Sentences with phrase «effect of your special day»

Not exact matches

«Or if after 90 days the legislature fails to adopt their own plan, the reductions to the general fund and state special revenue fund appropriations and related disbursements identified in the division of the budget plan will go into effect automatically.»

The NYPD set up a new team within its Special Victims Unit to handle the recent flood of sex - assault accusations against high - profile figures, because «they come up almost every day» in response to what's been called the «Weinstein effect.»

Of course back in the day the effects were relatively special to a degree.

Camera (color, widescreen, HD, 3D), Pablo Plaisted; live action camera, Barry Peterson; editors, David Burrows, Chris McKay; music, Mark Mothersbaugh; production designer, Gran Freckelton; live action art directors, Jay Pelissier, Sue Chan; live action set decorator, Danielle Berman; sound (Dolby Digital / Datasat), Brannon Brown; supervising sound editor / designer, Wayne Pashley; re-recording mixers, Phil Heywood, Pashley, Greg Fitzgerald; animation supervisor, McKay; feature animation, Animal Logic; head of animation, Rob Coleman; FX supervisor, Carsten Kolve; special effects supervisor, Jimmy Lorimer; 3D conversion, Legend 3D; associate producers, Amber Naismith, Will Allegra; assistant director, Steve Day; casting, Mary Hidalgo.

The line between truth and illusion is blurred so persuasively that for a moment or two, you may even believe that a romantic costume drama could stand up to all those special - effects blockbusters in the dog days of summer.

Director Peyton Reed's creative team also includes Oscar ® winning cinematographer Russell Carpenter (Titanic, 21), production designer Sheppard Frankel (Identity Thief, Horrible Bosses) costume designer Sammy Sheldon Differ (X-Men: First Class, Kick Ass), visual effects supervisor Jake Morrison (Marvel's Thor: The Dark World, The Lord of the Rings: Two Towers), stunt coordinator Jeff Habberstad (Marvel's Iron Man 3, X-Men: Days of Future Past) and six - time Oscar ® nominee, special effects supervisor Dan Sudik (Captain America: The Winter Soldier, Marvel's The Avengers).

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Special video effects supervisor Michael Lennick reports that the extremity of the material left him feeling «disoriented» at day's end, but Irwin offers a flip - side observation: «It was no different than anything else, because, again, we were working with special eSpecial video effects supervisor Michael Lennick reports that the extremity of the material left him feeling «disoriented» at day's end, but Irwin offers a flip - side observation: «It was no different than anything else, because, again, we were working with special especial effects.

The disaster flick was one of the biggest hits of 1996 (second only to «Independence Day») and featured a good mix of thrills, laughs and some incredible special effects for its time.

Unlike the Naruto: Ultimate Ninja Storm series which is more and more a mess of technical, balance and gameplay issues these days, Brave Soldiers delivers what is a nice, franchise - based fighting game, at first, i was expecting a simple fighting game with some button mashing, however, the game proved me wrong and i fell in love, the combo system, while easy, is a lot more deep than the one in the Naruto games, with all of the characters having two special attacks, two «burst attacks», a knock - away and a launcher respectively, a throw and an ultimate attack (called a «Big Bang Attack»), every character also has an universal dodge - action that sends them behind their enemies while spending one cosmo bar, making bar management that much precious and shielding you from a half - a-hour combo, unlike in the NUNS series, the fighting and the characters are nicely balanced, with every character being fun to play and viable at the same time, the game runs smoothly without frame - rate issues and the cell - shaded graphics, character models, arenas and effects alike are nice to the eye, battles are divided into rounds, with all the tiny nice stuff like character introductions and outros being intact (fun fact: the characters will even comment on their score after the battle), the game also features an awakening system, called the «Seventh Sense» awakening, unlike the NUNS awakening system which became severely unbalanced in the later game, every character simply gains a damage / defense boost, with the conditions being the same for all characters, eliminating situations when one character can use awakening at almost any point in the battle, or one awakening being drastically stronger than the other, the game has a story mode with three story arcs used to unlock characters, a collection mode, tournament modes, a survival mode, a series of special versus modes and online battle modes.

Unfortunately, in these days of overinflated budgets and computer - generated special effects, subtlety is a lost art.

It's a shame Strange didn't win the Academy Award for its special effects two days ago, because it was surely warranted, especially of The Jungle Book (which is a cute little movie, but its amount of incredible effects do not beat Doctor Strange).

In this day and age of nearly imperceptible CGI, Clash of the Titans admittedly doesn't really stack up, as the believability of the special effects is wildly inconsistent.

It seemed as if we'd never get to see any other kind of foreign film hereabouts — an effect reinforced by Ettore Scola's A Special Day, in which a director who had heretofore drawn a lot of his strength and interest from the unpredictable intersections of gritty - grubby realismo and flamboyant stylization (The Pizza Triangle, We All Loved Each Other So Much) inclined dangerously toward high gloss.

TELLURIDE, Colo. — In the blazing noon sun of Labor Day, on a panel discussion in Elks Park, the veteran critic Stanley Kauffmann put his finger on the kinds of films that the Telluride Film Festival does not exist to support: movies made of special effects and technology.

Take a look at the making - of David Cronenberg's prophetic 1983 film Videodrome with this short documentary featuring the Canadian master himself and various members of the crew divulging the process behind creating some of the movie's grotesque (and still - impressive - to - this - day) special effects.

This highly unique premise (never before seen in an action movie made in the past five days) sets up the conflict which will endure until the end of the film — accompanied by extremely loud special effects.

SPECIAL VISUAL EFFECTS Dawn of the Planet of the Apes — Joe Letteri, Dan Lemmon, Erik Winquist, Daniel Barrett Guardians of the Galaxy — Stephane Ceretti, Paul Corbould, Jonathan Fawkner, Nicolas Aithadi The Hobbit: The Battle of the Five Armies — Joe Letteri, Eric Saindon, David Clayton, R Christopher White Interstellar — Paul Franklin, Scott Fisher, Andrew Lockley X-Men: Days of Future Past — Richard Stammers, Anders Langlands, Tim Crosbie, Cameron Waldbauer

Five decades after American science destroyed Hiroshima, U.S. special - effects artists joining Japanese experts, to craft a CG reconstruction of the entire city for a documentary... including some of the wizards behind The Day After Tomorrow.

The special effects vary from charming to astonishing to deliciously cheesy, and at least a couple of shots of mass destruction seem to have been engineered specifically in response to Independence Day, although Mars Attacks!

is based on a rather unsavory series of trading cards released by Topps in the 1950s, and it takes its cues from the same sources as this summer's Independence Day — old alien invasion flicks, disaster movies, and big - budget special effects extravaganzas.

In a new HD interview, special effects supervisor Colin Chilvers spends 16 minutes weighing in on the production, describing Stanley Donen's approach to the material and his relationship with John Barry, the difficulties of working with the robot and executing miniature FX on a tight budget («In those days, there was no such thing as a big - budget science - fiction movie,» he says), and even the age differential between Douglas and Fawcett.

The film's strengths stem from the fascinating ideas of the story, a gorgeous score by David Arnold (Independence Day, Tomorrow Never Dies), sumptuous cinematography courtesy of Karl Walter Lindenlaub (The Jackal, The Haunting), and sensational art design and special effects.

Director and co-screenwriter Roland Emmerich (is re-joined by Dean Devlin (Universal Soldier), the writer of two of his most popular prior works (Independence Day, Stargate) to create yet another comic book style special effects action mega-movie.

SPECIAL VISUAL EFFECTS DAWN OF THE PLANET OF THE APES — Joe Letteri, Dan Lemmon, Erik Winquist, Daniel Barrett GUARDIANS OF THE GALAXY — Stephane Ceretti, Paul Corbould, Jonathan Fawkner, Nicolas Aithadi THE HOBBIT: THE BATTLE OF THE FIVE ARMIES — Joe Letteri, Eric Saindon, David Clayton, R. Christopher White INTERSTELLAR — Paul Franklin, Scott Fisher, Andrew Lockley — WINNER X-MEN: DAYS OF FUTURE PAST — Richard Stammers, Anders Langlands, Tim Crosbie, Cameron Waldbauer

«Robert Orci's Production Diary» is a tour through the shooting of the pilot episode and its lavish 31 - day shoot, «Fringe Visual Effects» gives a sense of the scope of the show's special effects by looking into a few key creations from select episodes and «Evolution: The Genesis of Fringe» charts the development of the show (it's nice to hear Abrams describe how he drew inspiration from David Cronenberg's films).

and The Poseidon Adventure, The Day After Tomorrow delivers all the right stuff: an impending catastrophe, dozens of locations, mountains of special effects, and the obligatory huge cast that will ultimately provide the required victims.

In an age where the science fiction film genre has been dumbed down to a mere spectacle of loud explosions and special effects (like in Independence Day), Dark City stands out head and shoulders above the rest.

In addition, in the event that VaxGen effects a liquidation within 180 days of the VaxGen special meeting of stockholders, it will be required to pay a termination fee of $ 712,500 and reimburse expenses.

Some of the special effects still hold up to this day while others looked cheesy even then as if they ran out of money by the end.

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I have not seen any special effects these attacks have, but they do have a limited amount of uses per day.

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With the «inception» of 3D gaming over the past few months along with the release of PlayStation Move, whoever ends up developing the title could surely have a field day in the peripheral and special effects department.

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Summary: (To include comparison groups, outcomes, measures, notable limitations) The purpose of this pilot study was to review the effects of professional staff training in crisis management (Nonviolent Crisis Intervention ® Training Program) and de-escalation techniques on the use of seclusion timeout and restraint procedures with at - risk students in a K - 12 special day school.

His areas of special expertise include the effects of day care, parent - child relations during the infancy and early childhood years, the transition to parenthood, the etiology of child maltreatment and the evolutionary basis of parent and child functioning.