Bava was a cinematographer and special
effects artist before graduating to director.
Not exact matches
Extras: New interviews with actors Linda Blair, Peter Barton, Vincent Van Patten, Suki Goodwin, Kevin Brophy and Jenny Neumann; commentary with Blair, director Tom DeSimone, prodcuers Irwin Yablans and Bruce Cohn Curtis; original theatrical trailer & TV spots; new interview with DeSimone; new interview with Curtis; new interview with writer Randolph Feldman; new «Anatomy of the Death Scenes» with DeSimone, Feldman, make - up
artist Pam Peitzman, art director Steven G. Legler and special
effects artist John Eggett; new «On Location at the Kimberly Crest House» with DeSimone; new «Gothic Design in Hell Night» with Steven G. Legler; original radio spot; photo gallery featuring rare, never -
before - seen stills.
This line of thinking, though, mixes cause and
effect (musicians performed long
before they recorded), and it sidesteps some business arrangements that have long favored labels over
artists.
There is a particular thrill in catching an
artist in one of those rare moments when they are radically altering the premise of their own work and walking out on a limb,
before the direction's meanings and
effects have become codified within their own practice.
It looks into how artworks are
effected by digital capabilities and social media platforms both in terms of their circulation and in terms of the
artist's attitude and understanding and expectation of spectatorship
before the work is made.
About the
Artist Born in 1917 in Snow Hill, Alabama, and raised in Birmingham, Purifoy grew up in the segregated South 50 years
before the
effects of civil rights were tangible.
The
artist Ian Cheng worked at George Lucas's visual
effects firm Industrial Light & Magic
before he started making unsettling simulations using motion - capture technology.
An area dedicated to «art in action,» on our visit we wandered into interdisciplinary
artist Sung Hwan Kim's two - room video installation that befuddles you with a two - way mirror,
before being even further entranced by Lis Rhodes «Light Music» installation — a work originally conceived in 1975 in which two projectors at either end of the room create a fanning strobe
effect as the horizontal shadows fluctuate in size.
The 1956 performance of the costumed Georges Mathieu (1921 - 2012) making action paintings
before an audience at the Sarah Bernhardt Theatre in Paris had a catalyzing
effect for French
artists, just as the first happenings by Allan Kaprow (1927 - 2006) did for
artists in New York at the end of the fifties.