These can be summarized as: the way his picture moves towards the edge of the canvas in centrifugal waves filling to the brim; his completely impulsive use of pigment as a material, generally thick, slow - flowing, viscous, with a sensual attitude toward it, as if it were the primordial material, with deep and vibratory
color; the absence of any
effacing of the tracks bearing the imprint of the energy passing over the surface.
Color field painters efface the individual mark in favor of large, flat, stained and soaked areas of color, considered to be the essential nature of visual abstraction along with the actual shape of the canvas, which Frank Stella in particular achieved in unusual ways with combinations of curved and straight e
Color field painters
efface the individual mark in favor of large, flat, stained and soaked areas of
color, considered to be the essential nature of visual abstraction along with the actual shape of the canvas, which Frank Stella in particular achieved in unusual ways with combinations of curved and straight e
color, considered to be the essential nature of visual abstraction along with the actual shape of the canvas, which Frank Stella in particular achieved in unusual ways with combinations of curved and straight edges.