Those looking for more traditional horror scares and gore will be disappointed, but then that's clearly not the intention here; rather, it's to be more of a subtly
eerie mood piece, and on that level this modest picture works.
Starting and ending on quiet whispers between two people, who end up in remarkably different places emotionally between these exchanges, The Ticket is at best,
an eerie mood piece which doesn't live up to the sinister levels suggested by Stevens» narrowed, animalistic gaze.
Not exact matches
Robert Altman's unloved
mood piece, Images, his middle - child in a triptych of
eerie, unsettling films focused intensely and enigmatically on the female psyche (following the exceptional The Cold Day in the Park in 1969 and preceding lauded masterpiece 3 Women in 1977), at last gets the loving restoration it deserves thanks to Arrow Academy.
Besides being blessed with great acting, this atmospheric
mood piece features
eerie cinematography that manages to transport you back to the Civil War era more convincingly than either 12 Years a Slave or Django Unchained.