Many of these are exceedingly rare, and one - the Seal of Metatron from Silent Hill: Revelation - is one of a kind and was custom made by the special makeup & creature
effects designer on the movie, Paul Jones.
He is a composer / producer, audio director / consultant, sound
effects designer and voice director as well as a highly accomplished live and studio session keyboard player, producer and songwriter (published by Allied Songwriters / Notting Hill Music).
This one of a kind item was made and sent to me by Paul Jones the special makeup & creature
effects designer on the movie.
Its founder, Mr. Rosenfeld, is a highly accomplished computer graphics / visual
effects designer and animator who has developed several patented programs that are used across the industry.
McRo's founder, Maury Rosenfeld, the named inventor on the patents, is a highly accomplished, award winning computer graphics / visual
effects designer and animator recognized for his advancement and contributions to the industry.
Our lead
effects designer did his best to make it look like an afterimage without any feeling of it being odd, and I think it came out pretty good.
Brian began his career in game audio in 1987 as a composer, sound
effects designer and music programmer for Williams Electronic Games in Chicago writing music and creating sound effects for pinball machines and coin - operated video games.
The audio commentaries, featuring Hooper and makeup
effects designer Nick Maley, respectively, both engagingly cover a wealth of material in regard to the film's making and reception.
Brian began his career in game audio in 1987 as a composer, sound
effects designer and music programmer for Williams Electronic Games in Chicago writing music and creating sound effects for pinball machines and coin - operated video games.
NEW Sounds from the Cold — interviews with supervising sound editor David Lewis Yewdall and special sound
effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)
Legendary special
effects designer Rick Baker designed the aliens for the project.
Mendez and company decide to make their fake film as real as possible, and they enlist a high - profile special
effects designer, John Chambers (John Goodman) and a big - wig producer, Lester Siegel (Alan Arkin) to help with the project.
A long - awaited sequel to the internationally acclaimed full - throttle splatter sci - fi action horror Meatball Machine directed by Yoshihiko Nishimura, an acclaimed makeup artist and special
effects designer («Godzilla Resurgence»).
- Three audio commentaries (Filmmakers and cast: Sam Raimi, Laura Ziskin, Grant Curtis, and Kirsten Dunst; Visual
effects designer and crew: John Dykstra and special effects crew; and Actors: Tobey Maguire and J.K. Simmons)
What's even more impressive is that it was special makeup
effects designer Rob Bottin that convinced Carpenter to make the creature more visible to the audience when the director wanted to keep it concealed.
Special makeup
effects designer Bob Keen and his team had a talent for making excellent effects for very little, especially when it came to this Clive Barker classic.
Hollywood visual
effects designer Ash Thorp (Prometheus, Ender's Game, RoboCop) has created a series of limited edition giclee prints based on the principles of...
Michael is also a professional «haunter», having begun his career in 1989 as a special
effects designer for Haunted Verdun Manor (a haunted attraction outside of Dallas), eventually moving on to SCREAMS and finally landing at The Haunt House where he has been an
effects designer, PR consultant and actor from 2007 - 2013.
I think in one part they actually mention horror movie icon / special
effects designer Tom Savini among its many references.
Positions that the developer is seeking to fill remain unchanged from last year when they were looking to expand, including roles such as programmers, planners, 3D CG artists, 2D designers,
effect designers, motion designers and office staff.
- New Life, New Civilizations - See how special
effects designers met the challenge to create an unprecedented 50 new alien species for the film to celebrate Star Trek's 50th Anniversary.
Auryn, the most award - winning children's ebook publisher and the brain child of Academy award - winning visual
effects designers, ahs launched four new titles, just in time to grab students» attention and engage them in self - selected reading over the summer months.
Game
Effect Designer Duties: In - game effects creation Qualification requirements: Gaming effect creation experience CG movie production experience Those who are interested in VFX such as movies and have a deep knowledge
Event
Effect Designer Duties: Real time event effect creation Effect creation, compositing, editing work of movies
He has focused on managing the sound team at Nintendo Entertainment & Development, which includes seven composers and multiple sound
effects designers, sound programmers, and sound editors.
Should the Mass
Effect designer have got involved?
A former Mass
Effect designer has pleaded for gamers to judge downloadable content for what it is - not when it is released.
Not exact matches
The world may always have been a stage, but now set
designers and special
effects technicians get top billing.
But what if Prof. Arnhart admits that beavers and even extraterrestrials can be detectable
designers, but that my method can not detect an immaterial
designer» that if no material or embodied agent can be found for some
effect, we have to plead ignorance?
You're saying, «here you have an
effect — design - which must have a cause — a
designer.
especially when one finds how the universe is so finely tuned to host life here on earth (according to cosmologists, even the size of the earth and the differing types of galaxies have profound
effect on our living environment) I find it highly impossible without a Creator, an Intelligent
designer
As a game
designer who has helped design games such as Mass
Effect: 3, Mass
Effect: Andromeda, and Wolfenstein, I think of football as the combination of those two things.
Previously a senior gameplay
designer on Mass
Effect: Andromeda, Mass
Effect 3, and Wolfenstein.
A landscape
designer knows where to place the flowers for greater
effect and what plants to seed.
Plush Swimwear, an online boutique specialized in
designer swimwear notes that swimsuits showcased in Miami were mostly vibrant, composed of playful patterns in vivacious palettes for an
effect that will be sure to make heads turn next season.
«The fabric used is silk organza with optic fiber inside that creates a light
effect glowing gently,» according to the
designer.
Earlier this month, they similarly revealed a
designer opioid compound that selectively acts through a different opioid receptor, that has a more benign side -
effect profile.
These «
designer» peptides could one day make up a new class of therapeutic drugs that is more effective and results in fewer side
effects.
They have used this technique to precisely tailor the shape of an atomic electron's wave function, in
effect engineering «
designer wave functions.»
To date, building
designers have had to investigate air filters under their own initiative, because the current standards and those taking
effect next year take no account of small nanoparticles.
Huge rocket engines allowed the
designers to ignore any gravitational
effects more subtle than the tug of the planet they were leaving and that of the planet they were headed to.
Product
designers could create packages that mimic those commonly held forms, and marketing managers can accentuate this
effect of product touch by placing several products near one another, and by encouraging consumers to touch the products on display.»
To compensate for the
effect, robot
designers may need to consider adding controls that will help adults monitor the use of robots by children, said Waddell, who worked with S. Shyam Sundar, Distinguished Professor of Communications and co-director of the Media Effects Research Laboratory, and Eun Hwa Jung, a doctoral candidate in mass communications.
Product
designers like him believe they can create THC vaping mixtures tuned with different concentrations of each terpene and cannabinoid for specialized
effects.
In the May 16 SN: How Earth got its water,
designer drugs, bigger quakes forecast for Himalayas, genetics of the placebo
effect and more.
Three - dimensional sound
effects are also improving, and
designers are making fewer impossible demands of today's technology as they get used to the limitations of VR.
You won't hear many heated debates on television about the fine tuning of the cosmological constant or the evolution of the opposable thumb, but the media is rife with vociferous controversies about the side
effects of drugs against heart disease, the apparent proliferation of bisphenol A in the environment [6] or the rise of «
designer» narcotics that provide «legal highs» [7].
Produced by the Space Telescope Science Institute's Office of Public Outreach Narration: Alia Shawkat Writing: Joel Green and Vanessa Thomas
Designer: Marc Lussier Music: Associated Production Music (www.pm.com) Sound
effects: CSSMusic.com, FreeSound.org, and SoundBible.com (users Sonidor, espectral, Mark DiAngelo, and Mike Koenig)
Our
designers answered the challenge with a mix of wide and narrow lines for a relaxing
effect on this comfortable linen - blend bedding.
The overall
effect was crafted by more than one
designer, but Romona Keveza's «Legends» collection was based on Grace Kelly herself.