Sentences with phrase «effects artists peter»

Currently announced are Con Air's Scott Rosenberg, Swordfish's Skip Woods, The Wire's George Pelecanos, Black Mass» Mark Mallouk, novelist Clay McLeod Chapman, and visual effects artists Peter and Paul Williams.

Rawhead FX — featurette bringing together interviews with creature effects artists Peter Mackenzie Litten and John Schroonraad, special effects supervisor Gerry Johnson, second unit cameraman Sean Corcoran and make - up artist Rosie Blackmore

NEW 2K scan of the Inter-positive supervised and approved by director of photography Dean Cundey NEW 4.1 created from the original 70MM Six Track Dolby Stereo soundtrack NEW Audio Commentary with director of photography Dean Cundey NEW The Men of Outpost 31 — interviews with Keith David, Thomas Waites, Peter Maloney and more... NEW Assembling and Assimilation — an interview with editor Todd Ramsay NEW Behind the Chameleon — interviews with visual effects artists Peter Kuran and Susan Turner, special make - up effects artist Rob Burman and Brian Wade and more....

Not exact matches

Produced by Peter Jackson (The Lord of the Rings) District 9 is the feature writing and directing début of South African visual effects artist Neill Blomkamp.

We find notes from director Peter Jackson, extras wrangler Josie Leckie, director of photography Andrew Lesnie, camera operator Richard Bluck, armour weapons standby John Harding, greens master Brian Massey, co-producer Rick Porras, designer / sculptor Daniel Falconer, senior machinist / engineer Dominic Taylor, animation supervisor Randall William Cook, stunt performer Steve Reinsfield, extras casting Miranda Rivers and Victoria Cole, painter Brett Larsen, carpenters Geoff Goss and Ross Hoby, supervising unit location manager Richard Sharkey, 2nd AD Marc Ashton, stunt performers Mana Davis and Sala Baker, 2nd unit director Geoff Murphy, boom operators Eoin Cox and Corrin Ellingford, on set art director Simon Bright, camera operator Peter McCaffrey, motion control operator Henk Prins, previsualisation supervisor Christian Rivers, digital surveyor Nick Booth, stable foreman Lee Somervell, gaffer David Brown, set finishing supervisor Kerry Dunn, on set art director Joe Bleakley, effects technician Peter Zivkovic, on set prosthetics makeup Tami Lane, 3rd AD Chris Husson, Weta Workshop's Richard Taylor, effects technicians Darryl Richards and Scott Harens, stunt rigger Paul Shapcott, New Zealand stunt coordinator Kirk Maxwell, swordmaster Bob Anderson, medic and safety officer Andy Buckley, supervising art director Dan Hennah, conceptual artist Alan Lee, Gimli scale double Brett Beattie, and actors Dominic Monaghan, Billy Boyd, Andy Serkis, Bernard Hill, Brad Dourif, Elijah Wood, Orlando Bloom, Sean Astin, Miranda Otto, and Viggo Mortensen.

«The Soundscapes of Middle - earth» lasts 21 minutes and 25 seconds as it presents remarks from Peter Jackson, Barrie Osborne, Rick Porras, Christopher Lee, Mike Horton, Mark Ordesky, supervising sound editor / co-designer Ethan Van der Ryn, supervising sound editor Mike Hopkins, ADR recordist Chris Ward, sound designer David Farmer, re-recording mixers Chris Boyes and Michael Semanick, foley artists Simon Hewit and Phil Heywood, sound effects editor Brent Burge, and foley engineer Martin Oswin.

On Disc Two, there are four new interviews: Carey's Story with actress Heidi Von Palleske, Working Artist with actor Stephen Lack, Connecting Tissues with make - up effects artist Gordon Smith, and Double Vision with director of photography Peter SuschArtist with actor Stephen Lack, Connecting Tissues with make - up effects artist Gordon Smith, and Double Vision with director of photography Peter Suschartist Gordon Smith, and Double Vision with director of photography Peter Suschitzky.

DAWN OF THE PLANET OF THE APES Chernin Entertainment PRODUCED BY: Peter Chernin, Dylan Clark DIRECTED BY: Matt Reeves SUPERVISING SOUND EDITORS: Will Files, Douglas Murray SUPERVISING FOLEY EDITOR: John Murray FOLEY ARTISTS: Dan O'Connell, Andy Malcolm SOUND EFFECTS EDITORS: John Morris, Jack Whittaker, Scott Guitteau, Doug Jackson, Mac Smith, David Grimaldi, FOLEY EDITORS: John Murray, Scott Curtis, Thomas Small

Extras: New interviews with actors Linda Blair, Peter Barton, Vincent Van Patten, Suki Goodwin, Kevin Brophy and Jenny Neumann; commentary with Blair, director Tom DeSimone, prodcuers Irwin Yablans and Bruce Cohn Curtis; original theatrical trailer & TV spots; new interview with DeSimone; new interview with Curtis; new interview with writer Randolph Feldman; new «Anatomy of the Death Scenes» with DeSimone, Feldman, make - up artist Pam Peitzman, art director Steven G. Legler and special effects artist John Eggett; new «On Location at the Kimberly Crest House» with DeSimone; new «Gothic Design in Hell Night» with Steven G. Legler; original radio spot; photo gallery featuring rare, never - before - seen stills.

BIRDMAN New Regency Pictures PRODUCED BY: Alejandro Gonzalez Inarritu, James W. Skotchdopole DIRECTED BY: Alejandro Gonzalez Inarritu SUPERVISING SOUND EDITORS: Martin Hernandez, MPSE, Aaron Glascock SOUND DESIGNERS: Aaron Glascock, Peter Brown SUPERVISING FOLEY EDITOR: Goeun Lee FOLEY ARTISTS: Catherine Harper, Jeffrey Wilholt, Gary Marullo SOUND EFFECTS EDITORS: Roland N. Thai, Jeremy Peirson, Alejandro Quevedo, Albert Gasser SUPERVISING FOLEY ARTIST: Gary Hecker FOLEY EDITOR: Joe Dzuban

Raimi and his competent crew, which includes composer Danny Elfman (patching up a decade - old rift with the director), cinematographer Peter Deming (The Cabin in the Woods, Mulholland Drive, and Mike Myers comedies), make - up effects artists from The Chronicles of Narnia and visual effects veterans of Marvel hits, deliver a film that is lively, polished, and picturesque,

In this one - hour, nine - minute, two - second show, we hear from Fricke, Ebsen, composers / lyricists Marc Shaiman and Stephen Schwartz, author's great - great - grandson Robert A. Baum, film critic Michael Sragow, film historians Leonard Maltin and Sam Wasson, filmmakers William Friedkin and Rob Marshall, Bert Lahr's son John, actors Ruth Duccini and Margaret Pelligrini, author William Wellman, Jr., costume designer Ruth Myers, makeup artist Charles H. Schram, cinematographer Peter Deming, visual effects supervisor Craig Barron, sound designer Ben Burtt,

Raimi has assembled his own band of technical wizards and movie magicians on the project, which includes cinematographer Peter Deming («Mulholland Dr.,» «Drag Me to Hell»), two - time Academy Award ® — winning production designer Robert Stromberg («Alice in Wonderland,» «Avatar»), Oscar ® - winning film editor Bob Murawski («The Hurt Locker,» the «Spider - Man» trilogy), veteran Oscar ® - nominated costume designer Gary Jones («Spider - Man 2,» «The Talented Mr. Ripley»), visual effects Oscar ® winner Scott Stokdyk («Spider - Man 2,» «Spider - Man») and Academy Award ® — winning special makeup artist Howard Berger («The Chronicles of Narnia» series), who will create the looks of several of the unique denizens of Oz, including creatures such as the Whimsies, the Tinkers and the Winkies, as well as the ghastly look of the Wicked Witch of the West.

There was also continued interest in Peter Hujar supported by his recent exhibition at the Morgan Library, along with appreciation for Gillian Wearing and Yale graduate newcomer Felipe Baeza who we have first introduced at the fair together with our more recognised artists to great effect.

This group also includes, among others, artists James Turrell, John McCracken, Peter Alexander, Robert Irwin and Craig Kauffman On the occasion of the Tate Gallery's exhibit Three Artists from Los Angeles: Larry Bell, Robert Irwin, Doug Wheeler, Michael Compton wrote the following to describe the effect of Bell's artwork: «I came to (Venice Beach) in ’59 right out of art school because it was cheap», says the artist, born in Chicago iartists James Turrell, John McCracken, Peter Alexander, Robert Irwin and Craig Kauffman On the occasion of the Tate Gallery's exhibit Three Artists from Los Angeles: Larry Bell, Robert Irwin, Doug Wheeler, Michael Compton wrote the following to describe the effect of Bell's artwork: «I came to (Venice Beach) in ’59 right out of art school because it was cheap», says the artist, born in Chicago iArtists from Los Angeles: Larry Bell, Robert Irwin, Doug Wheeler, Michael Compton wrote the following to describe the effect of Bell's artwork: «I came to (Venice Beach) in ’59 right out of art school because it was cheap», says the artist, born in Chicago in 1939.

Migrations: Journeys into British Art (2012) ranged from Sir Peter Lely to Frank Bowling, using the permanent collection to explore the artistic effects of emigration; Looking at the View drew imaginatively on Tate Britain's landscapes; while an exhibition of Edwardian portraits, Forgotten Faces (2014), offered insights into the taste and the collecting policies of Tate Britain and reminded us of some extraordinary artists and sitters.

This group also includes, among others, artists James Turrell, John McCracken, Peter Alexander, Robert Irwin and Craig Kauffman On the occasion of the Tate Gallery's exhibit Three Artists from Los Angeles: Larry Bell, Robert Irwin, Doug Wheeler, Michael Compton wrote the following to describe the effect of Bell's aartists James Turrell, John McCracken, Peter Alexander, Robert Irwin and Craig Kauffman On the occasion of the Tate Gallery's exhibit Three Artists from Los Angeles: Larry Bell, Robert Irwin, Doug Wheeler, Michael Compton wrote the following to describe the effect of Bell's aArtists from Los Angeles: Larry Bell, Robert Irwin, Doug Wheeler, Michael Compton wrote the following to describe the effect of Bell's artwork:

Since its opening in March, the exhibition has been widely heralded for its «political charge» (see for example reviews by Peter Schjeldahl in The New Yorker and Jerry Saltz in New York Magazine), for its impressive diversity of artists included (though I wish this still was not so rare as to be newsworthy), and the controversies surrounding Jordan Wolfson's ultra-graphic Real violence (2017) and of course the Dana Schutz's painting of Emmett Till, Open Casket (2016), which not only raised highly problematic issues around race and its representation in contemporary American art, censorship, and quite interestingly to me at least, the role of abstraction, also had the unfortunate side effect of overshadowing so many stronger inclusions in this year's iteration.