«The Making of The White Countess» (13:26) adds comments by production designer Andrew Sanders, costume designed John Bright, choreographer Karole Armitage, and special
effects coordinator David Fletcher.
Not exact matches
Camera (color, widescreen), Thierry Arbogast; editor, Julien Rey; music, Eric Serra; production designer, Hugues Tissandier; art directors, Gilles Boillot, Steplane Robuchon, Thierry Zemmour; costume designer, Olivier Beriot; sound, Guillaume Bouchateau, Stephane Bucher, Didier Lozahic, Shannon Mills,
David Parker; sound designer, Shannon Mills; re-recording mixer,
David Parker; special
effects supervisor, Philippe Hubin; senior visual
effects supervisor, Nicholas Brooks; visual
effects, Industrial Light & Magic, Rodeo FX, Digital Factory, Savage Visual
Effects, Make, Hatch; stunt
coordinator, Laurent Demianoff; assistant director, Ludovic Pernard; casting, Nathalie Cheron.
We find notes from director Peter Jackson, extras wrangler Josie Leckie, director of photography Andrew Lesnie, camera operator Richard Bluck, armour weapons standby John Harding, greens master Brian Massey, co-producer Rick Porras, designer / sculptor Daniel Falconer, senior machinist / engineer Dominic Taylor, animation supervisor Randall William Cook, stunt performer Steve Reinsfield, extras casting Miranda Rivers and Victoria Cole, painter Brett Larsen, carpenters Geoff Goss and Ross Hoby, supervising unit location manager Richard Sharkey, 2nd AD Marc Ashton, stunt performers Mana Davis and Sala Baker, 2nd unit director Geoff Murphy, boom operators Eoin Cox and Corrin Ellingford, on set art director Simon Bright, camera operator Peter McCaffrey, motion control operator Henk Prins, previsualisation supervisor Christian Rivers, digital surveyor Nick Booth, stable foreman Lee Somervell, gaffer
David Brown, set finishing supervisor Kerry Dunn, on set art director Joe Bleakley,
effects technician Peter Zivkovic, on set prosthetics makeup Tami Lane, 3rd AD Chris Husson, Weta Workshop's Richard Taylor,
effects technicians Darryl Richards and Scott Harens, stunt rigger Paul Shapcott, New Zealand stunt
coordinator Kirk Maxwell, swordmaster Bob Anderson, medic and safety officer Andy Buckley, supervising art director Dan Hennah, conceptual artist Alan Lee, Gimli scale double Brett Beattie, and actors Dominic Monaghan, Billy Boyd, Andy Serkis, Bernard Hill, Brad Dourif, Elijah Wood, Orlando Bloom, Sean Astin, Miranda Otto, and Viggo Mortensen.
Across these, we hear from director Christopher Nolan, composers James Newton Howard and Hans Zimmer, costume designer Lindy Hemming, costume FX supervisor Graham Churchyard, producers Emma Thomas and Charles Roven, production designer Nathan Crowley, special
effects supervisor Chris Corbould, stunt
coordinator Paul Jennings, director of photography Wally Pfister, sound designer Richard King, IMAX consultant
David Keighley, visual
effects supervisor Nick Davis, editor Lee Smith, executive producer Kevin de la Noy, and actor Christian Bale.
Camera (color, Arri Alexa digital), Robert Eldwit; editor, John Gilroy; music, James Newton Howard; music supervisors, Brian Ross, Nic Ratner; production designer, Kevin Kavanaugh; art director, Naaman Marshall; set decorator, Meg Everist; costume designer, Amy Wescott; sound (Datasat / Dolby Digital), Shawn Holden; sound designer / supervising sound editor, Scott Martin Gershin; re-recording mixers, Andy Koyama, Martyn Zub; visual
effects, relevantVFX, Rain VFX, Artea; stunt
coordinator, Mike Smith; associate producer, Juliana Guedes; assistant directors,
David A. Ticotin, Richard L. Fox; second unit director, Mike Smith; second unit camera, Christopher Moseley; casting, Mindy Marin.
David Lazan; set decorator, Leslie E. Rollins; set designers, Amy Heinz - Barnett, Sarah Contant, Jeremy Woodward; costume designer,
David Robinson; sound (Datasat / Dolby Digital), Tom Williams; sound designer,
David Esparza; supervising sound editor, Mandell Winter; re-recording mixers, Steve Pederson, Daniel J. Leahy; visual
effects supervisor, Sean Devereaux; visual
effects, Zero VFX; stunt
coordinators, Keith Woulard, Lin Oeding; associate producer, Kat Samick; assistant director, Philip A. Patterson; casting, Mary Vernieu, Lindsay Graham.
He often collaborates with his wife, producer Emma Thomas, and his brother, screenwriter Jonathan Nolan, as well as cinematographer Wally Pfister, film editor Lee Smith, composers
David Julyan and Hans Zimmer, special
effects coordinator Chris Corbould, and actors Christian Bale and Michael Caine.
Camera (color), Gonzalo Amat; editor, Gregory Plotkin; production designer, Nathan Amondson; set decorators, Teresa Visinare, Julie Ochipinti; costume designer, Marylou Lim; sound (Dolby Digital / Datasat), Walter Anderson, Ed Novick, Steve Nelson; re-recording mixers, Joe Dzuban, Daniel J. Leahy; visual
effects supervisor, Woei Hsi Lee; visual
effects, Atomic Fiction; special
effects coordinator, Mark Gullesserian; stunt
coordinators,
David Rowden, Charlie Croughwell; assistant directors, Mark Anthony Little, Dale Stern; casting, Carla Hool.
Camera (Technicolor, Panavision widescreen, Arri Alexa digital), Trent Opaloch; editors, Jeffrey Ford, Matthew Schmidt; music, Henry Jackman; music supervisor, Dave Jordan; production designer, Owen Paterson; supervising art director, Greg Berry; art directors,
David E. Scott, Greg Hooper; set decorator, Ronald R. Reiss; costume designer, Judianna Makovsky; sound (Dolby Atmos / Dolby Digital), Manfred Banach; supervising sound editors, Shannon Mills, Daniel Laurie; sound designers,
David C. Hughes, Nia Hansen; re-recording mixers, Tom Johnson, Juan Peralta; visual
effects supervisor, Dan Deleeuw; head of visual development, Ryan Meinerding; visual
effects and animation, Industrial Light & Magic, Method Studios; visual
effects, Trixter Film, Rise Visual
Effects Studios, Double Negative, Luma Pictures, Lola VFX, Cinesite, Cantina, Sarofsky, Animal Logic, Crafty Apes, Image Engine Design, Technicolor VFX, Capital T, Exceptional Minds; stunt
coordinator, Spiro Razatos; stunt and fight
coordinator, Sam Hargrave; supervising stunt
coordinators, Doug Coleman, Mickey Giacomazzi; 3D stereoscopic supervisor, Evan Jacobs; 3D stereoscopic producer, Jon Goldsmith; 3D conversion, Stereo D, Prime Focus; associate producers, Trinh Tran, Ari Costa; assistant director, Lars P. Winther; second unit directors, Razatos,
David Leitch, Chad Stahelski, Darrin Prescott; casting, Sarah Halley Finn.
This doc from the 2003 Director's Cut special edition DVD features comments from Johnson, Arad, Kilkenny, producer Gary Foster, costume designer James Acheson, textile artist Matt Reitsma, art department
coordinator Jamie Neese, costume supervisor Lisa Lovaas, Paul Ben - Victor, Joe Pantoliano, action choreographer Master Cheung - Yan Yuen, Jennifer Garner, stunt
coordinator Jeff Imada, Ben Affleck, Colin Farrell, Affleck's fight trainer
David Lea, director of photography Ericson Core, sight - impaired consultant Tom Sullivan, Jon Favreau, special
effects coordinator John McLeod, visual
effects supervisor Rich Thorne, Shadow World fx lead Eric Horton, and composer Graeme Revell.
It features Spielberg, Ford, Allen, screenwriter
David Koepp, producers Kathleen Kennedy and Frank Marshall, director of photography Janusz Kaminski, stunt
coordinator Gary Powell, production designer Guy Hendrix Dyas, special
effects coordinator Dan Sudick, animal handler Jules Sylvester, 1st AD Adam Somner, costume designers Mary Zophres and Bernie Pollack, and actors Ray Winstone, Cate Blanchett, and Shia LaBeouf.
Camera (Deluxe color, widescreen), Oliver Wood; editors, Brent White, Melissa Bretherton; music, Andrew Feltenstein, John Nau; music supervisor, Erica Weis; production designer, Clayton Hartley; art director, Elliott Glick; set decorator, Jan Pascale; set designers, Barbara Mesney, James Tocci, Alexander, McCarroll, Danny Brown; costume designer, Susan Matheson; sound (Datasat / Dolby Digital), Whit Norris; sound supervisor, George Anderson; re-recording mixers, Marc Fishman, Anna Behlmer; visual
effects, Mr. X Gotham, Lola VFX; stunt
coordinator, Chris O'Hara; associate producers, Matt Rebenkoff, Robyn Wholey; assistant director, Matt Rebenkoff; second unit director,
David Letich; casting, Allison Jones.
Camera (color, HD), Helle Jensen; editor, Zachery Kashkett; music, Voodoo Highway, Toni M. Mir; music supervisor, Rebekah Touma; production designer, Angela Satuffer; sound, Ryan Jennings; sound supervisor, Christopher Sheldon; sound designers, Ryan McBride,
David Brian Kelly, Ryan Jennings, Greg Arnold, Kyle Mangels; re-recording mixers, Andrew Liu, Tom Marks, Brian Pickett; visual
effects, John Attard, Jeff Brue; stunt
coordinator, Van Vander Pluym; associate producers, Stewart Till, Rieks Hadders, Helle Jensen, Evert - Jan Wamsteker; casting, Emily Schweber.
Camera (color), Scott Henriksen; editors, James Nelson, John Nau; music, Andrew Feltenstein; production designer,
David Skinner; art supervisor, Debbie Stratis; set decorator, Roxy Topirowych; costume designer, Michelle Martini; sound, Marlowe Taylor; sound designer, Chris Diebold; supervising sound editor, Steven Iba; re-recording, Jason Gaya; visual
effects supervisors, Grant Miller,
David Lebensfeld; visual
effects producer, Phil Crowe; visual
effects, Ingenuity Engine, Jogger VFX; stunt
coordinator, Kristin Baskett; assistant director, Daniel Katzman; casting, Jeanne McCarthy.
They provide notes from author / artist Frank Miller, writer / director Zack Snyder, producers Gianni Nunnari, Bernie Goldmann, Deborah Snyder and Mark Canton, editor Bill Hoy, historians Bettany Hughes and Victor Davis Hanson, creature
effects Mark Rappaport, DC Comics group editor Bob Schreck, production designer Jim Bissel, VFX supervisor Chris Watts, composer Tyler Bates, screenwriter Kurt Johnstad, director of photography Larry Fong, creature and special makeup
effects supervisor Shaun Smith, assistant stunt
coordinator / fight choreographer Chad Stahelski, stunt
coordinator Damon Caro, comic book creator Neal Adams, DC Comics president / publisher Paul Levitz, and actors Gerard Butler, Lena Headey, Dominic West, Vincent Regan,
David Wenham, and Rodrigo Santoro.
Camera (color, widescreen, 35 mm), Linus Sandgren; editor, Andrew Mondshein; music, A.R. Rahman; music supervisor, E. Gedney Webb; production designer,
David Gropman; supervising art directors, Karen Schulz Gropman, Alain Guffroy; set decorator, Sabine Delouvrier; costume designer, Pierre - Yves Gayraud; sound (Datasat / Dolby Digital), Jean - Marie Blondel; supervising sound editor, Michael Kirchberger; sound designers, Dave Paterson, Kirchberger; re-recording mixers, Michael Barry, Paterson; special
effects supervisor, Philippe Hubin; special
effects coordinator, Jean - Christophe Magnaud; visual
effects supervisor, Brendan Taylor; visual
effects producer, Mitchell Ferm; visual
effects, Mavericks VFX, Mr. X, Lola VFX; stunt
coordinator, Dominique Fouassier; assistant director, Mishka Cheyko; second unit camera, Hugues Espinasse; casting, Lucy Bevan.