Sentences with phrase «effects movie from»

Who, after all, expected a bona fide special - effects movie from the writer - director of Sideways and...

Not exact matches

Responsible for some of the greatest visual effects pulled off on screen in the last 40 years, he's done everything from James Bond movies like «Moonraker» and «GoldenEye,» to Christopher Nolan's Batman trilogy and «Inception» (which he won an Oscar for).

You probably know some of them: Michael Kelso from «That»70s Show,» Walden Schmidt from «Two and a Half Men,» and the star of dozens of movies, including «The Butterfly Effect» and «No Strings Attached.»

To that effect, I'm not upset I didn't see Thanos turning or squeezing Thor's head because the movie still delivers the same emotional reaction expected from the God of Thunder as he watches his brother's death.

Independent of Lucasfilm and its parent company, Disney, ILM provides visual effects services for films from all the major movie studios.

In the movie, Spurlock's Golden Arches diet leads to a weight gain of nearly 30 pounds, a major hike in his cholesterol level, and other effects ranging from liver damage to sexual dysfunction.

After being spoiled by $ 100 - million epics from the MCU, it's easy to get hung up on the primitive special effects, but the early Superman movies capture what we love about comics: heroism, hope and fun.

U.S. products, from hot dogs to movies, have effected fundamental changes in the language and way of life of Latin Americans.

Watch a scary movie with popcorn and natural soda: Gather your friends and rent the scariest movie you can find, or if you don't like thrills, opt for a funny - scary flick from the 80s with bad special effects and even worse hair.

Substitution Effect: Assuming that consumers have a fixed leisure budget, when a sports team moves to a city like Detroit from Pontiac, the money that a family spends going to a Lion's game is typically money that would have been spent on other leisure activities like bowling or going to the movies.

Sandy and Don said they would retire from baseball, and I wrote them that the proper way to go about retiring was to send me letters to that effect, which they never did, and I think there was one brief telephone conversation where Walter O'Malley wished them luck in whatever they did outside of baseball, and they went out and signed to make a movie, etc., etc..

It might have been the heat, but as Raymonde spoke, I swore the walls began to blur, like an effect from a time - travel movie.

With sound effects and speech from the movie, it's a fun way to learn.

If the server decides that there are objects with geographic coordinates that fall within the camera's field of view, it superimposes these objects on the picture from the phone camera, in a fashion similar to the way the director of a science fiction movie might use special effects to add a spacecraft to a filmed scene.

The «CSI Effect» has been described as being an increased expectation from jurors that forensic evidence will be presented in court that is instantaneous and unequivocal because that is how it is often presented for dramatic effect in television programs and mEffect» has been described as being an increased expectation from jurors that forensic evidence will be presented in court that is instantaneous and unequivocal because that is how it is often presented for dramatic effect in television programs and meffect in television programs and movies.

Instead, Frayling leaps happily from one subject to the next, from early special effects to sci - fi movie monsters and biopics of scientists.

The verisimilitude in the CG [computer generated] effects and the attention to little things — like the way the rotor from the vehicle moves the grass as it comes in for a landing — are constantly bombarding you with subliminal stimuli that are telling you that what you're seeing is real, even though you know you're sitting in a movie theater.

But that has not stopped movie companies from pushing the boundaries of animation to make their synthetic characters seem as real as possible — even if those characters happen to be shape - shifting megaton robots, as in last summer's Transformers special effects extravaganza.

We have music, and sound effects, and segments where we talk about everything from awkward gifts we've received to our favorite Christmas movies to me busting out some Robert Earl Keen.

The Ultra High Definition Blu - ray Combo Pack, Blu - ray Deluxe Giftset, Blu - ray Combo Pack come with extra content that includes The Harley Effect, a featurette, Loren Lester: In His Own Voice, a featurette, A Sneak Peek at the next Detective Comics Universe Original Movie, and From the DC Vault — Batman: The Animated Series — «Harley and Ivy» and «Harley's Holiday» pieces.

There are other ideas, like using quotes in your headlines (from movies, TV shows, famous people), but these have the unintended effect of weeding out people who may otherwise want to get to know you but didn't get the reference.

Just an awesome dude from south america and just moved to california to study visual effects in movies

After the outside lot, we returned inside, to displays of all the amazing creatures and special effects from the movies, various scale models of different sets, and then, one of the parts I had been most excited about — we walked up Diagon Alley!

And the best part, I mean, you got all these different seance from monstrosity to ghosts, to technology, to special effects, this is not a cheap underground movie, The producers really deserve some credit on the graphics and audio!

It's a unique premise that's employed to affable (if entirely forgettable) effect by director Howard, as the filmmaker, working from a script by Lowell Ganz and Babaloo Mandel, does an effective job of initially establishing the movie's seedy, New York City - landscape and assortment of oddball characters.

The HFR version is great in detailed action sequences involving visual effects — the prologue and Goblin Town look particularly good — and is otherwise so haphazardly hit and miss from shot to shot to shot that I don't think I was «in» the movie for more than eight seconds at a time for the entire two hours and forty - five minutes.

However there could have been some improvements, especially in the acting and visual effects, but what can you expect from a low budget B movie monster flick?

While tough - love mentor tales are a dime a dozen, much rarer are movies which indulge the notion — let alone proffer a glimpse — of the curative effect of surging adolescent inquisitiveness and an unwounded (yet far from naïve) psyche on a somehow equally or even moreso vulnerable or adrift adult.

Other than the polished special effects, the movie looks and feels as if it came from that decade.

The storyline is well - represented from the book (something only Columbus and Cuaron managed to do), and the special effects are extremely good for a movie released in 2002.

It's a promising setup that's employed to curiously (and consistently) uninvolving effect by director Stanley Kubrick, as the filmmaker, working from a script cowritten with Terry Southern and Peter George, proves unable to wholeheartedly capture the viewer's interest right from the get - go - with the movie suffering from a stagy, talky vibe that grows more and more problematic as time progresses.

James Franco not only adapts but seems to have copied the actions and lines from «The Room» to make a new movie in effect superimposed on the 2003 tale.

With a pulse - pounding score by Alan Silvestri, beautiful cinematography from Trent Opaloch, impressive special effects, and an incredible cast, Avengers: Infinity War is more than a great movie, it's an honest - to - god achievement in blockbuster filmmaking.

Being well - versed on the film's production from the book or How Did This Get Made (the hosts of which — Paul Scheer, June Diane Raphael and Jason Mantzoukas — all appear in this movie) only adds to this effect.

It's a seemingly foolproof premise that's employed to distinctly (and consistently) underwhelming effect by director Johannes Roberts, as the filmmaker, working from a screenplay cowritten with Noel Clarke, Dave Fairbanks, and Marc Small, offers up a narrative that's been jam - packed with generic, hackneyed elements that slowly - but - surely drain one's interest - with, for example, the movie's absence of sympathetic characters growing more and more problematic as time progresses.

Far from Heaven is indeed a great movie because it has such high aspirations - a movie from 2002 that dares to style itself after a 50's drama and to do so via (gasp) a subtle script rather than relying on special effects and things blowing up etc..

Mostly, this effects - heavy film from director Brad Peyton (who previously directed Johnson in «San Andreas» and «Journey 2: The Mysterious Island») has the unpretentious feel of a 1950s monster movie, with a rogue science project unleashing a trio of genetically edited beasts bent on destruction.

It's an inherently compelling premise that is, in the movie's early stages, employed to familiar yet watchable effect by Craig Gillespie, as the filmmaker, working from Thomas McCarthy's script does a nice job of infusing the proceedings with a compulsively watchable feel that's heightened by Hamm's typically appealing work as the protagonist.

While Transformers has exciting and exhilarating action, and the special effects are top notch, the movie suffers from a boring story, clunky dialogues and characters very hard to come by.

But the movie's methodology is hit - or - miss, jumping from one interview to another, to jarring effect.

In a time when most movies are little more than filmed deals that can spend millions of dollars on elaborate special effects sequences that fade from the mind almost as soon as they play out, he has created some of the most bizarre, hilarious, haunting and memorable imagery that I have ever seen in a film — who could forget the sight of beer baroness Isabella Rossellini standing upon artificial legs filled with her own product in «The Saddest Music in the World,» or the horses stuck in the middle of a frozen river in «My Winnipeg»?

Zemeckis, a special - effects guy from way back, had his team create new technology just to make a mediocre movie.

A manuscript for a new novel and a royalty check from his movie inspire Hank to go on a spending spree, but his purchases don't have the desired effect on his life; Marcy drops a bombshell on Charlie.

Mostly, this effects - heavy movie from director Brad Peyton (who up to now directed Johnson in «San Andreas» and «Journey 2: The Mysterious Island») has the unpretentious really feel of a 1950s monster film, with a rogue science venture unleashing a trio of genetically edited beasts bent on destruction.

Like Malick, Trumbull had retreated from the movie business, his old - fashioned optical effects succeeded by the wonders of digital technology.

OUR TAKE: Fresh young faces starring in a movie about a board game that hinges on delusion - as directed by Stiles White, a special effects guru from the Stan Winston studio, who has written films like Knowing and The Possession, but is admittedly making his directorial debut with this movie.

Blu - ray Highlight: In addition to an excellent six - part documentary that runs the entire gamut of production — from location shooting in Romania, to Nicolas Cage's (creepy) performance capture of the Ghost Rider, to special effects and more — the Blu - ray also includes a feature similar to Warner Bros.» Maximum Movie Mode where directors Mark Neveldine and Brian Taylor dissect the film (sometimes pausing it to discuss certain scenes in more detail) with the help of behind - the - scenes footage.

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The sound effects are ripped right from the shows and movies, and the voice work is handled by the same guys from the movies; truly outstanding.

Before twenty minutes have passed 90 % of every action movie cliché in the book, from the «we got bad intel» to «stay with me man» to «this is my last mission because my wife is pregnant — I love her so mu...» GUNSHOT, is used, to nauseating effect.