Sentences with phrase «edition lithograph on»

«Maxixe au Maximes» is a limited edition lithograph on paper that measures approximately 19» x 27» (with border), 13» x 21» (image).

Limited edition lithograph on paper Edition of 150 Two parts: 31.6 x 42 cm each Signed and numbered by the artist

Not exact matches

The Ultimate Loot Chest Limited Edition ($ 149.99 on Xbox 360, PS3 and PC) will include all of the Deluxe edition's items, plus a collectable scaled replica of the red loot chests; steelbook case; Creatures of Pandora wide - format ID chart; lithograph postcard set; field notes from Sir Hammerlock; cloth map of Pandora; and a numbered certificate of authenticity.

lithograph on paper; unframed edition 5 of 12 For over thirty years Dominique Blain has examined and addressed the links between relationships of domination, such as racism, mass...

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

Vendler had already done an edition of Ashbery's «Self - Portrait in a Convex Mirror» for Arion, printed on roundel pages — wheels of paper 18» in diameter — with work by several artists, including Willem de Kooning and Jim Dine, as well as a selection of Wallace Stevens with a frontispiece by Jasper Johns; 1992 saw an edition of Kaddish, White Shroud and Black Shroud with lithograph portraits by Kitaj.

A unique example of a section of color lithograph including hand editions by the artist, collaged on a support board.

Lithograph, linocut, and screenprint in colors with hand - coloring and collage, on wove paper, 1984, signed and dated in pencil, from the numbered edition of 60 (there were also 10 ar...

Martin Kippenberger, Raft of the Medusa (1996), suite of fourteen lithographs, edition of 26, various sizes on various papers, each signed and numbered, in portfolio; portfolio measures 58.42 x 47.62 cm.

Original limited edition lithograph by the Dutch artist Karel Appel on Arches paper, 100 % acid free.

Earth Day, 1970 Lithograph and chine collé on paper, 521/2 x 371/2 inches From an edition of 50 published by Gemini G.E.L. and The American Environment Foundation.

«Trauma» collaboration with Björn Krondorfer lithograph, letterpress on handmade paper with text stencils 18 ″ x 24 ″ edition of 40 2013

«Ghosts» collaboration with Björn Krondorfer lithograph, letterpress on handmade paper with text stencils 18 ″ x 24 ″ edition of 40 2010

Jasper Johns has a prolific output of limited edition prints and multiples, producing near on 300 etchings, lithographs, and screenprints since the 60s.

4 - color lithograph on Rives BFK paper 21 1/2 x 17 inches Edition of 62 signed and dated in pencil, numbered from the edition of 62 Literature Edward Foster, Robert Rauschenberg: Prints 1948/1970, Minneapolis Institute of Arts, Catalogue Number 52.

HELEN FRANKENTHALER Reflections II, IV, and VIII three lithographs in colors, 1995, on Lana mould - made, all signed and dated in pencil, two annotated «P.P. I» and one numbered 15/30 (the editions were 30 plus 10 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, Reflections II with a small handling crease in the lower margin, two with a few spots of stray printing ink in the margins, otherwise all in very good condition, framed various sizes (3)

offset lithograph and screenprint in colors on wove paper, numbered HC 27/37 (aside from the edition of 50)

Artist: Kiki Smith Title of Work: Litter (Fireplace Editions) Year: 1999 Plate Dimensions: 22 ″ x 30 ″ Material: Lithograph in 4 colors with gilding on Arches Cover White paper Photo Line: © Kiki Smith / Universal Limited Art Editions, 1999.

Helen Frankenthaler Reflections IX (from Reflections Series) 1995 6 - color lithograph on Rives BFK paper # 22 of 30 Published and printed by Tyler Graphics, Ltd., Mount Kisco Signed and dated lower right; edition lower left Sheet: 20» x 14.75»; Frame: 27.625» x 22.625» Together with copy of invoice from Tyler Graphics, Ltd. dated March 31, 1995 and print documentation

HELEN FRANKENTHALER (B. 1928) Bronze Smoke (Harrison 71) lithograph in colors, 1978, on red - brown pink J.B. Green Katusah handmade, signed and dated in pencil, dedicated «For John, with love, on his birthday, 22 Jan.» 79, Helen», annotated «Trial Proof» (the edition was 38 plus four 4 proofs), with the ULAE blindstamp, West Islip, New York, with full margins, in excellent condition, framed L. 25 x 18 3/4 in.

The illustrated books also include Pomme endormie, one of the few deluxe copies on Japan paper with 16 signed lithographs by Giacometti (lot 114, estimate: $ 20,000 - 25,000), together with a rare copy on green paper of 1929, a famous erotic work by Man Ray, here bound by Jean de Gonet (lot 121, estimate: $ 10,000 - 15,000), and rare editions of Joan Miro, Gustav Klimt, Nicolas de Staël, also with original contributions by Hans Bellmer, Pablo Picasso, Jacques Prévert and Salvador Dalí.

Helen Frankenthaler (American, 1928 - 2011), «The Red Sea,» 1978 - 1982, color lithograph from four stones and four aluminum plates on pink wove handmade paper, pencil signed and dated lower right, edition 13/58, printed by Roger Campbell, Lee Funderburg, and Kenneth Tyler, published by Tyler Graphics, Ltd., image: 15.5 «h x 20.75 «w, sheet: 24 «h x 28 «w, overall (with frame): 29 «h x 37 «w

HELEN FRANKENTHALER Madame de Pompadour (H. 170) lithograph in colors, 1985 - 90, on Arches Cover, signed and dated in pencil, numbered «AP 11/14» (the edition was 60), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, in excellent condition, framed S. 43 1/4 x 29 1/4 in.

(New York / Connecticut, 1928 - 2011) Venice II, 1969 - 1972, edition 3/8, published by Universal Limited Art Editions with blindstamp lower left, signed lower left «Frankenthaler» and titled and dated, lithograph in colors in two stones on English hand - made paper, 31 x 23-1/4 in.; sturdy metal frame, floated, full sheet with deckled edges, four points of foxing; frame with abrasions

HELEN FRANKENTHALER Flirting with Stone (H. 171) lithograph in colors, 1985 - 90, on Arches Cover, signed and dated in pencil, numbered «P.P. I» (the edition was 60 plus 14 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame L. 36 3/4 x 26 3/4 in.

HELEN FRANKENTHALER Reflections VI lithograph in colors, 1995, on Lana mould - made, signed and dated in pencil, numbered «P.P. I» (the edition was 30 plus 10 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame L. 16 3/4 x 13 3/4 in.

Jack Tworkov, «TL # 3,» Lithograph, 1977, signed, dated, titled and numbered from the edition of 10, printed at Tamarind Institute, with blindstamp in the lower - left sheet corner (and also that of the collaborating master printer), on Arches paper, printed to the edge of the sheet, sheet size: 26 x 26 inches.

Lot 163 Richard Hamilton Fashion - plate (L. 76) offset lithograph, screenprint and pochoir in colours with collage, retouched with cosmetics by the artist, 1969 - 70, on Fabriano wove paper, dedicated Ernie's proof from Richard, one of seven artist's proofs aside from the edition of 70, published by Professional Prints A.G., Zug (Petersburg Press S.A.), the full sheet, occasional pale foxing mainly in the lower and upper margins, otherwise in very good conditionI.

Phiip Guston Curtain, 1979 - 80 Lithograph From the numbered edition of 50 Signed, numbered and dated in pencil on recto Published by GEMINI GEL, original receipt included Sheet: 31 x 40.5 inches; Framed: 33 x 43 inches Estimate: $ 5,000 / $ 7,000

Click here to view limited edition lithographs by Gert and Uwe Tobias available now on fineartmultiple.

Francis Bacon Study for a Bullfight no. 1, 1971 Lithograph on Arches Signed in felt tip pen on recto, signature faded, numbered in pencil From the numbered edition of 150 Published by the Musée du Grand Palais Image: 50 x 45 inches; Sheet: 62.5 x 47 inches; Framed: 69 x 53 inches Estimate: $ 60,000 / $ 80,000

From Mirrors of the Mind; Lithograph and silkscreen with embossing Numbered AP 9/30; from an edition of 100; Signed and numbered in pencil on recto; Published by Multiples, Inc..

For the public edition of An Invitation, on view here, Ledare produced a series of large - scale lithographs connected to the private photography session.

Elaine de Kooning executed this pulsating eight - color lithograph in an edition of 70 on the occasion of the Tamarind Institute's 15th anniversary in 1977 (at the time, de Kooning was a resident there).

Tracey Emin (b. 1963) Birds 2012 lithograph in blue, 2011, on wove paper, signed, dated and titled in pencil, numbered 233/300 (there were also thirty artist's proofs), published by Counter Editions, London, apparently in very good condition, unexamined out of the frame Image 645 x 490 mm., Sheet 760 x 601 mm.

from Censorship, Thursday Artist: Richard Tuttle born 1941 Date: 2003 Classification: on paper, print Medium: Lithograph on paper Dimensions: support: 460 x 357 mm Presented by Universal Limited Art Editions, New York and the artist in memory of Monique Beudert 2005 © Richard Tuttle

from Censorship, Friday Artist: Richard Tuttle born 1941 Date: 2003 Classification: on paper, print Medium: Lithograph on paper Dimensions: support: 460 x 357 mm Presented by Universal Limited Art Editions, New York and the artist in memory of Monique Beudert 2005 © Richard Tuttle

HELEN FRANKENTHALER (b. 1928) Paris Review Poster (Williams College 10) lithograph in colors, 1966, on wove paper, signed and dated in pencil, inscribed «Artists proof for Roz» (the edition was 150), published by the Paris Review, with full margins, some minor surface soiling and time staining showing mostly at the bottom margin edge, otherwise in good condition S. 31 x 23in.

Norman Lewis, Untitled (Abstraction), 1947, Lithograph on cream wove paper, edition of 37.

Norman Lewis, Shorty George, 1943, Lithograph on cream wove paper, edition of 14.

HELEN FRANKENTHALER Dream Walk (H. 56) lithograph in colors, 1977, on pale mauve handmade paper, signed and dated in pencil, numbered «A.P.» (the edition was 47), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame L. 21 7/8 x 29 3/4 in.

Helen Frankenthaler (b. 1928) Sky Frame Orbit (Harrison 38) lithograph, etching and aquatint in colours, 1964 - 73, on pinkish - cream Arches paper, signed and dated in pencil, numbered 2/6 (there were also two artist's proofs aside from the edition), published by U.L.A.E, New York, with their blindstamp, with wide margins, the full sheet as published, a deckle edge to left and right, apparently in very good condition, not examined out of the frame L. 545 x 385 mm., S. 759 x 571 mm.

Joseph Beuys, Demokratie ist lustig (Democracy is Merry), 1973, offset lithograph on paper; unlimited edition, 4 ⅛ x 5 ⅞ in.

Joseph Beuys, documenta 4, offset lithograph on paper, ink stamp; unnumbered edition, 4 ⅛ x 5 ⅞ in.

HELEN FRANKENTHALER Walking Rain lithograph, aquatint, etching and engraving in colors, 1987, on T.H. Saunders, signed and dated in pencil, inscribed «AP» and numbered 12/14 (the edition was 54), with the Tyler Graphics blindstamp, the full sheet, in excellent condition, framed S. 29 1/2 x 22 1/2 in.

HELEN FRANKENTHALER Yellow Jack (H. 137) lithograph and stencil in colors, 1987, on Arches, signed and dated in pencil, inscribed «AP 10/12» (the edition was 54), published by Tyler Graphics, the full sheet, in excellent condition, framed S. 30 x 38in.

HELEN FRANKENTHALER Harvest (H. 54) lithograph in colors, 1976, on Cream HMP handmade paper, signed and dated in pencil, inscribed «Trial proof for Muriel's Birthday, with love HF», (the edition was 43 with 10 artist's proofs), published by Tyler Graphics, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame S. 26 x 22 in.

HELEN FRANKENTHALER (B. 1928) White Portal (Harrison 10) lithograph in colors, 1967, on Arches, signed and dated in pencil, numbered «H / C 5/7» (an hors commerce impression, the edition was 18 plus 4 artist's proofs), published by ULAE, West Islip, New York, with full margins, pale light -, mat and time staining, the colors slightly attenuated, otherwise in good condition, framed L. 18 3/4 x 14 3/4 in.

HELEN FRANKENTHALER (b. 1928) Frankenthaler Door (Harrison 73) lithograph in colors, 1976 - 9, on violet J. Whatman handmade, signed and dated in pencil, inscribed «Printers Proof 2/3» (the edition was 34 plus 6 artist's proofs), with the ULAE blindstamp, the full sheet, in excellent condition S. 28 x 41 in.

2002 Illustraded Catalog, Big Girl Paintings, Gagosian Gallery, Beverly Hills, CA 2001 Included in exhibition, Mythic Proportions: Painting in the 1980's, Museum of Contemporary Art, Miami 2000 Included in exhibitions: The International Festival of Contemporary Sculpture: Contemporary American Sculpture, Monaco; The Lenore and Burton Gold Collection of 20th Century Art, High Museum of Art, Atlanta 1999 Included in exhibitions: The American Century: Art and Culture 1950 - 2000, the Whitney Museum of American Art, New York; The Virginia and Bagley Wright Collection of Modern Art, Seattle Art Museum, Washington; Bad - Bad: That is a Good Excuse, Staatliche Kunsthalle, Baden - Baden, Germany 1997 Included in exhibitions: The Hirshhorn Collects: Recent Acquisitions 1992 - 1996, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; La Biennale de Venezia: Future, Present, Past, XLVII International Arts Exhibition, Venice 1996 Release of film, Basquiat, directed and produced by Schnabel 1994 Julian Schnabel: Retrospective, at the Museo de Monterrey, Mexico; included in exhibition, U.S. Painting of the 1980s, at the Irish Museum of Modern Art, Dublin, Ireland 1993 Included in Drawing the Line Against AIDS, exhibition in conjunction with Art Against AIDS Venezia, under the aegis of the 45th Venice Biennale, Peggy Guggenheim Colletion, Venice 1992 Included in exhibitions: Le Portrait Dans L'Art Contemporain, at the Musée d'art moderne et d'art contemporain, Nice, France; Manifeste, at the Musée national d'art moderne, Centre Georges Pompidou, Paris, France 1991 Solo exhibition, Julian Schnabel, at the Nelson - Atkins Museum of Art, Kansas City; included in exhibitions: The 1980's: Selections from the Permanent Collection, at the Whitney Museum of American Art, New York; Toward a New Museum: Recent Acquisitions in Painting and Sculpture, 1985 - 1991, San Francisco Museum of Modern Art, California 1989 Traveling solo exhibition, Julian Schnabel: Works on Paper 1975 - 1988, originating at the Museum für Gegenwartskunst, Basel, Switzerland 1986 Traveling solo exhibition, Julian Schnabel: Paintings 1975 - 1986, originating at the Whitechapel Art Gallery, London 1985 Completes four etching, lithographs published by Pace Editions, New York 1984 - 2001 Solo exhibitions at PaceWildenstein, New York 1984 First solo exhibition at the Pace Gallery, New York 1979 First solo exhibition at the Mary Boone Gallery, New York