Sentences with phrase «effect as a performer»

What's missing, in many cases, are the skills, the knowledge of how to deploy those talents to maximum effect as a performer.

Not exact matches

While the previous films in the series have been just that — parts of a sequence designed to get us here, each with their own beginning and end — the first and second parts of Deathly Hallows are two halves of the same film, and to approach them as separate entities means missing just what director David Yates, writer Steve Kloves, and a host of storytellers and performers have done: They've made a five - hour fantasy epic that balances effects - driven battles with some very real character moments, and one that isn't afraid to have its heroes pay a high price for their convictions.

While it may not quite make it into the Gremlins strata of holiday horror classics, its liberal use of real performers in special make - up and costumes, as well as practical effects did warm my cold heart and gave me a bit of a nostalgic glow for those films with which I grew up.

The hyper - realistic imagery not only ensures every computer - generated effect and model shot is obvious, as well as the casting its performers in an unflattering, cheap television - style light, but exposes the film's artifice.

As Oliver, Hammer has solidified himself as a master thespian, capable of the most glorious effects of a performeAs Oliver, Hammer has solidified himself as a master thespian, capable of the most glorious effects of a performeas a master thespian, capable of the most glorious effects of a performer.

As a performer, Eastwood himself digs deep; as a director, he holds his nerve, to chastening, memorable effecAs a performer, Eastwood himself digs deep; as a director, he holds his nerve, to chastening, memorable effecas a director, he holds his nerve, to chastening, memorable effect.

As a sculptor, performer, and writer, Gordon Hall examines the personal, relational, and political effects of the ways we relate to objects and to each other.

She states, «As an artist, I have become intrigued by live music: the effects of stage lights; the shapes and patterns created by the equipment; the motion and energy of the performers; the interaction of the musicians with each other, their instruments, and their audience.

And so, Raad's astringent performance and sizable exhibition of works associated with the long - term project Scratching on Things I Could Disavow (2007 — ongoing) delve into the after - effects of violence in the Middle East that are not only political but also economic, such as the creation of a retirement fund for artists that blithely hops across the major fault line of the Arab — Israeli conflict, or the construction of new museum projects in the Gulf, or the movement of Raad's own work in relation to art - historical narratives in different places and times that exert various pressures on him, which at one point appear to drive the artist - as - performer insane.

Utilizing an array of lights, audio effects, props, costumes, and toys, NIC and their fellow performers will intervene in MAD's second - floor gallery, producing a visual and sonic installation that doubles as the «set» of a children's TV variety special.