Sentences with phrase «eerie tones of»

The eerie tones of Dezoris are as good a theme for a frozen 8 - bit wasteland of a planet as you could imagine, and the standard dungeon music is nothing short of adventurous.

Her paintings and drawings that contain eerie tone of Frida Kahlo's self portraits in bed and Louise Bourgeois» empowering depictions of female sexuality find the recognition they deserve with a long - due New Museum exhibition titled Antibodies.

Not exact matches

The short video featured a slow, eerie cover of the Bee Gees song «I Started a Joke,» setting a dark tone for the movie about villains recruited to save the world.

Expect further conversation about prospects for Jonny Greenwood, whose original score moves between peppy jazz, lush orchestration, and some eerie, dissonant tones — as befits a member of Radiohead — and costume designer Mark Bridges.

If the tone is even close to this perfect balance of eerie and stupid, Dark Shadows will be Mars Attacks style laughs with Beetle Juice's heart and a hint of Edward Scissorhands» melancholy.

Featuring a creepy and eerie tone, at least what we can tell from the screenplay written years ago, the casting of Scarlett Johansson as the lead — a black widow - like alien who lures prey in with her sexual charms — seems like an inspired choice.

And like Spoon providing tribute to the Cramps» «TV Set» in the credits song, Kenan does a fine cover of the Steven Spielberg - produced original with updated tech work and a similarly (if much more muted) eerie tone.

Cinematographer Janusz Kaminski's use of brown tones and chiaroscuro lighting is simply appropriate; interestingly, almost every moment of imagination involves the physicality of the president — sitting before Union soldiers in a manner that conjures the Lincoln Memorial, standing atop the prow of the ship in an early, eerie dream sequence, his long legs and tall hat anchoring one corner of a wide frame as he talks to his telegraph operators in the dead of night.

From Jordan Raup's Sundance review found on The Film Stage: «Aster displays proficient skill in eerie tone - setting, elaborate production design, and the type of scares that will leave a pervasive imprint on the mind.»

Filled with the imagery of death and cataclysm, it's an eerie and notable part of Nintendo's beloved franchise because of its very distinct tone and style.

From the eerie piano piece that greets players at the title screen to the forlorn melodies that fade in and out as you explore the mansion itself, the music, while sparse, does a fantastic job of setting a somber tone.

The strangely eerie tone is very apparent by the wavy vision of the character off his «joy pill» and bright colors of the game show off the disturbingly happy version they are supposed to be seeing.

From the beginning of the game there is a very eerie tone.

Also rather enjoyable is the game's soundtrack, which is incredibly atmospheric and adds to the eerie tones and questionable themes of the game.

Playdead have produced LIMBO, a puzzle platformer with an eerie atmosphere of monochromatic black - and - white tones.

Be it the demon, the creepy ambiance or the overt horror tones, the end product connects back to the horror game genre's roots of eerie environments and danger.

The feel of Gone Home is superb as VHS tapes, old consoles and TV shows many of us are fond of litter the environment with flickering lights and a ransacked house setting an eerie tone to the overall game.

Not much is known about the game apart from the details revealed above, along with an eerie piece of concept art akin to the works of more recent Resident Evil titles to communicate the tone and direction the production is taking.

Coupled with its eerie atmosphere and creepy aesthetics (the run down and flickering setting of Rapture combined with the spliced out enemies sets a statement tone from the game's inception),

Coupled with its eerie atmosphere and creepy aesthetics (the run down and flickering setting of Rapture combined with the spliced out enemies sets a statement tone from the game's inception), Bioshock's sound enhances the overall experience.

The music does a better job at setting the tone providing an eerie backdrop of sound to the gameplay with tracks that are clearly modeled after the haunting soundscapes Akira Yamaoka provided to the Silent Hill games.

The dark mauve glow of Daliah Ammar's paintings set an eerie tone to her work.

And it is this energy and the subjects» individuated tones of experience, which flood the canvases with their light hues and subtle colors or their eerie dark backgrounds.