Before starting her own agency, Ms. Unter worked in many aspects of the publishing industry: in
editorial at a publishing house; as a copyright lawyer at an entertainment law firm; and as VP at a literary agency.
Not exact matches
I made my home in Brooklyn and took a job in the
editorial department
at a book
publishing house.
As a fiction editor
at a
publishing house, we are treated to scenes where Ana is scolded by her husband for not changing her work email address to her newly married name, and her
editorial notes consist of «make the font size two points bigger.»
Anna has been in the
publishing industry for almost ten years, working in
editorial at Random
House and then for Peter Fraser & Dunlop, a prominent literary agency.
Brian DeFiore started the agency in 1999, after close to twenty years working in mainstream
publishing houses, including stints as an Editor at St. Martin's Press, as VP Editorial Director at Dell / Delacorte, as VP and Editor - in - Chief at Hyperion, and as SVP and Publisher of Villard Books / Random House Publish
publishing houses, including stints as an Editor
at St. Martin's Press, as VP
Editorial Director
at Dell / Delacorte, as VP and Editor - in - Chief
at Hyperion, and as SVP and Publisher of Villard Books / Random
House PublishingPublishing Group.
She named it The
Editorial Department because it provided the same services that editorial departments at publishing houses had once routinely
Editorial Department because it provided the same services that
editorial departments at publishing houses had once routinely
editorial departments
at publishing houses had once routinely offered.
These are people who have largely written for major publications such as the New York Times, and Washington Post or hold senior - level
editorial positions
at major
publishing houses such as Random
House and HarperCollins.
If they choose to look only
at «large publisher» books, it's because they've bought (or are required by their publishers to follow) the «books by other publishers are no good» line, even when a commentator whose review is right there on view on a book's cover obviously knows more about literature than half the
editorial staff (even good ones)
at most large
publishing houses.
During her tenure
at these major
publishing houses, she worked in the areas of subsidiary rights, marketing, sales, and
editorial.
At many
publishing houses, humor book ideas are pitched and developed in boardrooms by the
editorial staff, then an editor is assigned to recruit a writer to pen the manuscript.
At a
publishing house, the
editorial and proofing process can take a year, so having patience with your own book's journey through this portion of the production process is vital to creating a wonderful book.
After completing the Columbia
Publishing Course, Samantha found her passion for foreign rights and
editorial through her internships and part - time work
at three literary agencies, Ayesha Pande Literary, Writers
House, and Chalberg & Sussman.
Each imprint will have its own
editorial, marketing and publicity teams, all overseen by Allison Dobson, vice president and digital
publishing director at Random House Publish
publishing director
at Random
House PublishingPublishing Group.
As a children's book
editorial and
publishing consultant (after having been a children's book
publishing at one of the large
houses), I often discuss with clients the role that agents can and, in my opinion, should play if their clients are interested in self or indie
publishing.
These words jumped out
at me in a workshop given by Lawrence Wilson, pastor and former
editorial director
at Wesleyan
Publishing House.
As mentioned in our
editorial for the October 13
Publishing Perspectives Show Daily
at Frankfurt, one of the most interesting data points from Rome and Milano is that Italian publishers are seeing something of the format stability that Markus Dohle of Penguin Random
House mentioned
at the opening press conference
at the Frankfurt Book Fair, but the Italians also report growth in the ebook sector: