Sentences with phrase «effects artist robert»

Available for the first time on Blu - ray, this definitive collector's edition release is packed with over 5 hours of extras, including all - new interviews with Don Coscarelli, Bruce Campbell, and special effects artist Robert Kurtzman; new audio commentary with Joe R. Landsdale; and more!

Legendary makeup effects artist Robert Kurtzman, the «K» in the KNB EFX Group, has played a crucial role in countless horror...

Audio commentary with writer / director Adam Green, cinematographer Jan - Michael Losada, editor Matt Latham, and make - up effects artist Robert Pendergraft

Not exact matches

In this one - hour, nine - minute, two - second show, we hear from Fricke, Ebsen, composers / lyricists Marc Shaiman and Stephen Schwartz, author's great - great - grandson Robert A. Baum, film critic Michael Sragow, film historians Leonard Maltin and Sam Wasson, filmmakers William Friedkin and Rob Marshall, Bert Lahr's son John, actors Ruth Duccini and Margaret Pelligrini, author William Wellman, Jr., costume designer Ruth Myers, makeup artist Charles H. Schram, cinematographer Peter Deming, visual effects supervisor Craig Barron, sound designer Ben Burtt,

Raimi has assembled his own band of technical wizards and movie magicians on the project, which includes cinematographer Peter Deming («Mulholland Dr.,» «Drag Me to Hell»), two - time Academy Award ® — winning production designer Robert Stromberg («Alice in Wonderland,» «Avatar»), Oscar ® - winning film editor Bob Murawski («The Hurt Locker,» the «Spider - Man» trilogy), veteran Oscar ® - nominated costume designer Gary Jones («Spider - Man 2,» «The Talented Mr. Ripley»), visual effects Oscar ® winner Scott Stokdyk («Spider - Man 2,» «Spider - Man») and Academy Award ® — winning special makeup artist Howard Berger («The Chronicles of Narnia» series), who will create the looks of several of the unique denizens of Oz, including creatures such as the Whimsies, the Tinkers and the Winkies, as well as the ghastly look of the Wicked Witch of the West.

Maleficent is the directorial debut for Oscar - winning production designer and visual effects artist, Robert Stromberg (Avatar, Alice in Wonderland).

Additional highlights include Helen Frankenthaler's Belfry and February Turn (both 1979), which mimic the look and feel of Abstract Expressionism yet in truth represent a rupture with that tradition through the use of a staining technique that seemingly minimizes the artist's role in the process; Frank Stella's Double Scramble (1978), whose nested squares, color contrasts, and pulsing optical effects bridge the artist's early minimalism and later illusionism; and Robert Rauschenberg's Golden Chalice (1989) which, insofar as it marries abstraction and representation and juxtaposes gestural brushwork and photographic media, affords a crucial link to late 20th - century abstraction.

Audrey Flack, Chuck Close, Robert Bechtle, Charles Bell, Robert Cottingham and Richard Estes were among Photorealism artists who placed a focus on surface and the effects of light, according to the Guggenheim's website.

He had begun going to the Whitechapel at the age of 18 in 1964, and still remembers the galvanising effect on him of Robertson's exhibitions of Robert Rauschenberg and, the following year, of Franz Kline, both deeply influential American artists of the time, whose reputations outlived their century.

Kessler's work since the»80s has been aligned with the tradition of kinetic sculpture and assemblage that emerged in the early twentieth century — such works as Marcel Duchamp's Rotoreliefs, Moholy Nagy's time / space modulators and Yves Tinguely's self - destructive machines are obvious sources — but filtered through the erratic, jury - rigged aesthetic of artists like Robert Rauschenberg and the improvised, makeshift special effects of B - filmmaker Ed Wood.

Riley's paintings make plain how they were made yet induce optical effects that supersede their physical qualities, demonstrating a rapport with works in Chinati's permanent collection by artists of her generation such as Donald Judd, Dan Flavin, and Robert Irwin.

Inspired by New York performance artists Laurie Anderson and Robert Wilson Dumb Type created performances that examined the effects of globalisation, technology and identity on Japanese society (Part I)

This group also includes, among others, artists James Turrell, John McCracken, Peter Alexander, Robert Irwin and Craig Kauffman On the occasion of the Tate Gallery's exhibit Three Artists from Los Angeles: Larry Bell, Robert Irwin, Doug Wheeler, Michael Compton wrote the following to describe the effect of Bell's artwork: «I came to (Venice Beach) in ’59 right out of art school because it was cheap», says the artist, born in Chicago iartists James Turrell, John McCracken, Peter Alexander, Robert Irwin and Craig Kauffman On the occasion of the Tate Gallery's exhibit Three Artists from Los Angeles: Larry Bell, Robert Irwin, Doug Wheeler, Michael Compton wrote the following to describe the effect of Bell's artwork: «I came to (Venice Beach) in ’59 right out of art school because it was cheap», says the artist, born in Chicago iArtists from Los Angeles: Larry Bell, Robert Irwin, Doug Wheeler, Michael Compton wrote the following to describe the effect of Bell's artwork: «I came to (Venice Beach) in ’59 right out of art school because it was cheap», says the artist, born in Chicago in 1939.

January 24: Charles Atlas's Torse presented by Sam Frank and David Velasco January 31: Yvonne Rainer's Kristina Talking Pictures February 7: Jennifer Reeves's Chronic + Sadie Benning's Flat Is Beautiful February 8: Trinh T. Minh - ha's Naked Spaces — Living Is Round February 21: D.A. Pennebaker's Elizabeth and Mary presented with MoMA's Documentary Fortnight February 26: Shinsuke Ogawa's Narita: The Peasants of the Second Fortress March 10: Three Tapes by Carole Roussopoulos presented by Ridykeulous and Stuart Comer March 13: Tony Buba's Lightning Over Braddock introduced by LaToya Ruby Frazier April 11: Sara Gómez's De cierta manera April 21: Jean - Luc Godard and Anne - Marie Miéville's France / Tour / Detour / Two / Children April 28: Thom Andersen and Noël Burch's Red Hollywood introduced by Lucy Raven May 8: Scott Bartlett's OffOn + Kinji Fukasaku's The Green Slime May 14: Andy Warhol's Paul Swan introduced by Douglas Crimp June 9: Alberto Grifi and Massimo Sarchielli's Anna introduced by Dennis Lim June 12: Michael Thomas's Meat Rack June 23: Ed Pincus's Diaries (1971 - 76) introduced by Nicolas Rapold June 26: An Evening with Cinenova July 3: René Clair's The Crazy Ray + Robert Frank's C'est vrai July 17: Shirley Clarke's The Cool World introduced by Amy Taubin July 24: Nathaniel Dorsky + Susan Howe August 26: For Chris Marker September 9: Michael Snow's La Région centrale introduced by Chantal Akerman September 18: Todd Haynes's Assassins: A Film Concerning Rimbaud + Todd Phillips's Hated: G.G. Allin and The Murder Junkies September 25: Michael Almereyda's Another Girl Another Planet October 8: Esfir Shub + Hito Steyerl October 12: Darmstadt / ISSUE Project Room at Light Industry: David Grubbs + Anthony McCall October 16: James Benning's 11 x 14 introduced by Julie Ault October 17 - 20: Light Industry Benefit Auction at Miguel Abreu Gallery October 23: The Interface Effect a lecture by Alexander R. Galloway presented with Triple Canopy November 13: Alexander Kluge's Artists Under the Big Top: Perplexed introduced by Gary Indiana November 19: Tony Bicât's Skinflicker + Arthur Johns's Solarflares Burn for You presented by William Fowler November 27: David Hall + Marlon Riggs

Influenced by late 19th century techniques, like Cloisonnism (Emile Bernard) and Synthetism (Paul Gauguin), as well as avant - garde artists including Wassily Kandinsky (1866 - 1944), Henri Matisse (1869 - 1954), Robert Delaunay (1885 - 1941), and Frank Kupka (1871 - 1957), they began to explore the properties and effects of colour.

The articulation of the landscape in this series appears dipped in a metallic liquid, an effect of the unadulterated graphite used by Fernández that is reminiscent of artist Robert Smithson's Pour works, whom Fernández has cited as reference.

Inspired by New York performance artists Laurie Anderson and Robert Wilson Dumb Type created performances that examined the effects of globalisation, technology and identity on Japanese society (Part II).

Subsequently, the effect of this is something akin to what happens in later works by Francis Bacon and Robert Motherwell — artists who, like Tàpies, had used gesture, earlier in their careers, to communicate urgency, intuitiveness, and intensity.»

This group also includes, among others, artists James Turrell, John McCracken, Peter Alexander, Robert Irwin and Craig Kauffman On the occasion of the Tate Gallery's exhibit Three Artists from Los Angeles: Larry Bell, Robert Irwin, Doug Wheeler, Michael Compton wrote the following to describe the effect of Bell's aartists James Turrell, John McCracken, Peter Alexander, Robert Irwin and Craig Kauffman On the occasion of the Tate Gallery's exhibit Three Artists from Los Angeles: Larry Bell, Robert Irwin, Doug Wheeler, Michael Compton wrote the following to describe the effect of Bell's aArtists from Los Angeles: Larry Bell, Robert Irwin, Doug Wheeler, Michael Compton wrote the following to describe the effect of Bell's artwork:

The artist who had the most profound effect on Hofmann, however, was Robert Delaunay, whose structural Cubism was giving way to Orphism, a style in which fragmented Cubist forms were painted in vibrant, expressive colours.