Not exact matches
In a
scene with parallel
editing and overlapping, voice - over
dialogue, gadabout Schindler entertains - and seduces - SS German officers with rich food, caviar and drink in his apartment.
From the very first
scene, the rhythm is off, the staging and
editing graceless, and the
dialogue (the screenplay is by Kyle Pennekamp and Scott Turpel) alternates between trying too hard and not hard enough.
A bit of impromptu (and sloppy) cosmetic surgery was also performed on this film by its U.S. distributor, with additional English
dialogue scenes haphazardly
edited into the already confusing original.
Ridley shot and
edited the movie with lots of long takes, overlapping
dialogue, some challenging non-linear
editing during certain
scenes, and used historical footage and old photos from the period.
Arguably the movie's most iconically enjoyable
scene — thanks to Mauro Fiore's sweat - and - shadows cinematography, John Refoua's
editing and some choice slices of showdown
dialogue from screenwriters Nic Pizzolatto («True Detective») and Richard Wenk («The Equalizer»)-- the saloon confrontation also introduces the second of the seven: Pratt's hard - drinking, wisecracking gambler Faraday, who likes to play card tricks during sticky situations.
Far too much of Coogler's
dialogue is laden with portent, and the way he places the camera and
edits his
scenes presses the point of impending tragedy too heavily.
There are two short Deleted
Scenes, in which a series of storyboards are
edited together, with recorded
dialogue and sound effects.
The interesting aspect of work on The Young Pope is that, despite the limited production times, we managed to come out of the constrictions of the TV series: fast
editing and elaborate camera movements alternate with
scenes in which the importance of the
dialogues allows a longer and less action - filled framing.
There are occasional technical glitches (sporadically duff
edit points, awkward framing in a few of the key
dialogue scenes) but you get the impression that Favreau doesn't care about proficiency as much as he does vibrancy.
Then I do a full page - by - page line
edit, which may include surgical and wholesale deletions, shifts and restructuring within sentences, paragraphs,
scenes, chapters, suggested new language for transitions,
dialogue, visual and sensory description, and other polish as needed.
Bridget McKenna presents Self -
Editing for Everyone Part 8:
Dialogue Tags posted at Points of View, saying, «Well - written dialogue spoken by well - drawn characters is the heart of any scene, and scenes are the building blocks of your
Dialogue Tags posted at Points of View, saying, «Well - written
dialogue spoken by well - drawn characters is the heart of any scene, and scenes are the building blocks of your
dialogue spoken by well - drawn characters is the heart of any
scene, and
scenes are the building blocks of your fiction.