Sentences with phrase «editorial writer at»

The Center for American Progress is also home to the comical figure Joe Romm)[Update: October 16, 2009: Quin Hillyer, Senior editorial writer at The Washington Times, questions Eilperin's potential conflict of interest.

The same day, RiShawn Biddle — an education commentator and former editorial writer at the Indianapolis Star — took to his blog and penned an open letter.

Author Bio: Richard Whitmire is a veteran newspaper reporter and former editorial writer at USA Today.

Not exact matches

The awful moral choice forced on Senator Kerrey is a commonplace aspect of war, not understood at all by professors and editorial writers who imagine, with obscene hubris, that they could avoid the guilt feelings associated with combat.

Besides Sowell, a senior fellow at the Hoover Institution on War, Revolution and Peace at Stanford University, other prominent figures in the black conservative movement are Glenn C. Loury, a professor at Harvard's Kennedy School of Government; Walter E. Williams, a professor of economics at George Mason University; I A. Parker, president of the Lincoln Institute for Research and Education, Inc.; Robert Woodson, president of the National Association of Neighborhood Enterprises; and Joseph Perkins, editorial writer for the Wall Street Journal.

A New York Times editorial writer would readily find himself at home in Jeremiah's catalogue of social evils.

Our editorial team is made up of professional writers and editors, many educated at top journalism schools in the United States.

On February 24 — the day de Blasio met with the Times editorial board and writers — he met one - on - one with Ragone for 30 minutes at Gracie Mansion.

Hammond, an Albany - based editorial writer and columnist at the Daily News, has covered shenanigans at the state Capitol since 1998.

At Cleveland.com, a roundtable of editorial writers was generally supportive of the march.

Maria Mooney, MSW, LSW, is a raw vegan licensed social worker, certified holistic health coach, social media and editorial assistant at KrisCarr.com and freelance writer.

Anna Gannon is a mom, the Community Guide and Editorial Lead at Expectful, a Writer and a Yoga & Meditation Guide.

Stefani Ellenbecker is our Editorial Director at W&D — She manages our contributing writers, editorial calendar and acts as our head copywriter anEditorial Director at W&D — She manages our contributing writers, editorial calendar and acts as our head copywriter aneditorial calendar and acts as our head copywriter and editor.

According to the Rotten Tomatoes web - site, writers considered top critics «must be published at a print publication in the top 10 % of circulation, employed as a film critic at a national broadcast outlet for no less than five years, or employed as a film critic for an editorial - based website with over 1.5 million monthly unique visitors for a minimum of three years.»

Mitch Pearlstein is director of a think tank in Minneapolis, the Center of the American Experiment, which he founded after a career working for University of Minnesota president C. Peter Magrath, for Minnesota governor Albert H. Quie, as an editorial writer for the St. Paul Pioneer Press, and at the U.S. Department of Education with Chester Finn.

Joanne Jacobs, a former San Jose Mercury News editorial writer and columnist, writes about K — 12 education and community colleges at joannejacobs.com and ccspotlight.org.

It did not take long for Risk «s analysis and central findings to win acceptance among the general public, editorial writers, business leaders, governors, and other elected officials at the national, state, and local levels.

Author Bio: Joanne Jacobs, a former San Jose Mercury News editorial writer and columnist, writes about K — 12 education and community colleges at joannejacobs.com and ccspotlight.org.

E-mail Denver Post editorial writer Alicia Caldwell at acaldwell @ denverpost.com.

In his new book, A Place Called Canterbury: Tales of the New Old Age in America, Dudley Clendinen, a former national reporter and editorial writer for the New York Times, chronicles the compelling life stories of the residents at a Life Care center in Tampa Bay.

For writers seeking the best that self - publishing can offer, Archway Publishing offers the highest quality design, formatting, editorial and marketing services provided by a team of specialists at Author Solutions.

At many publishing houses, humor book ideas are pitched and developed in boardrooms by the editorial staff, then an editor is assigned to recruit a writer to pen the manuscript.

Regular Membership is a voting category open to traditionally published authors with at least one book published in the U.S., self - published authors who have made at least $ 5,000 in the past 18 months from their writing, and freelance writers who have published at least three pieces in publications with editorial oversight (print or online) or who have made $ 5,000 in the past 18 months.

He is also a staff writer at The New Yorker and has written editorials on policy issues for the New Republic, the Washington Post, and the New York Times.

Richard Whitmire is a longtime education reporter and editorial writer who has chronicled a critical shift in the national education debate: While it was once presumed that girls were falling behind in school, now it appears that boys are at greater risk.

Founded in 1980 by Renni Browne, a former senior editor at William Morrow and coauthor of the bestselling Self - Editing for Fiction Writers, The Editorial Department provides expert support in planning, revising, and editing all genres of fiction and nonfiction.

I guess my concern is that there are already too many writers out there paying for editorial services and not getting what they are promised because the «editor» isn't editing but proofreading or, at best, copy editing.

She is also part of the credible Writer's Market, Publishers Marketplace, and Editorial Freelancers Association and plays a pivotal role as senior editor at Modern Gladiator magazine.

She cut her teeth in New York working at esteemed literary agencies such as Writers House and Harold Ober Associates, where she developed an eye for compelling, emotionally resonant stories, honed her editorial skills, and soon grew adept at contract vetting and negotiation.

After completing the Columbia Publishing Course, Samantha found her passion for foreign rights and editorial through her internships and part - time work at three literary agencies, Ayesha Pande Literary, Writers House, and Chalberg & Sussman.

Before becoming a full - time writer in 2006, Hilary worked in the publishing industry for ten years, holding positions in editorial, marketing, and business development at Houghton Mifflin, Barnes & Noble.com, and the ebook division of Time Warner Books (now Hachette).

From 2001 — 2010 she worked at Writer's Digest, where she ultimately became publisher and editorial director; more recently, she served as the digital editor for the Virginia Quarterly Review.

With expertise in the industry as the former publisher and editorial director of Writer's Digest, a lecturer in publishing at the University of Virginia, and a former professor of e-media at the University of Cincinnati, Professor Friedman is highly qualified to provide you with a penetrating view into the many mysteries of the book publishing world.

As Publisher & Editorial Director of the Writer's Digest community, I thought it might be helpful for me to jump in at this point.

In fact, the largest number of editorial horror stories I've heard have come from not from writers at big and medium - sized publishers, but from unpublished or self - published writers who hired less - than - qualified independent editors (there are a lot of them out there), or from small press authors whose inexperienced publishers employed editors without the proper professional skills.

In addition to editorial services, I speak at colleges, schools, writers organizations, and conferences to teach audiences like yours how to Ignite Their Ink.

Martin is a writer, content marketing specialist, and part of the team at Reedsy, a marketplace that connects authors with brilliant editorial, design, and marketing talent.

My commercial success is on the industry side, as an editorial director, publisher, and digital content strategist at traditional publications — someone who acquires material and edits writers for publication across a variety of channels.

Our annual Writing Contests Issue features over 100 contests with no entry fees, a look at the money behind free contests, a special report on extended deadlines, and tips for smart contest entries; interviews with nonfiction writer Leslie Jamison, poet and activist Carmen Giménez Smith, novelist and critic Laila Lalami, and Library of America editorial director John Kulka; plus audiobook options for writers; a defense of quiet books; writing prompts; and more.

Katie McCoach presents Being able to do what's best for your story, and not your ego posted at KM Editorial, saying, «The key to being a successful writer is being able to do what's best for your story and NOT your ego.»

Halona Black presents How to Market Your Self Published Ebook (Part I): One Freelance Writer Shares the Biggest Mistakes She's Made posted at Inkwell Editorial, saying, «This is Part I in a 4 - part series of guest posts on marketing an ebook I published one year ago.

As for Harlequin, I'm not personally familiar with their editorial services, but a quick glance at their website indicates that they're offering writers a general critique in the form of a short summary — not a page - by - page comprehensive developmental edit.

From 2001 to 2010, she worked at Writer's Digest, ultimately becoming publisher and editorial director of the $ 10 million multimedia brand.

Jane is the publisher and editorial director of the Writer's Digest brand community at F+W Media in Cincinnati, Ohio, where she oversees Writer's Digest magazine, Writer's Digest Books, and the Writer's Market series.

As a faculty member first at the University of Cincinnati and now at the University of Virginia — and as the former publisher of Writer's Digest and the co-founder with Manjula Martin of Scratch magazine for writers — Friedman offers expert guidance and editorial assistance to authors on a consulting basis.

Offerings like that at Writers & Artists Yearbook and their existing and future competitors will, I suggest, probably form the front end of the editorial departments of many publishers when the transition is complete.

Assuming all other things are equal (cover, editorial, blurb, reviews), I'll back an indie promoting their latest well - received thriller at a price point of # 3.99 against a new trade published writer being sold for # 15.

Michelle Gross is an Editorial Producer and Contributing Writer at Travel + Leisure.

Thomas Swick has been a feature writer, an editorial writer, and, at his last newspaper, the South Florida Sun - Sentinel, a travel editor.

We also review all the latest games thanks to the fantastic team of writers here at DJ as well as provide you with some great editorials on the site also.