This raises troubling questions about the role of certain
editors of certain scientific journals.
And keep in mind that these are arguments that certain
editors of certain high - ranking climate journals found persuasive.
Not exact matches
Then a second piece appeared that featured comments from an anonymous
editor about how staff routinely kept
certain sites and topics out
of the Trending feed.
Editor's note: From food to fashion, this weekly series asks startup founders at New York City incubators to weigh in on the pluses and minuses
of certain popular industries.
Think about it — a
certain amount
of anxiety about getting the job done is often the motivating factor that actually gets college students to buckle down and study for exams, or gets journalists to finally send something to their
editor.
The repeating names may suggest a
certain Gilded Age anachronism, but A.G. is considered a real heavyweight in the newsroom — a smart and humble
editor who's also very astute about the difficult state
of the news business.
Sojourners and its
editor, Jim Wallis, are highly respected in
certain sectors
of the evangelical community.
In view
of a
certain pattern that seems to be emerging even in the pages
of First Things, perhaps the
editor would like to reassure me that this alleged Protestant paranoia is not actually warranted concern?
[
Editor's Note: In light
of yesterday's controversial Supreme Court ruling that Hobby Lobby does not have to provide
certain forms
of birth control to employees under the Affordable Care Act,...
Recently retired Christianity Today
editor Harold Lindsell, in his much publicized book The Battle for the Bible, chronicles
certain of the tensions presently shaking the evangelical world.1 He would have us know that many «evangelicals» have forfeited their right to use that title any longer.
My case was one in which the author,
editor and reader are all known entities (in fact, they all know each other personally); the reading takes place in the exact same cultural and social context as the writing and editing; and the reader is himself a really smart guy, Ivy - league Ph.D. and all, who had spent a decade training the
editor to be a
certain kind
of editor, with specific tools unique to the specific publication's aims.
Neither
of us, I think, was quite
certain just what contribution I might be making to the enterprise, but I was a reasonably educated and reasonably pious» though hardly properly observant» Jew who had worked for many years as an
editor, and since Religion and Public Life had recently begun publishing First Things, I suppose it was thought that I was qualified to add some, albeit hardly scholarly, expertise to the enterprise.
Posts are removed by participants too, who «Report Abuse» a
certain number
of times - and the
editors don't seem to care a whit.
Luckily I stumbled across a book called «The Best Recipe» written by the
editors of Cook's Illustrated magazine and based on chef's trialling the many different versions
of certain recipes out there to find «the absolute best version».
I'm one
of those BA
editors that gets all riled up about
certain dishes at tastings or in the magazine that I can't wait to (hopefully, faithfully) replicate our test kitchen's brilliant work at home.
Editor - in - Chief
of the New Crusading Guide, Abdul Malik Kwaku Baako, whose protégé is Anas, has said the careers and integrities
of certain people captured in the yet - to - be released exposé will be in tatters.
According to Sophie Staniszewska
of the University
of Warwick in the United Kingdom, one
of the two
editors - in - chief for the new journal, «[h] aving experienced a
certain medical condition makes patients «lay experts» for that condition, and the journal aims to benefit from this.»
I can only imagine that in the minds
of certain editors the mention
of artificial meat triggered associations with tempeh, seitan, Quorn, and other substances vegetarians have been turning up with at barbecues over the last few decades.
Although I reluctantly agree with the
editors that mandatory GMO labeling is bad policy, I'm
certain that fighting disclosure is not where the scientific community should be putting its energy — especially because it's very likely that North America will soon be swamped by the pro-labeling tide that has already swept across Europe, Asia and much
of the rest
of the world.
If journal
editors become aware that IPD sharing obligations are not being met, they may choose to request additional information; to publish an expression
of concern; to notify the sponsors, funders, or institutions; or in
certain cases, to retract the publication» [1].
Selective citation
of papers that support one's own findings or to please
certain parties (reviewers,
editors, colleagues).
March 2018: The IASLC and the Journal
of Thoracic Oncology (JTO) are pleased to present the
Editor's Choice each month to highlight
certain articles
of interest.
Health's contributing nutrition
editor Cynthia Sass, MPH, RD, has warned that banning
certain foods can trigger a sense
of panic that leads to obsessive thinking, followed by rebound binge eating.
I have even heard the
editors of Yoga Journal at a conference admit that
certain body types sell, and they are in fact in the business
of selling magazines.
Nobody's Looking at You — the paradox
of the designer Eileen Fisher's success in creating a uniform for «women
of a
certain age and class — professors,
editors, psychotherapists, lawyers, administrators — for whom the hiding
of vanity is an inner necessity.»
He believes he has been banned from the pages
of an important American fashion bible, which he leaves unnamed, because he refused to work with a
certain model, preferred by the magazine's influential
editor.
From a messaging perspective, the new ways
of doing things can also be quite confusing for
editors, forbidden from taking photos at
certain presentations and publishing them as usual at others.
Following the uncovering
of certain government secrets that had been kept hidden for many years, Kay Graham (Meryl Streep) leads the Washington Post, as Ben Bradlee (Tom Hanks), the
editor in chief
of the paper, sets out to do whatever is necessary in order to be the first newspaper to publish this article, even if it means risking their empire altogether.
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Film: La La Land Director: Barry Jenkins for Moonlight Screenplay: Kenneth Lonergan for Manchester by the Sea Actress: Isabelle Huppert for Elle and The Things to Come Actor: Casey Affleck for Manchester by the Sea Supporting Actress: Michelle Williams for Manchester by the Sea &
Certain Women Supporting Actor: Mahershala Ali for Moonlight Foreign Language Film: Toni Erdmann Cinematography: James Laxton for Moonlight Nonfiction Film: OJ: Made in America First Film: The Edge
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Editor Thelma Schoonmaker.
Venue: Cannes Film Festival (Un
Certain Regard) Opens: June 14 (A24) Production: American Zoetrope, Nala Films Cast: Israel Broussard, Katie Chang, Taissa Farmiga, Claire Julien, Georgia Rock, Emma Watson, Leslie Mann, Gavin Rossdale Director: Sofia Coppola Screenwriter: Sofia Coppola, based on the Vanity Fair article by Nancy Jo Sales Producers: Roman Coppola, Sofia Coppola, Youree Henley Executive producers: Emilio Diez Barroso, Darlene Cammano Loquet, Francis Ford Coppola, Paul Rassam, Fred Roos, Mike Zakin Directors
of photography: Harris Savides, Christopher Blauvelt Production designer: Anne Ross Costume designer: Stacey Battat
Editor: Sarah Flack Music supervisor: Bran Reitzell Rated R, 91 minutes
It acts like a virtual
editor of sensory information, letting in
certain things and filtering out others.
When your students reach a
certain age, they'll start taking the details
of their writing much more seriously — there'll be no room for spelling mistakes, grammatical errors, or repetition — and Hemingway
Editor will make them feel like professional authors and journalists as they polish their skills.
[
Editor's Note: With the May 1 front page story touting Paul Vallas followed by the May 2 Tribune editorial basically endorsing Vallas for Mayor
of Chicago, it's clear that the Vallas Mayth persists, at least among
certain reporters and editorialists.
In other words, companies need to employ at least a
certain minimum number
of editors in order to continue doing business, but freelance
editors who actually create a work along with an artist are very important.
During that process, I'm able to bring to bear all the institutional memory I possess, knowing which
editors and which publishing houses have a penchant for a
certain subject, or a different voice, or a particular kind
of author.
Were I an
editor at a major publisher planning the release
of what's likely to be a bestseller, I'd make darn
certain no other cover used a particular image.
Even Brean Hammond, the Shakespearean scholar who spent 10 years studying the play and
editor of the Arden Shakespeare Edition, believes that the 18th century publisher
of the play, Theobald, significantly «cut and altered the work to suit his 18th century audience» though in an interview with the BBC, he says he is
certain that Shakespeare «had a strong hand in» the first act, the second act, and at least part
of Act III.
Most
editors should offer a
certain amount
of pages (like 1 or 5 or 10 or whatever) but even if they don't but you really want to work with someone, go ahead and pay to get those pages done before signing up for your whole manuscript.
These include free and low - cost simple editing tools, collaborative online editing tools, text - to - voice reading applications, and editing tools with unique features that may attract
certain kinds
of writers,
editors, and publishers.
I'm fairly
certain I'll self - publish some
of my stories because I don't see them fitting into agents /
editors concepts
of genre, but I'm not in a hurry to do so while I'm working on some
of my more commercial work.
I love having proof readers, I have a ton
of beta readers, but they are not going to catch
certain things that an
editor will.
Hell's bells, if we have to make sure we send an edited manuscript to our agents and
editors before they «edit» it — and yes, there are a number
of authors who pay freelance
editors to go over their work before submitting it because they know there will be no real editing done by their
editors at
certain legacy publishers — and we have to do our own marketing and promotion and do it on our own dime, why are we giving legacy publishers the majority
of money earned by our hard work?
Your Midnight Publishing developmental
editor would offer suggestions for areas that could benefit from clarification, scenes that feel extraneous, possible restructuring
of certain chapters / scenes, ways to increase the tension via action, romance, etc., and much more.
To that extent we only review books
of a
certain calibre which means we will overlook most self - published books whose authors eschew the use
of an
editor and design their own book covers in an attempt to make money from an inferior book.
Once you're
certain that you've solved the big - picture issues
of your book (and done the necessary re-writes), it's time to turn the keys over to a master
of English mechanics: the copy
editor.
the eternally patient New York
editor talking their genius author through personal problems with the grace befitting the Actress
of a
Certain Age that's been cast to play the part
You've spent so much time writing, reading and revising that your eyes will become immune to
certain errors, just like your nose can become blind to the scent
of perfume or cologne that you wear... so let an
editor take a crack at your masterpiece.
Another aspect in common with my experience as a professional novel and short story
editor is that over time you build relationships with
certain authors and a knowledge
of their strengths.
All
of their infrastructure is completely transportable, as their infrastructure is essentially people (managers, publishers,
editors), and it's not like they rely on business meetings that have to take place in a
certain location in order to sell books (you can always fly in for those meetings, or if you're the big dog then maybe all the little dogs that you deal with will eventually relocate with you).