Sentences with phrase «editor and publisher since»

When Allen Pusey, who had been editor and publisher since 2011, retired late in 2016, Molly became interim editor and publisher.

Following a decade of staff writer and columnist positions on daily newspapers, he's worked as an independent writer, editor and publisher since 1987.

Not exact matches

A former newspaper editor and publisher who has handled digital duties for The Shelby Report since 2011.

Specifically, Brooks has worked at the heart of the packaging market since 2008, first as Editor and latterly Publisher of Packaging News; previous to that he worked within the editorial team on PrintWeek for over four years.

Since Alan's death in 1999 this publisher and former literary editor of The Times has edited two volumes of his diaries and, now, written his biography.

Walter has been the editor and publisher of The Queens Ledger / Brooklyn Star Community Newspaper Group since 1986.

John Dagys — Publisher / Editor - in - Chief John Dagys is a motorsports publisher, journalist and photographer, having covered the sport professionally siPublisher / Editor - in - Chief John Dagys is a motorsports publisher, journalist and photographer, having covered the sport professionally sipublisher, journalist and photographer, having covered the sport professionally since 2005.

Since Chicken Soup for the Soul receives thousands of story submissions for every volume of 101 stories that they publish, I asked Amy Newmark, Chicken Soup for the Soul's Publisher and Editor - in - Chief, to share her best story writing tips with us.

After working for two years as managing editor for a cookbook imprint and another five as a commissioning editor for a local interest and regional history publisher, Becky reconnected with Sandra and has been working with her ever since.

The Frankfurt Fellows 2017 are: Leonardo Archila, Publishing Director, Intermedio Editores, Columbia Dorothy Aubert, Editor, Hugo & Cie / Publisher & Founder, Belleville éditions, France Anish Chandy, Head of Business Development & Rights, Juggernaut Books, India Anne Isabel Cowley Meadows, Commissioning Editor, Granta & Portobello Books, UK Stella Soffia Jóhannsdóttir, Acquiring Editor, Forlagid, Iceland Tynan Kogane, Editor, New Directions Publishing, USA Johanna Laitinen, Executive Editor, Gummerus Kustannus, Finland Hernán López Winne, Co-founder und Editorial Director, Ediciones Godot Srl, Argentina Lisanne Mathijssen, Commissioning Editor, HarperCollins Holland, Netherlands Rita Mattar, Editor und Rights Manager, Companhia das Letras, Brazil Hiromi Morikawa, Foreign Rights Manager, Iwanami Shoten, Publishers, Japan Dominique Pleimling, Editorial Director, Eichborn / Bastei Lübbe, Germany Anna Slotorsz, Rights and Royalties Manager, Sonia Draga Sp. z o.o., Poland Mariia Shakura, Publisher, Book Club Family Leisure Club, Ukraine Flavia Vadrucci, Junior Editor, Marsilio Editori S.p.A., Italy Qian Yin, Foreign Rights Manager, Liaoning Science and Technology Publishing House Ltd., China Since 1998, the Frankfurt Fellowship Programme has been bringing together international publishing professionals in the run - up to the Frankfurter Buchmesse.

Beneath Ceaseless Skies • Literary adventure fantasy, since 2008; publisher and editor - in - chief Scott H. Andrews • Format: Online; PDF and ebook formats • Frequency: biweekly • http://www.beneath-ceaseless-skies.com/

I hope more established authors continue to independently publish (using professional editors) and that e-book prices will drop a bit from the craziness we've been seeing since the price fixing when the publishers negotiated new pricing with Apple when the i - Pad was released.

Since working at ICM, Literary Agent Amber Canavan has held such positions as: Marketing, Legal Assistant, and Associate Editor at International Masters Publisher, Freelance Copy and Project Editor, Substitute Teacher, and with Green Expo.

Publishing and Printing Costs: Traditional publishers cover all printing and publishing costs and assume all the risks of publication, which can prove a significant advantage to an author, since costs can range in the thousands of dollars, according to professional writer / editor Lillie Ammann's Self - Publishing Primer.

Since I started working with the professionals I found on Reedsy, I have learned so much about the publishing industry and its standards: from learning about widows and orphans thanks to my copy editor, to understanding bleeds and crops from my designer, my team helped me acquire the knowledge I needed to become an indie publisher.

In the time since your literary agent sold your novel or non-fiction book proposal to a book publisher and you signed your book contract, you and your editor have likely had some back - and - forth about the content.

Adam Boretz, editor: Adam has been the editor of PW Select since its creation in 2010, and he has overseen Publishers Weekly's participation in the Amazon Breakthrough Novel Awards since 2007.

Since I have been through the process (fire) of publishing a book, I want to reach out to writers working on a manuscript, and encourage them to push through the writers block, accept the enormous amount of time it will take you to work with an editor to make your manuscript the best it can be, and the gigantic amount of time it will take you to research, submit and wait to hear, if you ever do, from the publishers, small presses, and literary agents who received your submission.

Preditors and Editors has been been around since 1997, warning writers away from unscrupulous agents and editors, and Writers Beware has been maintaining an «extensive database of questionable literary agents, publishers, independent editors, writer's services, contests, publicity services, and others» sincEditors has been been around since 1997, warning writers away from unscrupulous agents and editors, and Writers Beware has been maintaining an «extensive database of questionable literary agents, publishers, independent editors, writer's services, contests, publicity services, and others» sinceditors, and Writers Beware has been maintaining an «extensive database of questionable literary agents, publishers, independent editors, writer's services, contests, publicity services, and others» sinceditors, writer's services, contests, publicity services, and others» since 1998.

As a long - time editor for independent authors (more than ten years now) and as an indie publisher since 2011, I think what would tremendously help this checklist would be to mention at what stage of book production these steps should be done.

WritingNow.com — Since 1997 WritingNow.com has shared tips, interviews with writers, editors, and publishers worldwide and links to other resources to coach writers in marketing their work.

Since professional writers already depend on agents / contract lawyers (since even the best and most caring editors are still on the publisher's payroll, not the author's), and as the share of self - published books grows, it seems unavoidable that some agents and editors will merge / pool their talents to provide writers with the external services they require (accounting, editorial counsel, copy - proofing) so that authors can focus on their core tSince professional writers already depend on agents / contract lawyers (since even the best and most caring editors are still on the publisher's payroll, not the author's), and as the share of self - published books grows, it seems unavoidable that some agents and editors will merge / pool their talents to provide writers with the external services they require (accounting, editorial counsel, copy - proofing) so that authors can focus on their core tsince even the best and most caring editors are still on the publisher's payroll, not the author's), and as the share of self - published books grows, it seems unavoidable that some agents and editors will merge / pool their talents to provide writers with the external services they require (accounting, editorial counsel, copy - proofing) so that authors can focus on their core trade.

As a long - time freelance editor working solely with self - publishing authors (since 2005) and now as an indie publisher (and still an editor), I am not surprised at these stats, but here is what I'm wondering:

As the editor and publisher of The No - Load Fund Investor since 2003 and of The Investor's ETF Report since 2006, Mark Salzinger writes or oversees all the content in the newsletters.

Robert M. Brinker has been the editor and publisher of the Brinker Fixed Income Advisor since the inaugural issue in April 2005.

Since 1984, Stephen Todd has been the editor and publisher of the Todd Market Forecast, a monthly newsletter with emphasis on the stock market, but also with sections about gold, oil, currencies and...

Since 2010, she has been an editor with the magazine and publisher Triple Canopy.

Willats has exhibited widely in solo and group exhibitions, and is also the publisher and editor of Control Magazine, which has been documenting the work of artists since 1965.

Alan Pusey has been with the ABA Journal since 2007 and was named editor and publisher in 2011.

Given the many positive changes at the Journal since Adams took over as editor and publisher last year, I suspect it was the latter.

Pusey has been with the ABA Journal since 2007 and was named editor and publisher in 2011.

In 2011, NETability purchased WorkCoachCafe.com, which Susan has been editor and publisher of WorkCoach since then.

Since 1998, Susan has been editor and publisher of Job-Hunt.org.

Susan P. Joyce, President of NETability, Inc. and editor / publisher of award - winning Job-Hunt.org, has been a Web developer since 1995.

PROFILE Exceptionally skilled, versatile, highly regarded, successful and charitable area multi-magazine Publisher and Editor - in - Chief since 2003 with a track record of effective leadership, launching new titles, marketing and expansion through an understanding of target markets seeking an executive or senior level position within a publishing company or organization.