In the book publishing industry,
editors and agents play different but very important roles.
Not exact matches
How do you see the laying - off of so many in - house
editors in the past couple of years affecting the work you both do,
and how these new independents with publishing contacts
and skills will
play out in the workforce — both as literary
agents and as independent
editors — in the next few years?
The first two days
play host to CraftFest, a time for writers to learn from the greats on topics pertaining to suspense writing, as well as AgentFest, in which over sixty
agents and editors attended to take pitches from aspiring authors, a rare head count of talent for writing conferences.
Then, after that, you have to
play the waiting game as you submit it to
editors,
agents and publishers.
I have 12 traditionally published books
and an
agent, but after a couple of frustrating years dealing with a publisher canceling my series because of a power -
play among the
editors, year - long wait times on submissions (even with an
agent),
and a market so narrow that I was advised that I probably couldn't sell children's historical fiction set in ancient Egypt unless it involves zombie mummies, I decided to try self - publishing.
When a publisher gives up on a book, the author should avoid
playing the blame game with
agents,
editors,
and publishers.