The young London - based Italian curator Attilia Fattori Franchini has been exploring the information age's
effects on artistic practice for a while now.
The media exposure, though, did at least mean that contemporary art was, for perhaps the first time, a regular staple on letters pages, editorials and gossip pages, a position which has arguably had
an effect on artistic practice itself (see the gradual domination of Banksy).
Not exact matches
The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive
effects of the internet
on artistic practice and contemporary culture.
As part of the exhibition opening, several artists featured in After Darkness: Southeast Asian Art in the Wake of History — FX Harsono, Nge Lay, and Tuan Andrew Nguyen — come together for a thought - provoking discussion
on their experiences navigating dramatic and often dangerous sociopolitical upheavals, and the profound
effect these experiences have had
on their
artistic practices.
It is precisely discussions such as these that moved the Retune Festival from an algo - filled party for the hipster geeks to a multidisciplinary open forum for debate, collaboration and meditation
on the
effect of the latest technologies not just
on individual
artistic practice, but
on the society at large.
Massa Lemu is a Malawian visual artist and writer whose multi-disciplinary
artistic practice takes the form of drawing, performance, and multimedia installations that are concerned with the contradictions of migration within globalization and the
effects of an immaterial, flexible and mobile capitalism
on the post-colonial subject.
You Are Here: Art After the Internet is the first major publication to critically explore both the
effects and affects that the internet has had
on contemporary
artistic practices.
For an artist who borrows so much from contemporary black culture epitomized by the milieu
on 125th street, Simmons's current work in this context makes a strong case for the transformative (and potentially stultifying)
effects of conceptual
artistic practices.
The project's impetus is rooted in the extraordinary
effects of globalization
on curating and
artistic practice in the 1990s, a time that witnessed an unprecedented expansion of the geographies of contemporary art.
Even though Matta - Clark never exercised his profession as such, his
artistic practice must be understood as that of an architect, who intensively engaged in the social reality and the
effects of architecture
on the urban environment.
The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive
effects of the Internet
on artistic practice and contemporary culture.
The final section, comprising late - career prints, looks at the
effect his diagnosis with AIDS in 1988 had
on his
artistic practice and output.
Through studio projects, readings, discussions, and case studies, students in this class will engage the immediate context of the University as source material for their artworks as a means to explore the
effect that research and knowledge production might have
on contemporary
artistic practice.
Evans» fellowship, and the larger operations of the Artist Placement Group, are highly relevant to Coburn's
artistic practice, which considers transformations in industrial and digital labour — particularly with the rise of automation — and their
effects on the human worker.
It is at the moment primarily a discursive and / or
artistic practice; this is where our primary interventions lie, with the ambition that this work will have
effects on what thought and feminist
practice shape up to be, and in turn how people act in the world.
Institutional critique has certainly had its
effects on both
artistic and museum conventions, often liberating ones, and Buskirk illustrates this argument with the familiar
practices of Fred Wilson, Andrea Fraser and Sophie Calle, the usual suspects.
Together, the studios, lounge, and POV Gallery aim to offer visitors a more in - depth, personal, and engaging look at the ways contemporary artists (and their predecessors) have used craft techniques to engage in critical conversations about identity, creative
practice, and the
effects of historical influence
on increasingly experimental forms of
artistic expression.
, an interdisciplinary exhibition that explores the
effects an increasingly global society has
on contemporary
artistic practice.