Sentences with phrase «effects film as»

Although the director is Douglas Trumbull, a special effects expert who has only directed two features as of date (the other being Brainstorm) the film isn't a special effects film as such and is surprisingly good, albeit slightly melancholy.

Not exact matches

So it shouldn't come as a big surprise that in his latest movie, the film's two monolith - like robots TARS and CASE had hardly any digital effects.

A 330 - person theatre with seats that can move as part of the film and sensory effects like wind, snow and fog;

As he began his film career, the director grew obsessed with telling the Noah story from that perspective — and employing the power of modern special effects to portray Earth's first apocalypse.

Noah seems to work as a film because of a plot that is paced to move along, convincing special effects, and quality performances from name brand actors like Russell Crowe and Anthony Hopkins.

It is, as well, an antidote to Mississippi Burning, a dishonest, award - winning new film in which blacks wait patiently and fearfully in the background for deliverance by two white FBI agents, played by Gene Hackman and Willem Dafoe, who zealously bend the law in the interest of justice — a film one fears will have a profound effect on the way many Americans view their nation in the King Years («The Dream Dafoed,» as the Village Voice put it).

Foil and metalized film packaging and changes in product temperature and moisture content have no effect on the sensitivity of foreign body detection and solutions are available to inspect frozen, chilled, canned and dried ready meals in a wide range of packaging types, such as:

Released in 2014, this compelling film about how divorce effects kids inspired McGhee to become involved as a subject matter expert and creative team member.

DI - NOC Architectural Finishes — these high quality self - adhesive laminate films are available in wood grain, stone, metal, marble, leather, stone and stucco, as well as brushed metals and carbon fibre effects.

They experimented to find the best combination of microbes to create the desired visual effect as the bugs emerged to reveal the film's title.

These findings should «be of value for a wide range of research areas, such as the study of nonwetting surfaces by the Leidenfrost effect and nanotextured features, enhanced liquid droplet bouncing, and film boiling of liquid droplets on heated Cassie surfaces,» he added.

But now, as the film is being released in Britain, a bitter twist has emerged: Lorenzo's oil has no effect on the course of ALD, according to clinical trials conducted in the US and Europe, the results of which are explained in the latest issue of the Journal of NIH Research.

Light rays that reflect off of the top and bottom of the film combine to amplify particular wavelengths, an effect known as constructive interference.

Interests such as films and music proved to have little effect on the success of relationships.

As well as bringing audiences a fun, joyous film full of great laughs and seriously impressive effects, Waititi also appears in the film as CGI character, KorAs well as bringing audiences a fun, joyous film full of great laughs and seriously impressive effects, Waititi also appears in the film as CGI character, Koras bringing audiences a fun, joyous film full of great laughs and seriously impressive effects, Waititi also appears in the film as CGI character, Koras CGI character, Korg.

The film apparently tries to make up for these shortcomings with a spectacle of special effects, such as Voldemort's spell bombardment on a magically shielded Hogwarts and the assault of «death eaters,» giants, and spiders on the school.

But as soon as Neeson and his men have moved on, the film never raises it again, and the only effect is to make Neeson's character more unlikeable.

The film changes a few bits from the book, including making Jo - Jo the shirker into the Mayor's son, giving the film a deeper emotional center, serving as an additional relationship to go with the bond between Horton and the mayor, but most of the rest of the story is still in place, held together by Charles Osgood's narration, which has just the right effect.

A decent, well - made, small - scale genre film with a great cast of on - the - cusp players, The Lazarus Effect begins as a modern - day spin on Frankensteinian mad science, but segues into more demonic matters.

A note about the 3D effect and IMAX, I'm afraid I did not really see the film at its full potential as the «IMAX» theater selected for the screening is a pale imitation of the flagship IMAX theater in uptown Manhattan.

This effect is most noticeable in Schindler's last scene, the film's only major misstep, as a throng listens silently to Oskar's overwrought farewell.

While the previous films in the series have been just that — parts of a sequence designed to get us here, each with their own beginning and end — the first and second parts of Deathly Hallows are two halves of the same film, and to approach them as separate entities means missing just what director David Yates, writer Steve Kloves, and a host of storytellers and performers have done: They've made a five - hour fantasy epic that balances effects - driven battles with some very real character moments, and one that isn't afraid to have its heroes pay a high price for their convictions.

Forster finds a nice way of visualizing this last quirk by showing Harold surrounded by shifting diagrams and mathematical equations, but in one of the film's many missteps, these visual effects show up only sporadically throughout the rest of the story, as if the filmmakers couldn't decide to either fully utilize them or get rid of them after paying the special effects studio a lot of money to create something so nifty - looking.

Advertised as a remake of his landmark silent film Napoleon, Abel Gance's Napoleon Bonaparte is actually more of a re-edited reissue, with sound effects, background music and newly filmed talkie sequences added.

I've never been a fan, as a rule of horror movies, however, the trailer drew me to this one and i'm glad it did, the awful acting we usually get in horror movies wasn't there this time round, in fact, the whole cast were excellent, the special effects were really very good and the humorous, intelligent dialogue (another thing you don't usually get in horrors) was brilliant, loved the film, Chris Hemsworth, although with less to do in this than he does in Thor, was great in it too.

The cool variation comes in the form of his drug - addled brother who believes the film crew that's following him around is documenting his big comeback — when they're really making a documentary on the effects of drug addiction and using his name as former contender to add impact.

The film focuses on this painful but necessary part of life, as well as the effect it has on both men, each with their own set of issues and the various ways they try to cope with them.

Given that this film is over 50 years old, I can forgive many aspects of it (such as dialogue, special effects, visual effects, etc) that would cause many people to regard this as a complete turkey in the vein of Edward D. Wood, Jr..

You can't exactly call Alfonso Cuarón's Gravity the best film of its kind, because it has no kind: It stands alone as an extraordinary balance of 3 - D effects, heroes - in - jeopardy storytelling and emotional depth.

A straight - faced updating of the 1950s space monster formula, film stars Charlie Sheen as the rogue scientist who battles E.T.s, uncovers government conspiracies and, most impressive of all, suppresses giggles when confronted with some of the silliest alien effects in memory.

The rear speakers featured solid reinforcement of music throughout the film, and it included a wide variety of effects as well.

Based on a novel by Raymond F. Jones, This Island Earth is one of those rare 1950s speculative films that holds up as well today as it did when first released, despite the comparative quaintness of the special effects and high - tech paraphernalia.

Sure, they have to force their AMD Opteron processors to conjure up all that flashy «ooh» and «aah» stuff, like, say swishy - whizzy magic - spell effects, or the impressive orange glow of dragonflame, but if you can't make the texture of Fiona's shimmery dress capture the light properly, if the audience don't truly feel they can reach out and caress that silky fabric, then the animators might as well all shut down their DL145 ProLiant servers, pack up their HP nx6125 notebooks («based,» it says in the film's fascinating production notes, «on AMD Turion 64x dual - core mobile technology to streamline a variety of production activities») and go home.

The special effects are well done, however considering that this is a film by Paul Verhoevem, it lacks in delivering what you'd expect from the man that brought classic films such as Robocop, Total Recall and Starship Troopers to the screen.

Music was rich and full, while effects came across as accurate and dynamic; we got positive bass response throughout the film.

There is also a nicely eerie special effect whenever the demon possesses someone in order to pose the film's titular question: their eyes darken and their mouth twitches ghoulishly upwards at the corners, like the face on the cover of an Aphex Twin album — or «a messed - up Snapchat filter,» as the group's coolest head Olivia (Lucy Hale) accurately describes it.

His intensity got him cast relatively often as bad guys, something he put to great effect in the 2012 action film Premium Rush and in the criminal biopic The Iceman.

Similarly, Vanessa resurfaces throughout the film as a ghostly presence, to push Deadpool toward a more moral life and, in effect, make literal the trope of the lover whose death motivates the hero.

Going in step with the film's game vs. reality plot, several establishing shots have a tilt - shift effect, as if beginning as miniature diorama models on a game board, and a continuous shot of the group of friends playing a game of keep - away with a black - market Fabrege egg — a McGuffin — through every room of a mansion is a tense, energetic, elaborately choreographed bit of showing off.

Cara Delevigne's performance isn't great by itself; she is visually striking, but doesn't have the deep - rooted charisma needed to wade through the special effects which grow as the film rolls on.

This unintentionally hilarious Depression Era propaganda film has become a cult classic for its outrageous claims about the effects of marijuana, as told by a concerned school principal (Joseph Forte) to a PTA meeting.

So much of the success of any given horror film relies on a few aesthetic elements: its atmosphere, its ability to play with light and the shadow, and, of course, location -LRB-... location, location — as real estate folks would add for effect).

Transformers is an entertaining film with epic action, breathtaking visual effects and some humor as well, but sadly the film suffers from bad performances and a cheesy story.

As far as the effects of this film goes, they were decent, but it was nothing to gasp over, especially when films made for far less money have better production valueAs far as the effects of this film goes, they were decent, but it was nothing to gasp over, especially when films made for far less money have better production valueas the effects of this film goes, they were decent, but it was nothing to gasp over, especially when films made for far less money have better production values.

But this systematic approach has a nice leveling effect in that his more obscure, offbeat projects get as much attention as his signature films.

Despite its flaws such as dated special effects, this is a terrific Sci Fi horror film that has good performances.

The net effect is a film that tries to pass itself off as something it isn't — worth watching.

When Spielberg recently told the Hollywood Reporter, «I realized this was the only year to make this film,» he was speaking to what he saw as the immediate need for a project that in effect commandeers yesterday to comment on today.

The cartoon sound effects pop, as does the musical score; though I again didn't feel the film was at its best.

He would subsequently appear to great effect in other Tarantino films, as well as those of the Coen Brothers, where his attributes blended perfectly into the off - kilter landscape.Born in Brooklyn, New York, on December 13, 1957, Buscemi was raised on Long Island.