Sentences with phrase «effects artist at»

«Rookie mistake,» Jeremy Mitchell, a visual effects artist at the developer Double Fine, said on Twitter.

Not exact matches

As a skilful cook says of a dish in which there are already a great many ingredients: «It still needs just a little pinch of cinnamon» (and we perhaps could hardly tell by the taste that this little pinch of spice had been added, but she knew precisely why and precisely how it affected the taste of the whole mixture); as an artist says with a view to the color effect of a whole painting which is composed of many, many, colors: «There and there, at that little point, it needs a touch of red» (and we perhaps could hardly even discover the red, so carefully has the artist shaded it, although he knows exactly why it should be introduced).

Bespoke lighting effects are returning the original colours to five faded masterpieces by artist Mark Rothko at Harvard Art Museums

In order to achieve the ombre effect, the nail artist has to slowly layer on the color with a sponge; I'm pretty sure we did at least 5 - 6 layers!

Makeup artist James Kaliardos used this trick on the models» brows at Rodarte to get them a «smoky brow» effect.

Katherine Kilkenny, one of the Roger Ebert Fellowship recipients at the Sundance Film Festival, talks to Foley artists about sound effects.

Besides just beautiful pretty things to look at this book also includes commentary from the actors, artists, digital effects specialists, and many other crew members talking about the items displayed.

Blood n Fire Memories a detailed look at the creation of the film's make - up effects with special effects artist Tom Savini

Extras: New interviews with actors Linda Blair, Peter Barton, Vincent Van Patten, Suki Goodwin, Kevin Brophy and Jenny Neumann; commentary with Blair, director Tom DeSimone, prodcuers Irwin Yablans and Bruce Cohn Curtis; original theatrical trailer & TV spots; new interview with DeSimone; new interview with Curtis; new interview with writer Randolph Feldman; new «Anatomy of the Death Scenes» with DeSimone, Feldman, make - up artist Pam Peitzman, art director Steven G. Legler and special effects artist John Eggett; new «On Location at the Kimberly Crest House» with DeSimone; new «Gothic Design in Hell Night» with Steven G. Legler; original radio spot; photo gallery featuring rare, never - before - seen stills.

«Matilda's Movie Magic» (16:14) allows DeVito and others (including Davidtz, Perlman, a make - up effects artist and a visual effects supervisor) to break down the film's illusions one at a time, with help from behind - the - scenes footage and some graphic illustrations.

back staging it on pop fashion and art food,, cold play and you being almost as funkadleic as,, kl f our totnes pop band the west country bring out comicness and fun with bil lbalies as standup comedy, but the uncanny, comic connections,, and ideologies,, divine intervention etc has to be confronted,, in this instance,, there, writer,, everything went,, lahlah lah when i found out1999 my first son was deaf,,,, your film baby driver now he is 21 effected,, very deeply as a deaf man him and he would love to meet you,, and help you do baby driver two accompanied rap back, on his life in the deaf community London as an artists and lover of fast cars,, and anti war gang block buster, he has all the locations and sights he just needs u when u next in London,, he is Leonardo Patterson on Facebook but as his mum - an interpreter,, i have to translate he wants to take u top the 32 floor of the shade, an ask u how come sign language music blips u got him quite emotional echoes his child hood with his Jamaican father,,,, he just wants the anti war second mix,, none violent comedy,, with bil bailey unit as a mixed race teenager growing up in south London, he has seen the,, how gangs nonviolence,, have ruined it,, for, cant give any more away he cant work out how to meet your pr,, as he is dyslexic,, soi he is getting me to write this,, Lamborghini,, s are his love,, its cosmic,, could u make a,, deaf teeagers dream come true,, we could meet you clpahm picture house where wesaw bay driver with subitles at thier subtitles for deaf club every Thursday,, can you messge me onfacebook messgenr,, thanks his deaf club,, eevry wed,, would also love avisit,, deaf club central, reards su and,,, leonardo patterson,,,

In honor of its Blu - ray collection, we look back at the creation «Jurassic Park» with the visual effects artists who brought the Dinosaurs to life, and actress Ariana Richards (Lex).

A paranoid drama about an English sound editor and Foley artist out of his depth on an Italian horror production, this was at once a fractured narrative of mental breakdown, a treatise on screen sound's address to the psyche, an inquiry into extreme violence and its effects on the viewer / listener, and a fanboy tribute to the thematic and stylistic excess of the Seventies giallo school.

My Life is an unflicnhing look at a director's emotional struggles, the effect such an endeavor has on his home life, and is ultimately a beautiful examination of the life of artist that will linger with you long after the credits roll.

Pollak, Nerdist podcast co-host Matt Mira, history professor John Putman, actress Jeri Ryan, NASA engineer Bobak Ferdowsi, and make - up effects artist Doug Drexler sat down at the Leonard Nimoy Event Horizon Theater at the Griffith Observatory in Los Angeles to talk about Trek — the documentary returns to them many times as it moves from the franchise's beginning through the last movie of the original run.

Instead, it's an affectionate but unvarnished look at life with three aging cats, complete with discussions of trips to the vet, cat food preferences, poop and litter boxes, and the disruptive effect that lounging cats have on the work life of an overworked manga artist.

I worked for about four months as a Senior VFX Artist and Technical Artist at ArtCraft Entertainment on Crowfall to help establish their VFX pipeline / workflow and then a number of character and environment shaders and post effects.

Because of the far - reaching effects of [his] explorations, Smith has sometimes been mistaken for an eclectic artist, but this is not at all the case.

And indeed, the seven artists presented in both exhibitions were shown to better effect at LACMA.

To achieve his luminous effects, the artist placed a variety of colored filters between lens and subject to introduce intense fields of color, transforming the image at the moment of exposure.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

CHINAMANIA diversely collects 24 works by 11 contemporary artists, and investigates the Chinese national scene, the international vista, and even the intimate effects the (inter) national level has at the local level for individuals.

The objective of the meeting, an invitation email explained, was «to construct a network for artists to share information, coordinate responses with established organizations, and leverage our cultural capital to effect meaningful change in our communities, at the state level, and nationally.»

, drew a crowd to Keren Cytter's video dramas realised with open - source software effects; Galerie Karsten Greve mounted Northern Irish artist Claire Morgan's tiny taxidermies; and, at Galerie Lelong, a poignant abstract landscape by Etel Adnan spoke to her vision that «Ultimately, our real home is our life».

Together, the artist's relaxed sense of geometry evident in her idiosyncratic solo exhibition, Rehearsal, at the Copperfield Gallery, her sense of rhythm, and her distinctive handling of material through assembly and editing, effect a powerful coercion...

It is the gallery's second solo exhibition of the artist's work and will run concurrently with a major survey of her work, Jay DeFeo: The Ripple Effect, at Le Consortium in Dijon, France.

There were a few arresting installations, nonetheless, such as Danh Vo's floating gilded cardboard segments that comment on moral transgressions, for which the Marian Goodman gallery eliminated its walls; Liu Wei's architectural Library at Lehmann Maupin that collapses a metropolis to outrageous effect and, among the young artists who showed gripping promise, Aki Sasamoto's Luncheon Field, which livened the Focus section with a table perforated to suspend forks that bobbed in the breeze of a fan, and Eddie Peake's rumination on past and future that filled the Lorcan O'Neill booth with a tinted Plexiglas and steel installation involving a bear, a robot and lost Atlantis viewed through a meandering cut - out.

There was also continued interest in Peter Hujar supported by his recent exhibition at the Morgan Library, along with appreciation for Gillian Wearing and Yale graduate newcomer Felipe Baeza who we have first introduced at the fair together with our more recognised artists to great effect.

«The House at Kawinal,» the artist's first solo exhibition in the US, will present a recent performance for video, Life in His Mouth, Death Cradles Her Arm (2016), together with a new body of sculptures inspired in part by the artist's research into the effects of the construction of the Chixoy Hydroelectric Dam in Guatemala in the early 1980s.

Ballroom Marfa Presents Agnes Pelton and the American Transcendental: A Lecture by Artist Mary Weatherford May 21, 2016 at The Crowley Theater in Marfa, TX Doors at 6 pm, lecture at 6:30 pm Free Ballroom Marfa presents a lecture by artist Mary Weatherford, «Agnes Pelton and the American Transcendental», to complement After Effect, the current exhibition on -LSArtist Mary Weatherford May 21, 2016 at The Crowley Theater in Marfa, TX Doors at 6 pm, lecture at 6:30 pm Free Ballroom Marfa presents a lecture by artist Mary Weatherford, «Agnes Pelton and the American Transcendental», to complement After Effect, the current exhibition on -LSartist Mary Weatherford, «Agnes Pelton and the American Transcendental», to complement After Effect, the current exhibition on -LSB-...]

A primary purpose of this program is to provide artists with access to opportunities that can effect positive change in their lives and, in turn, the field at large.

The San Francisco dealer Jessica Silverman has a knack for putting together memorable booths at art fairs, and her selection of paintings by the Canadian - born, Berlin - based artist Shannon Finley was a knockout, presenting a suite of abstractions that the artist created by using a palette knife to apply acrylic that he mixed with gels for a satiny, opalescent effect.

He had begun going to the Whitechapel at the age of 18 in 1964, and still remembers the galvanising effect on him of Robertson's exhibitions of Robert Rauschenberg and, the following year, of Franz Kline, both deeply influential American artists of the time, whose reputations outlived their century.

When artist Kenzi Shiokava -LRB-»74 MFA) received a telephone call from a pair of curators organizing this year's «Made in L.A.» biennial at the Hammer Museum, he says he had little clue of the meteoric effect it would have on his life.

The mirror effects of the black and white series Flowers in the mirror and the Moon in the water, the installation 1000 Chinese strangers — which consists of nearly one thousand photo booth portraits of Chinese workers at the time of Mao (1949 - 70)-- and the series of old image montages Where have all the flowers gone testify to the artist's reflections on history and tradition.

While exhibiting at Volta NY 2014, Larson was named one of 13 artists to watch by Arts Observer and was also featured in reviews of the fair by Hyperallergic and Droste Effect.

This «imagined ocean at low tide as their setting» features a series of 3D renderings, and photos the New York - based artist's sculptures, paint, and found images, to depict yoga poses in plastic and Mermaids surrounded by the detritus of «Snapchat - like» filters and special effects.

And so, Raad's astringent performance and sizable exhibition of works associated with the long - term project Scratching on Things I Could Disavow (2007 — ongoing) delve into the after - effects of violence in the Middle East that are not only political but also economic, such as the creation of a retirement fund for artists that blithely hops across the major fault line of the Arab — Israeli conflict, or the construction of new museum projects in the Gulf, or the movement of Raad's own work in relation to art - historical narratives in different places and times that exert various pressures on him, which at one point appear to drive the artist - as - performer insane.

Back at the fair, Seattle's recent history figured prominently in an installation of Kurt Cobain's art and personal effects at UTA Artist Space.

Using humor, satire, and perturbation to comment on serious problems that effect the art world at large, Andrea Fraser has helped create a dialogue around systemic issues, paving the way for groups like W.A.G.E. (established in 2008) that advocates for a more equitable distribution of the art world's economy (i.e. fair wages for artists), and Occupy Museums, an activist group that sprung from the Occupy Wall Street Movement and that made an instillation about artist's debt at the 2017 Whitney Biennial.

What we are seeing is the success of a generation of artists, now mid-career, who were educated at Glasgow at the height of its powers (some, but not all, coming from the environmental art department which had such effect on those who passed through it).

In Night Soil # 1 / Fake Paradise the artist looks at the effects of the hallucinatory herbal drug, Ayahuasca, on women users and challenges modern medicinal methods.

Anny Shaw reported last year that institutional interest in female artists was having a «knock - on» effect in the market at large, with an increase in all - female commercial shows and a spate of auction records.

The gallery is almost unique in London for having its own garden, a beautiful landscaped area overlooking a restored stretch of the Regent's Canal at Wenlock Basin which has been used to great effect for installations by gallery artists such as Yayoi Kusama and Alex Hartley (A Gentle Collapsing II, 2016, pictured).

Titled The Eclipse, Jacob Hashimoto's Middle Eastern debut at Leila Heller Gallery certainly has this effect, while also offering insight into the practice of this fascinating artist who creates artworks of intense beauty whilst astutely commenting on our 21st century world.

There is a general consensus of opinion among the older and more conservative French artists, a feeling also shared in England, that the effect of the war on foreign art will be to at least check and modify, if not destroy, some of the recent modern movements, such as «Futurism,» «Cubism,» «Pointellism,» etc..

Earth Work The main theme at Creative Time's Summit last weekend was Place, particularly the idea of artists moving from one to another to work — whether by installing Land Art (which Lucy Lippard likened to a kind of gentifrication) or trying to effect change on the ground.

Wu is a Taiwanese conceptual artist and associate professor at the National Kaohsiung Normal University, whose practice focuses on environmental issues and the effects of urbanization in Taiwan.

To capture that elusive feeling, which she dubs «nature in her quiet mood,» Torpedo Factory painter Marietje Chamberlain studies the subtle effects of light at dawn or dusk — and last week, a bustling institution in the D.C. area decided to share in the artist's sense of calm.

Through recent installations that include filmed performances, where projections of the «ghosted» human body wash over sculptural elements, the artist attempts to create an alienating / disorienting illusory effect that reflects an increasing loss of the corporeal gesture in the every day, the infinite attempt at calibrating the body to technology, as well as the entrapment of the human psyche within it; manipulating and playing with memory, space and time.