This phase results in a 2 +
page editorial letter and a quote for the full manuscript, which varies based on how much work is needed.
Cass talks about things like
what editorial letters are, how royalties and rights work, and what it's like to write a sequel, all with an approachable, refreshing genuineness that reminds us successful authors really are just like us.
Clients will receive a
lengthy editorial letter offering my overall thoughts on content, structure, characterization, pacing, dialogue, setting, point of view, technique, and other elements of the story.
His editorial letters and opinions have appeared in the Newsweek, Scientific American, The New York Times, and New York Magazine.
Her kind words in
the editorial letter gave me more confidence to pursue my writing.
Sometimes a developmental edit will come back to you as
an editorial letter of anywhere from 10 to 30 pages for an average novel.
Developmental editing: If you've written a novel and you don't think it's as good as it can be, I will read your manuscript and write
you an editorial letter, a long and thorough explanation of what's working and what isn't, and general suggestions about how to fix it.
«Instead, they would receive
an editorial letter that focuses on the broad strokes.
It's often best to think of the annotated manuscript as the editor's raw feedback, which is then summarized in
the editorial letter.
(We can generally work with you by phone,
editorial letter, in - manuscript annotations, or any combination of these, and you can read more about how the developmental editing process works and what to expect from it here.)
Feedback will be provided in the form of
an editorial letter (PDF).
Print This Post Filed Under: CRAFT, Process, REAL WORLD, Writing life Tagged With: coping with comments, critique, Densie Webb, developmental editing, editing,
editorial letter, revision, writing life
I recently received
the Editorial Letter from my developmental editor for my second manuscript.
As you probably know, either from experience or hearsay,
editorial letters can be traumatic.
This is the stage after you receive
an editorial letter that poses questions about character development, suggests adding scenes (or removing them), and encourages other «big picture» thinking.
Many editors also offer this kind of feedback in the form of a manuscript assessment,
editorial letter, or critique.
Editorial letters are typically 4 - 6 single - spaced pages depending on the recommendations.
While it may not be for everyone, I favor
the editorial letter for developmental editing over the editorial rewrite.
My name is on the cover, after all, and the things we're talking about in
the editorial letter are not of the magnitude that would cause the manuscript to be rejected.
The third book's
editorial letter will arrive closer to two months in this timeline.
Only with my first novel it was four months before I had
the editorial letter (I had six weeks to complete the content edits) and six months for the second book's editorial letter (I had, and needed, all six weeks again to rewrite a third of the book).
Often, developmental editors will also provide
an editorial letter.
It ends with going public, complete with screen shots of the original manuscript,
the editorial letter, the page proofs and the final, published product.
Consider this — when you get a professional critique or
an editorial letter, do you immediately read the letter or critique, then rush to get the requested revisions done right then and there?
Part of my process in doing this is to ask an author to send
me any editorial letter they received from their publisher and their response to any proposed edits.
Write opinion or
editorial letters to newspapers and magazines.
Having read
his editorial letter several times, I'm both impressed and pleased by the depth of his immersion into my story and the thoughtfulness of his comments and recommendations.»
I then also compile
an editorial letter which is often several pages long highlighting the main issues and providing the author with guidance on how to resolve those issues.
I will provide you with
an editorial letter afterward addressing issues such as plot inconsistencies, achieving a compelling climax, and characterization.
First editor does an editorial assessment on your manuscript and delivers an editorial letter
If you're stuck and haven't finished a manuscript, submit what you have and I can help you brainstorm with
my editorial letter.
I think Scott's
editorial letter is worth reading even if you don't read NP regularly, so I'll reproduce it here: