I think in one part they actually mention horror movie icon / special
effects designer Tom Savini among its many references.
Not exact matches
Star Hugh Jackman gives us more details about his character, Charlie Denton, and we speak with production
designer Tom Meyer and visual
effects artist Jason Matthews.
Production company: Marvel Studios Distributor: Disney Cast: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Don Cheadle, Benedict Cumberbatch,
Tom Holland, Chadwick Boseman, Zoe Saldana, Karen Gillan,
Tom Middleston, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Idris Elba, Danai Gurira, Peter Dinklage, Benedict Wong, Pom Klementieff, Dave Bautista, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Benicio Del Toro, Josh Brolin, Chris Pratt, William Hurt Directors: Anthony Russo, Joe Russo Screenwriters: Christopher Markus, Stephen McFeely, based on the Marvel comics by Stan Lee, Jack Kirby Producer: Kevin Feige Executive producers: Louis D'Esposito, Victoria Alonso, Michael Grillo, Trihn Tran, Jon Favreau, James Gunn, Stan Lee Director of photography: Trent Opaloch Production
designer: Charles Wood Costume
designer: Judianna Makovsky Editors: Jeffrey Ford, Matthew Schmidt Music: Alan Silvestri Visual
effects supervisor: Dan DeLeeuw Casting: Sarah Finn
David Lazan; set decorator, Leslie E. Rollins; set
designers, Amy Heinz - Barnett, Sarah Contant, Jeremy Woodward; costume
designer, David Robinson; sound (Datasat / Dolby Digital),
Tom Williams; sound
designer, David Esparza; supervising sound editor, Mandell Winter; re-recording mixers, Steve Pederson, Daniel J. Leahy; visual
effects supervisor, Sean Devereaux; visual
effects, Zero VFX; stunt coordinators, Keith Woulard, Lin Oeding; associate producer, Kat Samick; assistant director, Philip A. Patterson; casting, Mary Vernieu, Lindsay Graham.
THE BOXTROLLS Laika Entertainment PRODUCED BY: David Ichioka, Travis Knight DIRECTED BY: Anthony Stacchi, Graham Annable SUPERVISING SOUND EDITORS:
Tom Myers, Ren Klyce SOUND
DESIGNER:
Tom Myers, Ren Klyce SUPERVISING FOLEY EDITOR: Thom Brennan FOLEY ARTISTS: John Roesch, Jana Thorpe SOUND
EFFECTS EDITORS: Dustin Cawood, David Hughes, Benjamin A Burtt DIALOGUE / ADR EDITOR: Marilyn McCoppin MUSIC EDITOR: Jonathon Stevens ADR EDITOR: Marilyn McCoppin FOLEY EDITOR: Jeremy Molod
(Color, widescreen); editor, Chris Plummer; music, Marius de Vries; feature animation, Industrial Light & Magic; animation supervisor, Kim Ooi; sound
designer (Dolby Atmos), E.J. Holowicki; supervising sound editor, Steve Slanec; re-recording mixers,
Tom Johnson, Juan Peralta; senior visual
effects supervisor, Tony Plett; visual
effects supervisor, Nigel Sumner; senior animation producer, Jacqui Lopez; casting, David Rubin, Richard Hicks, Lindsay Perlman.
Camera (Deluxe color, Panavision widescreen), Bojan Bazelli; editors, Craig Wood, James Haygood; music, Hans Zimmer; production
designers, Jess Gonchor, Crash McCreery; supervising art directors, Jon Billington, Brad Ricker; set decorator, Cheryl Carasik; costume
designer, Penny Rose; sound (Dolby Digital / Datasat), Lee Orloff; supervising sound editors, Addison Teague, Shanon Mills; re-recording mixers, Paul Massey, Christopher Boyes; sound
designers, Teague, Mills, Boyes, Gary Rydstrom; special
effects supervisor, John Frazier; special
effects coordinators, Jim Schwalm, Jon G. Belyeu; visual
effects supervisors, Tim Alexander, Gary Brozenich; visual
effects producer, Shari Hanson; visual
effects, Industrial Light & Magic, Base FX, MPC, lola VFX, Smoke Donkey VFX, Atomic Fiction, Virtuos; ILM animation supervisor, Kevin Martel; MPC visual
effects supervisor, Matt Middleton; special makeup
effects, Joel Harlow; animal coordinator, Boone Narr; stunt coordinator, Thomas Robinson Harper; associate producers, Pat Sandston, Melissa Reid, Shari Hanson,
Tom Engelman, Morgan Des Groseillers; assistant director, Simon Warnock; second unit director, Charles Gibson; second unit camera, Patrick Loungway; casting, Denis Chamian.
Camera (Deluxe color, 35 mm), Roger Deakins; editors, Joel Cox, Gary D. Roach; music, Johann Johannsson; music supervisor, Deva Anderson; production
designer, Patrice Vermette; art director, Paul Kelly; set decorator, Frank Galline; set
designers, Mayumi Konishi - Valentine, Aaron Linker; costume
designer, Renee April; sound (Datasat / Dolby Digital / SDDS), Mary H. Ellis; sound
designer,
Tom Ozanich; supervising sound editor, Alan Robert Murray; re-recording mixers, John Reitz, Greg Rudloff; visual
effects, Pacific Title & Art Studio, Luma Pictures; stunt coordinator, Steven Ritzi; assistant director, Donald L. Sparks; casting, Kerry Barden, Paul Schnee
Camera (Technicolor, Panavision widescreen, Arri Alexa digital), Trent Opaloch; editors, Jeffrey Ford, Matthew Schmidt; music, Henry Jackman; music supervisor, Dave Jordan; production
designer, Owen Paterson; supervising art director, Greg Berry; art directors, David E. Scott, Greg Hooper; set decorator, Ronald R. Reiss; costume
designer, Judianna Makovsky; sound (Dolby Atmos / Dolby Digital), Manfred Banach; supervising sound editors, Shannon Mills, Daniel Laurie; sound
designers, David C. Hughes, Nia Hansen; re-recording mixers,
Tom Johnson, Juan Peralta; visual
effects supervisor, Dan Deleeuw; head of visual development, Ryan Meinerding; visual
effects and animation, Industrial Light & Magic, Method Studios; visual
effects, Trixter Film, Rise Visual
Effects Studios, Double Negative, Luma Pictures, Lola VFX, Cinesite, Cantina, Sarofsky, Animal Logic, Crafty Apes, Image Engine Design, Technicolor VFX, Capital T, Exceptional Minds; stunt coordinator, Spiro Razatos; stunt and fight coordinator, Sam Hargrave; supervising stunt coordinators, Doug Coleman, Mickey Giacomazzi; 3D stereoscopic supervisor, Evan Jacobs; 3D stereoscopic producer, Jon Goldsmith; 3D conversion, Stereo D, Prime Focus; associate producers, Trinh Tran, Ari Costa; assistant director, Lars P. Winther; second unit directors, Razatos, David Leitch, Chad Stahelski, Darrin Prescott; casting, Sarah Halley Finn.
With: Art Jeffries - Bruce Willis Nicholas Kudrow - Alec Baldwin Simon - Miko Hughes Tommy B. Jordan - Chi McBride Stacey - Kim Dickens Dean Crandell - Robert Stanton Leo Pedranski - Bodhi Pine Elfman Emily Lang - Carrie Preston Peter Burrell - L.L. Ginter Martin Lynch - John Carroll Lynch Shayes - Peter Stormare Lomax - Kevin Conway Jenny Lynch - Kelley Hazen Supervisor Hartley - John Doman Edgar Halstrom - Richard RiehleCamera (Deluxe color, Panavision widescreen), Michael Seresin; editor, Peter Honess; music, John Barry; production
designer, Patrizia von Brandenstein; art directors, Jim Truesdale, Steve Saklad; set
designers, Jeff Adam, Karen Fletcher (Chicago), Andrew Menzies (L.A.); set decorator, Maria Nay; costume
designer, Betsy Heimann; sound (DTS / SDDS / Dolby digital), Kim Ornitz; visual
effects supervisor, Michael Owens; special visual
effects and animation, Industrial Light & Magic; associate producer - assistant director,
Tom Mack; casting, Nancy Klopper.
Others offer their own input:
Tom Felton (Isaacs» onscreen son Draco Malfoy) reads corresponding excerpts from J.K. Rowling's book, actor Frank Dillane (young Voldemort in Half - Blood Prince, an unlikely choice) reminds us of objects» significance, while production
designer Stuart Craig, makeup
designer Nick Dudman, and producers
Tom Heyman and David Barron talk
effects, design, creative decisions, and production experiences.
Venue: Venice Film Festival (Out of Competition) Production: Touchstone, Miramax, Chartoff / Hendee Prods., TalkStory Prods., Artemisia Films, Mumbai Mantra Cast: Helen Mirren, Felicity Jones, Ben Whishaw, Chris Cooper, Djimon Hounsou,
Tom Conti, David Strathairn, Alfred Molina, Alan Cumming, Russell Brand, Reeve Carney Director: Julie Taymor Screenwriter: Julie Taymor from the play by William Shakespeare Executive producers: John C. Ching, Deborah Lau, Ron Bozman, Tino Purik, Rohit Khattar, Stewart Till, Anthony Buckner, Greg Strasburg Producers: Julie Taymor, Robert Chartoff, Lynn Hendee, Julia Taylor - Stanley, Jason K. Lau Director of photography: Stuart Dryburgh Production
designer: Mark Friedberg Music: Elliot Goldenthal Costume
designer: Sandy Powell Editor: Francoise Bonnot Visual
effects supervisor: Kyle Cooper Sales agent: Icon International Entertainment No rating, 110 minutes
This doc from the 2003 Director's Cut special edition DVD features comments from Johnson, Arad, Kilkenny, producer Gary Foster, costume
designer James Acheson, textile artist Matt Reitsma, art department coordinator Jamie Neese, costume supervisor Lisa Lovaas, Paul Ben - Victor, Joe Pantoliano, action choreographer Master Cheung - Yan Yuen, Jennifer Garner, stunt coordinator Jeff Imada, Ben Affleck, Colin Farrell, Affleck's fight trainer David Lea, director of photography Ericson Core, sight - impaired consultant
Tom Sullivan, Jon Favreau, special
effects coordinator John McLeod, visual
effects supervisor Rich Thorne, Shadow World fx lead Eric Horton, and composer Graeme Revell.
Camera (color, Panavision widescreen), Brendan Galvin; editor, Robert Duffy; music, Antonio Pinto; music supervisor, John Houlihan; production
designer,
Tom Foden; art director, Tim Beach; set decorator, Cindy Carr; set
designer, Walter Schneider; costume
designer, Shay Cunliffe; sound, Pud Cusack; sound
designer, Robert L. Stephton; supervising sound editor, Steven Ticknor; re-recording mixers, Kevin O'Connell, Ticknor; visual
effects, Temprimental Films, Skulley
Effects, Scoundrel VFX; stunt coordinator, Steven Ritzi; assistant director, Nick Mastandrea; second unit director, Steven Ritzi; second unit camera, Jaron Presant; casting, Mary Vernieu, Venus Kanani.
From the movie's production circle, we hear from producer Ron Bozman, screenwriter Ted Tally, former Orion Pictures VP Mike Medavoy, production
designer Kristi Zea, composer Howard Shore, set dresser Ken Turek, set decorator Karen O'Hara, art director Tim Galvin, special makeup
effects Carl Fullerton and Neil Martz, costume
designer Colleen Atwood, editor Craig McKay, production sound mixer Christopher Newman, moth wrangler Ray Mendez, re-recording mixer
Tom Fleischman, sound
designer Skip Lievsay, and actors Anthony Hopkins, Roger Corman, Diane Baker, Brooke Smith, Anthony Heald, and Ted Levine.
These last a total of 42 minutes, 16 seconds and offer comments from director of photography Daniel Landin, co - writer / director Jonathan Glazer, editor Paul Watts, music supervisor / producer Peter Raeburn, production
designer Chris Oddy, producer James Wilson, sound
designer Johnnie Burn, 2nd unit director / visual
effects supervisor
Tom Debenham, one - cam camera engineer Arron Smith, one - cam technical supervisor Louis Mustill, Kahleen Crawford, locations manager Eugene Strange, composer Mica Levi, graphic
designer Neil Kellerhouse, visual
effects supervisor Dominic Parker and co - writer / executive producer Walter Campbell.
This dichromatic scheme created by production
designer Damian LaFranche and cinematographer
Tom Richmond is fascinating and more than a little unsettling: the white - clad scientists and orderlies blend in with background, with only their heads clearly visible, and the somewhat grotesque makeup of multicolored, poorly stitched together Lazarus (created by
effects whiz
Tom Savini, who also has a bit part) just stands out even more against the plain backdrop.
Camera (3D, Deluxe color, widescreen), Lula Carvalho; editor, Bob Ducsay, Jim May, Debra Neil - Fisher; music, Steve Jablonsky; production
designer, Martin Laing; art director, Miguel Lopez - Castillo; set decorator, Debra Schutt; costume
designer, Sarah Edwards; sound (Datasat / Dolby Atmos),
Tom Nelson, Peter Fonda; supervising sound editors, Jason W. Jennings, Nancy Nugent Title; re-recording mixers, Terry Porter, Anna Behlmer; special
effects supervisor, J.D. Schwalm; visual
effects supervisor, Pablo Helman; visual
effects producers, Crystal Dowd, Susan Greenhow; visual
effects, Industrial Light & Magic, Ghost VFX, Atomic Fiction, Base FX, Whiskytree Inc., Animatrik, FX3X, Virtuos, Bot VFX, Shade VFX, Lola VFX; stunt coordinators, Spiro Razatos, Jonathan Eusebio; fight coordinator, Jon Valera; associate producer, Lori Scowley, Basil Bryant Grillo, Bret Rowe, Marc Pappalardo; assistant director, Alexander H. Gayner; second unit director, Razatos; second unit camera, Jacques Haitkin; casting, Lisa Fields.
Interviewed in these featurettes are Nolan, producer Emma Thomas, Leonardo DiCaprio, production
designer Guy Hendrix Dyas, special
effects supervisor Chris Corbould, stunt coordinator
Tom Struthers, visual
effects supervisor Paul Franklin, editor Lee Smith, director of photography Wally Pfister, special
effects coordinator Scott Fisher, first assistant director Nilo Otero, Joseph Gordon - Levitt, co-producer Jordan Goldberg, and composer Hans Zimmer.
Camera (color, HD), Helle Jensen; editor, Zachery Kashkett; music, Voodoo Highway, Toni M. Mir; music supervisor, Rebekah Touma; production
designer, Angela Satuffer; sound, Ryan Jennings; sound supervisor, Christopher Sheldon; sound
designers, Ryan McBride, David Brian Kelly, Ryan Jennings, Greg Arnold, Kyle Mangels; re-recording mixers, Andrew Liu,
Tom Marks, Brian Pickett; visual
effects, John Attard, Jeff Brue; stunt coordinator, Van Vander Pluym; associate producers, Stewart Till, Rieks Hadders, Helle Jensen, Evert - Jan Wamsteker; casting, Emily Schweber.
Camera (color), Arnaud Potier; editor, Joe Klotz; music, Nora Kroll - Rosenbaum, Brian McOmber; production
designer, Kathrin Eder; set decorator, Lisa Son; costume
designer, Emily Batson; sound, Amanda Beggs; supervising sound editor,
Tom Paul; re-recording mixer, Paul; visual
effects, Neal Jonas; special
effects coordinator, Rudy Perez; stunt coordinator, Gaelle Cohen; assistant director, Stephanie Galvan; casting, Richard Hicks.
«Cast» offers listings for Duchovny, Moore, Jones and Scott, while «Filmmakers» packs in -(takes deep breath)- director Reitman, producers Daniel Goldberg and Joe Medjuck, story writer Don Jakoby, screenwriters David Weissman and David Diamond, executive producers
Tom Pollock, Jeff Apple, and David Rodgers, co-producer Paul Deason, director of photography Michael Chapman, production
designer J. Michael Riva, editor / associate producer Sheldon Kahn, editor Wendy Green Bricmont, visual
effects supervisor Phil Tippett, costume
designer Aggie Guerard Rodgers, and composer John Powell.
EDITOR: Ray Lovejoy; CINEMATOGRAPHER: Geoffrey Unsworth, John Alcott; PRODUCTION
DESIGNER: Tony Masters, Harry Lange, Ernest Archer; ART DESIGN: John Hoesli; SPECIAL
EFFECTS: Stanley Kubrick, Wally Veevers, Douglas Trumbull, Con Pederson,
Tom Howard, Colin J. Cantwell, Bryan Loftus, Frederick Martin, Bruce Logan, David Osborne, John Jack Malick: MAKEUP: Stuart Freeborn; COSTUMES: Hardy Amies
Camera (color, Arri Alexa HD, widescreen), Roger Deakins; editor, Joe Walker; music, Johan Johannsson; executive music producers, Tara Moross, Darren Blumenthal; production
designer, Patrice Vermetter; supervising art director, Paul Kelly; art director, Bjarne Sletteland; set decorator, Jan Pascale; set
designer, Ricardo Guillermo; costume
designer, Renee April; sound (Dolby Digital), William Sarokin; sound
designer,
Tom Ozanich; supervising sound editor, Alan Robert Murray; re-recording mixers, John Reitz,
Tom Ozanich; visual
effects supervisor, Louis Morin; visual
effects, Oblique FX, Fly Studio, Cinesite; special
effects supervisor, Stan Blackwell; stunt coordinator, Keith Woulard; associate producer, Emma McGill; assistant director, Donald L. Sparks; casting, Francine Maisler.