I've been a developmental and acquisitions
editor at major publishing houses for many years.
After graduating from Harvard College with a degree in English literature, I began working in the book business, both as an independent editor with private clients, and as an acquiring and developmental
editor at major publishing houses in the industry.
One
editor at a major publishing house, who agreed to speak on condition of anonymity for fear of employer sanctions, told me that agents of Barnes & Noble, Borders, and Target are frequent participants in meetings about potential books.
Acquisition
editors at major publishing houses are hot to find the next big thing, especially that elusive debut author whose manuscript both inspires their personal devotion and appears to have the necessary commercial appeal.
«If you're
an editor at a major publishing house, you have to look globally [for new works to translate] and that can be overwhelming.»
You write in a vacuum or for a professor who frowns on genre; you workshop with other writers; you craft a query letter; you appeal to the tastes of an intern at a literary agency; you claw your way out of the slush pile; you hope to win over
an editor at a major publishing house; your book comes out a year later and sits spine - out on a bookshelf for six months; it gets returned to the publisher and goes out of print; you start over.
I trained as a journalist, then worked as
an editor at a major publishing house for seven years, before leaving to have children.
Not exact matches
Since an agent's main job is to become familiar with the interests of acquiring
editors and executives
at the
major publishing houses, and sell them books, it makes sense for most agents to live in New York.
A New York literary agent can spend more time with
editors and publishers
at major New York
publishing houses (the people who buy most books).
New York Book
Editors is a premiere affiliation of editors who have spent at least four years at New York's major publishing
Editors is a premiere affiliation of
editors who have spent at least four years at New York's major publishing
editors who have spent
at least four years
at New York's
major publishing houses.
All are professional writers or
editors — many have
published in places such as The New York Times and Washington Post or served in high - level positions
at major publishing houses, such as Random
House.
If you're being
published by a traditional
publishing house, there are many people — from
editors to sales representatives to marketing managers to publicists to even book buyers
at the
major booksellers — who will weigh in on the consumer appeal and effectiveness of your book's title.
Well, before I sent my book out to agents, I hired a «book doctor» who was a former acquisition
editor from a
major New York
publishing house (like most
editors he worked
at a few different
houses).
As a Random
House editor told me in an e-mail exchange concerning that ill - fated venture, «There are no minor leagues
at major publishing houses.»