on Rives BFK paper # 22 of 30 Published and printed by Tyler Graphics, Ltd., Mount Kisco Signed and dated lower right; edition lower left Sheet: 20» x 14.75»; Frame: 27.625» x 22.625» Together with copy of invoice from Tyler Graphics, Ltd. dated March 31, 1995 and print documentation

The illustrated books also include Pomme endormie, one of the few deluxe copies on Japan paper with 16 signed lithographs by Giacometti (lot 114, estimate: $ 20,000 - 25,000), together with a rare copy on green paper of 1929, a famous erotic work by Man Ray, here bound by Jean de Gonet (lot 121, estimate: $ 10,000 - 15,000), and rare editions of Joan Miro, Gustav Klimt, Nicolas de Staël, also with original contributions by Hans Bellmer, Pablo Picasso, Jacques Prévert and Salvador Dalí.