Sentences with phrase «effects designer john»

Not exact matches

Production company: Marvel Studios Distributor: Buena Vista Cast: Chadwick Boseman, Michael B. Jordan, Lupita Nyong «o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Sterling K. Brown, Florence Kasumba, John Kani, Angela Bassett, Forest Whitaker, Andy Serkis Director: Ryan Coogler Screenwriters: Ryan Coogler, Joe Robert Cole, based on the Marvel comics by Stan Lee, Jack Kirby Producer: Kevin Feige Executive producers: Louis D'Esposito, Victoria Alonso, Nate Moore, Jeffrey Chernov, Stan Lee Director of photography: Rachel Morrison Production designer: Hannah Beachler Costume designer: Ruth E. Carter Editors: Michael P. Shawver, Debbie Berman Music: Ludwig Goransson Visual effects supervisor: Geoffrey Baumann Special effects supervisor: Dan Sudick Casting: Sarah Finn

Camera (Redlab Canada color, widescreen), Vern Nobles Jr.; editor, Steven Cohen; music, Tree Adams; music supervisor, Sean Fernald; art director, Tudor Boloni; set decorator, John Sporano; costume designer, Justine Seymour; sound (Dolby Digital), Kim Ornitz; sound designer, Ryan Collins; supervising sound editor, Casey Genton; re-recording mixers, Rick Ash, Eric Offen; visual effects supervisor, Jack Cloud; visual effects, Cloudesign; special effects supervisor, Elia Popov; stunt coordinator, Pete Antico; line producer, Sanford Hampton; associate producers, Caroline McGorian, William Chaney, Rob Gordon; Easton Thodos; assistant director, Nick Satriano; casting, Iris Hampton.

Director James Gunn's creative team also includes director of photography Henry Braham («The Legend of Tarzan,» «The Golden Compass»); production designer Scott Chambliss («Star Trek,» «Tomorrowland»); editors Fred Raskin («The Hateful Eight,» «Guardians of the Galaxy») and Craig Wood («Guardians of the Galaxy,» «Pirates of the Caribbean: At World's End»); composer Tyler Bates («Guardians of the Galaxy,» «John Wick»); three time Oscar ® - nominated costume designer Judianna Makovsky («Captain America: Civil War,» «Harry Potter and the Sorcerer's Stone»); Oscar ® - nominated visual effects supervisor Chris Townsend («Avengers: Age of Ultron,» «Iron Man 3»); stunt coordinator Tommy Harper («Pirates of the Caribbean: Dead Men Tell No Tales,» «Captain America: The Winter Soldier»); co-producer / first assistant director Lars Winther («Captain America: Civil War,» «Captain America: The Winter Soldier»); and six - time Oscar ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War,» «The Avengers»).

Rob Minkoff («The Lion King,» «Stuart Little») directs, with special effects and make - up design by six - time Academy Award winner Rick Baker («How the Grinch Stole Christmas») and sets by Oscar - winning production designer John Myhre («Elizabeth,» «Chicago»).

Written and directed by the Wachowski Brothers; director of photography, Bill Pope; edited by Zach Staenberg; music by Don Davis; production designer, Owen Paterson; visual effects supervisor, John Gaeta; produced by Joel Silver; released by Warner Brothers Pictures.

We find notes from director Peter Jackson, extras wrangler Josie Leckie, director of photography Andrew Lesnie, camera operator Richard Bluck, armour weapons standby John Harding, greens master Brian Massey, co-producer Rick Porras, designer / sculptor Daniel Falconer, senior machinist / engineer Dominic Taylor, animation supervisor Randall William Cook, stunt performer Steve Reinsfield, extras casting Miranda Rivers and Victoria Cole, painter Brett Larsen, carpenters Geoff Goss and Ross Hoby, supervising unit location manager Richard Sharkey, 2nd AD Marc Ashton, stunt performers Mana Davis and Sala Baker, 2nd unit director Geoff Murphy, boom operators Eoin Cox and Corrin Ellingford, on set art director Simon Bright, camera operator Peter McCaffrey, motion control operator Henk Prins, previsualisation supervisor Christian Rivers, digital surveyor Nick Booth, stable foreman Lee Somervell, gaffer David Brown, set finishing supervisor Kerry Dunn, on set art director Joe Bleakley, effects technician Peter Zivkovic, on set prosthetics makeup Tami Lane, 3rd AD Chris Husson, Weta Workshop's Richard Taylor, effects technicians Darryl Richards and Scott Harens, stunt rigger Paul Shapcott, New Zealand stunt coordinator Kirk Maxwell, swordmaster Bob Anderson, medic and safety officer Andy Buckley, supervising art director Dan Hennah, conceptual artist Alan Lee, Gimli scale double Brett Beattie, and actors Dominic Monaghan, Billy Boyd, Andy Serkis, Bernard Hill, Brad Dourif, Elijah Wood, Orlando Bloom, Sean Astin, Miranda Otto, and Viggo Mortensen.

Here we hear from Rick Porras, Peter Jackson, Richard Taylor, Barrie Osborne, Ben Wootten, John Howe, Jamie Beswarick, Mark Ordesky, Weta senior animator Jason Schleifer, actor Andy Serkis, Christian Rivers, animation designer and supervisor Randy Cook, visual effects DP Brian Van't Hul, Elijah Wood, Sean Astin, Weta creature facial lead Bay Raitt, Weta visual effects supervisor Joe Letteri, motion capture supervisor Remington Scott, visual effects supervisor Jim Rygiel, Weta systems architect Jon Labrie, visual effects producer Dean Wright, Philippa Boyens, Weta animation department head Adam Valdez, animation supervisor Richie Baneham, Warren Mahy, Weta 3D sequence lead Ken McGaugh, and Gino Acevedo.

Jerry Goldsmith's music for «Outland,» production designer Philip Harrison's sets, and John Stears's special effects look very much in the same dark, moody vein as «Alien.»

Camera (color, Arri Alexa digital), Robert Eldwit; editor, John Gilroy; music, James Newton Howard; music supervisors, Brian Ross, Nic Ratner; production designer, Kevin Kavanaugh; art director, Naaman Marshall; set decorator, Meg Everist; costume designer, Amy Wescott; sound (Datasat / Dolby Digital), Shawn Holden; sound designer / supervising sound editor, Scott Martin Gershin; re-recording mixers, Andy Koyama, Martyn Zub; visual effects, relevantVFX, Rain VFX, Artea; stunt coordinator, Mike Smith; associate producer, Juliana Guedes; assistant directors, David A. Ticotin, Richard L. Fox; second unit director, Mike Smith; second unit camera, Christopher Moseley; casting, Mindy Marin.

Bonus: Discs One & Two • Audio Commentary with co - writer / co - producer / director Peter Jackson, co - writer / co-producer Fran Walsh, and co-writer Philippa Boyens • Audio Commentary with production designer Grant Major, Weta Workshop creative supervisor Richard Taylor, conceptual designer / set decorator Alan Lee, conceptual designer John Howe, supervising art director / set decorator Dan Hennah, art department manager Chris Hennah, and Weta Workshop manager Tania Rodger • Audio Commentary with producer Barrie Osborne, executive producer Mark Ordesky, director of photography Andrew Lesnie, editor Mike Horton, additional editor Jabez Olssen, co-producer Rick Porras, composer Howard Shore, visual effects supervisors Jim Rygiel and Joe Letteri, supervising sound editor Ethan Van der Ryn, supervising sound editor Mike Hopkins, Weta animation designer and supervisor Randy Cook, previsualization supervisor Christian Rivers, visual effects DP Brian Van't Hul, and visual effects DP Alex Funke • Audio Commentary with actors Elijah Wood, Sean Astin, John Rhys - Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Sean Bean, Bernard Hill, Miranda Otto, David Wenham, Brad Dourif, Karl Urban, John Noble, Craig Parker, and Andy Serkis

Camera (Fotokem color, widescreen), Brian Pearson; editor, Tim Alverson; music, Joseph Bishara; production designer, Jennifer Spence; art director, Jason Garner; set decorator, Lori Mazuer; costume designer, Ariyela Walk - Cohain; sound, Buck Robinson; sound designer, Martyn Zub; supervising sound editor, Paul Hackner; re-recording mixers, Craig Mann, Martyn Zub; visual effects supervisor, James Hattin; visual effects producer, Nate Smalley; visual effects, Legion; special makeup effects, Fractured FX; special effects supervisor, John Hartigan; associate producer, Laura Altmann; assistant director, Dan «Laz» Lazarovits; casting, Terri Taylor.

THE NORMAL HEART Home Box Office PRODUCED BY: Dante Di Loreto, Dede Gardner, Alexis Woodall, Gina Lamar DIRECTED BY: Ryan Murphy SUPERVISING SOUND EDITOR: Gary Megregian, MPSE SOUND DESIGNERS: Timothy A. Cleveland, John Petaja SUPERVISING FOLEY EDITOR: Scott Curtis, MPSE FOLEY ARTISTS: Alicia Stevenson, Dawn Lunsford SOUND EFFECTS EDITOR: Paul Diller

PRODUCED BY: John Logan, Sam Mendes, Pippa Harris, Sheila Hockin DIRECTED BY: J.A. Bayona SUPERVISING SOUND EDITOR: Jane Tattersall, MPSE SOUND DESIGNER: Oriol Tarragó FOLEY ARTISTS: Andy Malcolm, Goro Koyama SOUND EFFECTS EDITORS: David Rose, MPSE, Marc Bech

THE BOXTROLLS Laika Entertainment PRODUCED BY: David Ichioka, Travis Knight DIRECTED BY: Anthony Stacchi, Graham Annable SUPERVISING SOUND EDITORS: Tom Myers, Ren Klyce SOUND DESIGNER: Tom Myers, Ren Klyce SUPERVISING FOLEY EDITOR: Thom Brennan FOLEY ARTISTS: John Roesch, Jana Thorpe SOUND EFFECTS EDITORS: Dustin Cawood, David Hughes, Benjamin A Burtt DIALOGUE / ADR EDITOR: Marilyn McCoppin MUSIC EDITOR: Jonathon Stevens ADR EDITOR: Marilyn McCoppin FOLEY EDITOR: Jeremy Molod

Camera (Deluxe color, Panavision widescreen), Bojan Bazelli; editors, Craig Wood, James Haygood; music, Hans Zimmer; production designers, Jess Gonchor, Crash McCreery; supervising art directors, Jon Billington, Brad Ricker; set decorator, Cheryl Carasik; costume designer, Penny Rose; sound (Dolby Digital / Datasat), Lee Orloff; supervising sound editors, Addison Teague, Shanon Mills; re-recording mixers, Paul Massey, Christopher Boyes; sound designers, Teague, Mills, Boyes, Gary Rydstrom; special effects supervisor, John Frazier; special effects coordinators, Jim Schwalm, Jon G. Belyeu; visual effects supervisors, Tim Alexander, Gary Brozenich; visual effects producer, Shari Hanson; visual effects, Industrial Light & Magic, Base FX, MPC, lola VFX, Smoke Donkey VFX, Atomic Fiction, Virtuos; ILM animation supervisor, Kevin Martel; MPC visual effects supervisor, Matt Middleton; special makeup effects, Joel Harlow; animal coordinator, Boone Narr; stunt coordinator, Thomas Robinson Harper; associate producers, Pat Sandston, Melissa Reid, Shari Hanson, Tom Engelman, Morgan Des Groseillers; assistant director, Simon Warnock; second unit director, Charles Gibson; second unit camera, Patrick Loungway; casting, Denis Chamian.

- Three audio commentaries (Filmmakers and cast: Sam Raimi, Laura Ziskin, Grant Curtis, and Kirsten Dunst; Visual effects designer and crew: John Dykstra and special effects crew; and Actors: Tobey Maguire and J.K. Simmons)

Camera (Deluxe color, 35 mm), Roger Deakins; editors, Joel Cox, Gary D. Roach; music, Johann Johannsson; music supervisor, Deva Anderson; production designer, Patrice Vermette; art director, Paul Kelly; set decorator, Frank Galline; set designers, Mayumi Konishi - Valentine, Aaron Linker; costume designer, Renee April; sound (Datasat / Dolby Digital / SDDS), Mary H. Ellis; sound designer, Tom Ozanich; supervising sound editor, Alan Robert Murray; re-recording mixers, John Reitz, Greg Rudloff; visual effects, Pacific Title & Art Studio, Luma Pictures; stunt coordinator, Steven Ritzi; assistant director, Donald L. Sparks; casting, Kerry Barden, Paul Schnee

Working with production designer John Barry and special effects supervisor John Dykstra, writer - director George Lucas makes escapist entertainment respectable again, and more — he turns it into art.

The making - of overview «Reforging the Future» (19:01, HD) covers all aspects of production with set footage and interviews with McG, Halcyon producers Victor Kubicek & Derek Anderson, Christian Bale, executive producer Jeanne Allgood, producer Jeffrey Silver, associate producer Steve Gaub, Sam Worthington, production designer Martin Laing, assistant art director Greg Hooper, location manager Michael J. Burmeister, Moon Bloodgood, Anton Yelchin, set decorator Victor Zolfo, costume designer Michael Wilkinson, Terminator makeup and animatronic effects man John Rosengrant of Stan Winston Studios, visual effects art director Christian Alzmann, ILM animation supervisor Marc Chu, second unit director / visual effects supervisor Charles Gibson, special effects coordinator Michael Meinardus, key powder foreman Anthony Simonaitis, ILM visual effects supervisor Ben Snow, and CG supervisor Pat Conran.

Written and directed by James Cameron; director of photography, Mauro Fiore; edited by Mr. Cameron, John Refoua and Stephen Rivkin; music by James Horner; visual effects supervisor, Joe Letteri; production designers, Rick Carter and Robert Stromberg; produced by Mr. Cameron and Jon Landau; released by 20th Century Fox.

We hear from Leterrier, Roth, producers Kevin Feige, Gale Ann Hurd and Avi Arad, executive producer Jim Van Wyck, production designer Kirk M. Petruccelli, visual effects supervisor Kurt Williams, Canadian Forces Base Trenton public affairs officer Captain Nicole Meszaros, special effects coordinator Laird McMurray, stunt coordinator John Stoneham, Jr., second unit 1st AD Andrew Robinson, second unit 2nd AD Joel Hay, and actors Edward Norton, Liv Tyler, and William Hurt.

With: Art Jeffries - Bruce Willis Nicholas Kudrow - Alec Baldwin Simon - Miko Hughes Tommy B. Jordan - Chi McBride Stacey - Kim Dickens Dean Crandell - Robert Stanton Leo Pedranski - Bodhi Pine Elfman Emily Lang - Carrie Preston Peter Burrell - L.L. Ginter Martin Lynch - John Carroll Lynch Shayes - Peter Stormare Lomax - Kevin Conway Jenny Lynch - Kelley Hazen Supervisor Hartley - John Doman Edgar Halstrom - Richard RiehleCamera (Deluxe color, Panavision widescreen), Michael Seresin; editor, Peter Honess; music, John Barry; production designer, Patrizia von Brandenstein; art directors, Jim Truesdale, Steve Saklad; set designers, Jeff Adam, Karen Fletcher (Chicago), Andrew Menzies (L.A.); set decorator, Maria Nay; costume designer, Betsy Heimann; sound (DTS / SDDS / Dolby digital), Kim Ornitz; visual effects supervisor, Michael Owens; special visual effects and animation, Industrial Light & Magic; associate producer - assistant director, Tom Mack; casting, Nancy Klopper.

Venue: Venice Film Festival (Out of Competition) Production: Touchstone, Miramax, Chartoff / Hendee Prods., TalkStory Prods., Artemisia Films, Mumbai Mantra Cast: Helen Mirren, Felicity Jones, Ben Whishaw, Chris Cooper, Djimon Hounsou, Tom Conti, David Strathairn, Alfred Molina, Alan Cumming, Russell Brand, Reeve Carney Director: Julie Taymor Screenwriter: Julie Taymor from the play by William Shakespeare Executive producers: John C. Ching, Deborah Lau, Ron Bozman, Tino Purik, Rohit Khattar, Stewart Till, Anthony Buckner, Greg Strasburg Producers: Julie Taymor, Robert Chartoff, Lynn Hendee, Julia Taylor - Stanley, Jason K. Lau Director of photography: Stuart Dryburgh Production designer: Mark Friedberg Music: Elliot Goldenthal Costume designer: Sandy Powell Editor: Francoise Bonnot Visual effects supervisor: Kyle Cooper Sales agent: Icon International Entertainment No rating, 110 minutes

Camera (color, widescreen), Jo Willems; editor, Alan Edward Bell; music, James Newton Howard; music supervisor, Alexandra Patsavas; production designer, Philip Messina; supervising art director, John Collins; art directors, Robert Fechtman, Adam Davis; set decorator, Larry Dias; costume designer, Trish Summerville; sound (Dolby Atmos / Datasat), Mark Weingarten; supervising sound editors / re-recording mixers, Skip Lievsay, Jeremy Peirson; sound designer, Peirson; visual effects supervisor, Janek Sirrs; visual effects producer, Mitchell Ferm; visual effects, Double Negative, Weta Digital, Method Studios, Rodeo FX, Fuel VFX, Hybride; special effects coordinator, Steve Cremin; supervising stunt coordinator, Chad Stahelski; stunt coordinator, Sam Hargrave; assistant director, Aldric La'auli Porter; second unit director, Chad Stahelski; second unit camera, Robby Baumgartner; casting, Debra Zane.

This doc from the 2003 Director's Cut special edition DVD features comments from Johnson, Arad, Kilkenny, producer Gary Foster, costume designer James Acheson, textile artist Matt Reitsma, art department coordinator Jamie Neese, costume supervisor Lisa Lovaas, Paul Ben - Victor, Joe Pantoliano, action choreographer Master Cheung - Yan Yuen, Jennifer Garner, stunt coordinator Jeff Imada, Ben Affleck, Colin Farrell, Affleck's fight trainer David Lea, director of photography Ericson Core, sight - impaired consultant Tom Sullivan, Jon Favreau, special effects coordinator John McLeod, visual effects supervisor Rich Thorne, Shadow World fx lead Eric Horton, and composer Graeme Revell.

Directed by John Stevenson and Mark Osborne; written by Jonathan Aibel and Glenn Berger, based on a story by Ethan Reiff and Cyrus Voris; music by Hans Zimmer and John Powell; production designer, Raymond Zibach; visual effects supervisor, Markus Manninen; produced by Melissa Cobb; released by DreamWorks Animation and Paramount Pictures.

Camera (color, Panavision widescreen), Brendan Galvin; editor, Robert Duffy; music, Antonio Pinto; music supervisor, John Houlihan; production designer, Tom Foden; art director, Tim Beach; set decorator, Cindy Carr; set designer, Walter Schneider; costume designer, Shay Cunliffe; sound, Pud Cusack; sound designer, Robert L. Stephton; supervising sound editor, Steven Ticknor; re-recording mixers, Kevin O'Connell, Ticknor; visual effects, Temprimental Films, Skulley Effects, Scoundrel VFX; stunt coordinator, Steven Ritzi; assistant director, Nick Mastandrea; second unit director, Steven Ritzi; second unit camera, Jaron Presant; casting, Mary Vernieu, Venus Kanani.

Camera (Deluxe color, widescreen), Oliver Wood; editors, Brent White, Melissa Bretherton; music, Andrew Feltenstein, John Nau; music supervisor, Erica Weis; production designer, Clayton Hartley; art director, Elliott Glick; set decorator, Jan Pascale; set designers, Barbara Mesney, James Tocci, Alexander, McCarroll, Danny Brown; costume designer, Susan Matheson; sound (Datasat / Dolby Digital), Whit Norris; sound supervisor, George Anderson; re-recording mixers, Marc Fishman, Anna Behlmer; visual effects, Mr. X Gotham, Lola VFX; stunt coordinator, Chris O'Hara; associate producers, Matt Rebenkoff, Robyn Wholey; assistant director, Matt Rebenkoff; second unit director, David Letich; casting, Allison Jones.

It features editor Frank Urioste, visual effects supervisors Neil Krepela and John Bruno, and production designer John Vallone.

«The Making of The White Countess» (13:26) adds comments by production designer Andrew Sanders, costume designed John Bright, choreographer Karole Armitage, and special effects coordinator David Fletcher.

We get modern - day remarks from executive producer / story creator George Lucas, director Steven Spielberg, screenwriters Lawrence Kasdan (Raiders), Willard Huyck and Gloria Katz (Temple), actors Harrison Ford, Alfred Molina, Paul Freeman, Karen Allen, John Rhys - Davies, Kate Capshaw, Ke Huy Quan, Roshan Seth, Sean Connery, Julian Glover, and Alison Doody, production designer Norman Reynolds, costume designers Deborah Nadoolman (Raiders) and Anthony Powell (Temple and Crusade), producer Frank Marshall, director of photography Douglas Slocombe, associate producer (Raiders) / producer (Temple) Robert Watts, associate to Spielberg (Raiders) / associate producer (Temple) / production executive (Crusade) Kathleen Kennedy, second unit director Michael Moore, editor Michael Kahn, and mechanical effects supervisor (Temple and Crusade) George Gibbs.

This program includes remarks from producer Barrie Osborne, executive producer Mark Ordesky, director of photography Andrew Lesnie, editor John Gilbert, co-producer Rick Porras, composer Howard Shore, visual effects supervisor Jim Rygiel, supervising sound editor / co-designer Ethan Van der Ryn, supervising sound editor Mike Hopkins, Weta animation designer and supervisor Randy Cook, Weta VFX art director Christian Rivers, Weta VFS cinematographer Van» r Hul, and miniature unit director of photography Alex Funke.

In addition to movie clips and material from the set, we hear comments from Jackson, actors Wood, Astin, McKellen, Brad Dourif, Lee, Hill, Urban, Mortensen, Rhys - Davies, Otto, Monaghan, Boyd, Serkis, visual effects supervisor Richard Taylor, supervising sound editor / co-sound designer Ethan Van Der Ryn, producer Barrie Osborne, supervising art director Hennah, conceptual artists Alan Lee and John Howe, digital model supervisor Matt Aitken, director of animation Randy Cook, visual effects supervisor Joe Letteri, creature supervisor Eric Saindon, executive producer Mark Ordesky, stuntman Sala Baker, creature facial lead animator Bay Raitt, and co-producer Rick Porras.

Camera (color, HD), Helle Jensen; editor, Zachery Kashkett; music, Voodoo Highway, Toni M. Mir; music supervisor, Rebekah Touma; production designer, Angela Satuffer; sound, Ryan Jennings; sound supervisor, Christopher Sheldon; sound designers, Ryan McBride, David Brian Kelly, Ryan Jennings, Greg Arnold, Kyle Mangels; re-recording mixers, Andrew Liu, Tom Marks, Brian Pickett; visual effects, John Attard, Jeff Brue; stunt coordinator, Van Vander Pluym; associate producers, Stewart Till, Rieks Hadders, Helle Jensen, Evert - Jan Wamsteker; casting, Emily Schweber.

Mendez and company decide to make their fake film as real as possible, and they enlist a high - profile special effects designer, John Chambers (John Goodman) and a big - wig producer, Lester Siegel (Alan Arkin) to help with the project.

• Audio Commentary with producer Barrie Osborne, executive producer Mark Ordesky, director of photography Andrew Lesnie, editor John Gilbert, co-producer Rick Porras, composer Howard Shore, visual effects supervisor Jim Rygiel, supervising sound editor / co-designer Ethan Van der Ryn, supervising sound editor Mike Hopkins, Weta animation designer and supervisor Randall William Cook, Weta VFX art director Christian Rivers, Weta VFX cinematographer Van» r Hul, and miniature unit director of photography Alex Funke

Camera (color), Scott Henriksen; editors, James Nelson, John Nau; music, Andrew Feltenstein; production designer, David Skinner; art supervisor, Debbie Stratis; set decorator, Roxy Topirowych; costume designer, Michelle Martini; sound, Marlowe Taylor; sound designer, Chris Diebold; supervising sound editor, Steven Iba; re-recording, Jason Gaya; visual effects supervisors, Grant Miller, David Lebensfeld; visual effects producer, Phil Crowe; visual effects, Ingenuity Engine, Jogger VFX; stunt coordinator, Kristin Baskett; assistant director, Daniel Katzman; casting, Jeanne McCarthy.

In this one - hour, nine - minute, two - second show, we hear from Fricke, Ebsen, composers / lyricists Marc Shaiman and Stephen Schwartz, author's great - great - grandson Robert A. Baum, film critic Michael Sragow, film historians Leonard Maltin and Sam Wasson, filmmakers William Friedkin and Rob Marshall, Bert Lahr's son John, actors Ruth Duccini and Margaret Pelligrini, author William Wellman, Jr., costume designer Ruth Myers, makeup artist Charles H. Schram, cinematographer Peter Deming, visual effects supervisor Craig Barron, sound designer Ben Burtt,

«Cast» offers listings for Duchovny, Moore, Jones and Scott, while «Filmmakers» packs in -(takes deep breath)- director Reitman, producers Daniel Goldberg and Joe Medjuck, story writer Don Jakoby, screenwriters David Weissman and David Diamond, executive producers Tom Pollock, Jeff Apple, and David Rodgers, co-producer Paul Deason, director of photography Michael Chapman, production designer J. Michael Riva, editor / associate producer Sheldon Kahn, editor Wendy Green Bricmont, visual effects supervisor Phil Tippett, costume designer Aggie Guerard Rodgers, and composer John Powell.

NEW Sounds from the Cold — interviews with supervising sound editor David Lewis Yewdall and special sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)

EDITOR: Ray Lovejoy; CINEMATOGRAPHER: Geoffrey Unsworth, John Alcott; PRODUCTION DESIGNER: Tony Masters, Harry Lange, Ernest Archer; ART DESIGN: John Hoesli; SPECIAL EFFECTS: Stanley Kubrick, Wally Veevers, Douglas Trumbull, Con Pederson, Tom Howard, Colin J. Cantwell, Bryan Loftus, Frederick Martin, Bruce Logan, David Osborne, John Jack Malick: MAKEUP: Stuart Freeborn; COSTUMES: Hardy Amies

PRODUCERS: Gordon Carroll, David Giler, Walter Hill; DIRECTOR: Ridley Scott; SCREENWRITER: Dan O'Bannon (based on a story by O'Bannon and Ronald Shusett); EDITORS: Terry Rawlings, Peter Weatherley; CINEMATOGRAPHER: Derek Vanlint; COMPOSER: Jerry Goldsmith; PRODUCTION DESIGNER: Michael Seymour; SET DESIGNER: Ian Whittaker; SPECIAL EFFECTS: Carlo Rambaldi, Bernard Lodge; COSTUMES: John Mollo, H.R. Giger, Roger Dicken

Camera (color, Arri Alexa HD, widescreen), Roger Deakins; editor, Joe Walker; music, Johan Johannsson; executive music producers, Tara Moross, Darren Blumenthal; production designer, Patrice Vermetter; supervising art director, Paul Kelly; art director, Bjarne Sletteland; set decorator, Jan Pascale; set designer, Ricardo Guillermo; costume designer, Renee April; sound (Dolby Digital), William Sarokin; sound designer, Tom Ozanich; supervising sound editor, Alan Robert Murray; re-recording mixers, John Reitz, Tom Ozanich; visual effects supervisor, Louis Morin; visual effects, Oblique FX, Fly Studio, Cinesite; special effects supervisor, Stan Blackwell; stunt coordinator, Keith Woulard; associate producer, Emma McGill; assistant director, Donald L. Sparks; casting, Francine Maisler.

Camera (color), Robert Brinkmann; editor, Sharon Rutter; music, Steffan Fantini, Marc Fantini; production designer, Seth Reed; art director, Jennifer Moller; set decorator, Kat Wilson; costume designer, Sandra Burns; sound, John C. Taylor; visual effects supervisor, Billy Brooks; associate producers, Billy Brooks, Melodi Hallenbeck, Alexander Koehne, Ilana Marks; assistant director, Jeremy Phoenix; casting, Eric Souliere.

The event reunited the film's cast and crew — including stars Kathy Najimy, Thora Birch, Vinessa Shaw, Omri Katz, and Doug Jones, producer David Kirschner, composer John Debney, designer William Sandell, effects / makeup designer Tony Gardner, and additional effects artist and crew, for a special reception, prop display, two sold - out screenings, and two intimate panels with the cast and crew!

Camera (Fotokem color, widescreen), Shelly Johnson; editor, Padriac McKinley, Thomas J. Nordberg; music, Dario Marianelli; music supervisor, Maggie Rodford; production designer, Greg Berry; costume designer, Lizz Wolf; sound (Dolby Digital), Jay Meagher; supervising sound editor, Daniel Pagan; re-recording mixers, Jeffrey J. Haboush, Chris Carpenter; visual effects supervisor, Dottie Starling; visual effects, Wildfire Studios; action choreographer, Cory Yuen; associate producers, Samantha Brooks, David Shojai, John McLaughlin, RJ Cipriani; assistant director, Ann C. Salzer; casting, Barbara Fiorentino.

It has everything from a making - of documentary (titled «John Carpenter's The Thing: Terror Takes Shape» featuring interviews with John Carpenter, Kurt Russell, make - up designer Rob Bottin, matte artist Albert Whitlock, and other cast and crew members) to outtakes, work - in - progress special effects footage and behind - the - scenes footage.

We've already seen them becoming increasingly popular in interior design, and now wood - effect porcelain tiles look set to become a trend in garden design suggests designer John Wyer FSGD who first used them two years ago on his award - winning garden at the RHS Chelsea flower show.