Sentences with phrase «effect coordinator»

Constructing the Freeway Sequence goes for 18 minutes, 17 seconds and features notes from Berg, stunt coordinator Keith Woulard, special effects coordinator Burt Dalton, remote control operator David Waine, remote control driver Tim Walkey, camera car driver J. Armin Garza II, special effects technician David Greene, and actors Jamie Foxx, Jennifer Garner, Chris Cooper, Ali Suliman, Ashraf Barhoum and Jason Bateman.

He often collaborates with his wife, producer Emma Thomas, and his brother, screenwriter Jonathan Nolan, as well as cinematographer Wally Pfister, film editor Lee Smith, composers David Julyan and Hans Zimmer, special effects coordinator Chris Corbould, and actors Christian Bale and Michael Caine.

We hear from Leterrier, Roth, producers Kevin Feige, Gale Ann Hurd and Avi Arad, executive producer Jim Van Wyck, production designer Kirk M. Petruccelli, visual effects supervisor Kurt Williams, Canadian Forces Base Trenton public affairs officer Captain Nicole Meszaros, special effects coordinator Laird McMurray, stunt coordinator John Stoneham, Jr., second unit 1st AD Andrew Robinson, second unit 2nd AD Joel Hay, and actors Edward Norton, Liv Tyler, and William Hurt.

We find notes from Leterrier, Norton, Feige, Stoneham, McMurray, Roth, Williams, Petruccelli, Paterson, Roberts, stunt commando John MacDonald, FTSI operator Alex MacDonald, second unit special effects key Gary Kleinsteuber, high pressure key Daniel Gibson, special effects coordinator Arthur Langevin, Soho VFX visual effects supervisor Allan Magled, Rhythm and Hues animation supervisors Matt Shumway and Chad Shattuck, and Rhythm and Hues lead animator Amanda Dague.

It features Spielberg, Ford, Allen, screenwriter David Koepp, producers Kathleen Kennedy and Frank Marshall, director of photography Janusz Kaminski, stunt coordinator Gary Powell, production designer Guy Hendrix Dyas, special effects coordinator Dan Sudick, animal handler Jules Sylvester, 1st AD Adam Somner, costume designers Mary Zophres and Bernie Pollack, and actors Ray Winstone, Cate Blanchett, and Shia LaBeouf.

The corresponding natural audio goes with the first one, while the second provides an audio commentary from special effects supervisor Kevin Haug and special effects coordinator Cliff Wenger.

Interviewed in these featurettes are Nolan, producer Emma Thomas, Leonardo DiCaprio, production designer Guy Hendrix Dyas, special effects supervisor Chris Corbould, stunt coordinator Tom Struthers, visual effects supervisor Paul Franklin, editor Lee Smith, director of photography Wally Pfister, special effects coordinator Scott Fisher, first assistant director Nilo Otero, Joseph Gordon - Levitt, co-producer Jordan Goldberg, and composer Hans Zimmer.

«The Making of The White Countess» (13:26) adds comments by production designer Andrew Sanders, costume designed John Bright, choreographer Karole Armitage, and special effects coordinator David Fletcher.

We get new interviews with DeGovia, screenwriter Steven E. DeSouza, special effects coordinator Al Di Sarro, supervising sound editor Stephen Hunter Flick, producer Lawrence Gordon, composer Michael Kamen, editor John F. Link, stunt coordinator Charlie Picerni, and actor Alan Rickman.

The «Visual Effects» section is incredibly in - depth as Kevin Haug, visual effects supervisor and Leslie McMinn, visual effects coordinator, discuss how the elaborate shots and special effects were done by examining 19 specific sequences.

Business Insider recently spoke with both special effects coordinator, Scott Fisher, and visual effects supervisor, Paul Franklin in separate interviews to find out how TARS came together.

Crew: Camera (Technicolor, Panavision), Frank Tidy; editors, Robert A. Ferretti, Dennis Virkler, Don Brochu, Dov Hoenig; music, Gary Chang; production design, Bill Kenney; art direction, Bill Hiney, set design, Al Manzer; set decoration, Rick Gentz; costume design, Richard Bruno; special effects coordinator, Thomas L. Fisher; stunt coordinator, Conrad E. Palmisano; assistant director, Tom Mack; casting, Pamela Basker.

Camera (color), Arnaud Potier; editor, Joe Klotz; music, Nora Kroll - Rosenbaum, Brian McOmber; production designer, Kathrin Eder; set decorator, Lisa Son; costume designer, Emily Batson; sound, Amanda Beggs; supervising sound editor, Tom Paul; re-recording mixer, Paul; visual effects, Neal Jonas; special effects coordinator, Rudy Perez; stunt coordinator, Gaelle Cohen; assistant director, Stephanie Galvan; casting, Richard Hicks.

Camera (color, widescreen), Matthew J. Lloyd, Larkin Seiple; editors, Megan Brooks, Andrew Hasse; music, Phil Mossman; music supervisor, Mark Wike; production designer, Michael Powsner; costume designer, Ruby Katilius; sound, Ty Klocke; supervising sound editor, Paul Hsu; re-recording mixer, Michael Barry; stunt coordinator, Manny Siverio; visual effects supervisor, Alex Hardy; special effects coordinator, Jim Milligan.

Camera (color, widescreen), Natasha Braier; editor, Matthe Newman; music, Cliff Martinez; production designer, Elliott Hostetter; costume designer, Erin Benach; sound (Dolby / Datasat / SDDS), Robert Eber; sound designer, Eddie Simonsen; visual effects supervisors, Shant Jordan, Peter Hjorth; special effects coordinator, Wayne Burnes; assistant director, Rod Smith; casting, Nicole Daniels, Courtney Sheinin.

Camera (color, Super 16), Ed Lachman; editor, Affonso Goncalves; music, Carter Burwell; music supervisor, Randall Poster; production designer, Judy Becker; art director, Jesse Rosenthal; set decorator, Heather Loeffler; costume designer, Sandy Powell; sound, Geoff Maxwell; sound designer, Leslie Shatz; special effects coordinator, Kenneth Coulman Jr.; visual effects producer, Chris Haney; visual effects, Goldcrest, the Mill; assistant director, Jesse Nye; casting, Laura Rosenthal.