Sentences with phrase «effects producer on»

Not exact matches

It is a major infrastructure project and it's going to have positive effects on commodity producers in emerging market countries in Africa and Latin America in particular, and they continue to demand finished goods from the US and Europe to help produce this road.

Producers say new episodes will feature Tinky Winky, Dipsy, Laa - Laa and Po as characters, but the series will undergo an update with new CGI effects and scenes shot on replica models of the sets.

Saudi Arabia is the world's second - largest oil producer and single biggest oil exporter, so any development that might alert investors that the kingdom's production levels or oil policy could be disrupted has historically had a profound effect on prices.

However, since Canada's population is concentrated in markets that already fetch their oil at higher world prices, even if western Canadian producers were to access better prices for their products, that would be unlikely to have a meaningful effect on gasoline prices or other segments of our economy.

Rick and 12 other farmers arrested received a pardon from Prime Minister Stephen Harper on August 1, 2012, when the federal government's Marketing Freedom for Grain Farmers Act came into effect, which allowed producers to opt out of the Canadian Wheat Board and sell wheat on the open market.

But no sooner had China's industrial base started to show some positive effects from the pickup in global commodity prices — which has allowed its factories to push through some price increases after many years of producer price deflation — than several of the industrial materials most reliant on Chinese demand started to come under pressure during April.

Though recent rumours have abounded about a potential production freeze by Russia, Saudi Arabia and other major producers, it has so far failed to materialize or have long - term effects on oil prices.

Instead of being left to rely on deductive theoretical formulations about the economic or political interests served by ideologies, we are offered attempts to spell out a credible set of social factors that relate the actual producers and disseminators of ideas with their social environment, with interested audiences, and with sequences of action that put ideas into effect.

We have mentioned in Chapter 7 the Humanitas Awards of the Paulists which have had a considerable positive effect on writers and producers in the industry.

Anecdotal evidence from many producers reveals that such costs and compliance, and at times heavy - handed enforcement, has a crushing and at times terminal effect on viability.

Unconscionable conduct (agrees with NFF that they have not provided protection and support reforms «to provide transparency in the supply chain» and recognise that «certain classes of suppliers... are predisposed to suffering from a special disadvantage...»; misuse of market power (legal framework must «level the balance of market power in negotiations...», «ensure transparency in the transmission of market prices» and «not allow for final market risks to be borne by the primary producer» and provide «transparency of contract processes» - specifically, Canegrowers supports effects test and a process giving ACCC greater power to «regulate anti-competitive behaviour and impose penalties», shifting «the decisions framework from the judicial system to a regulatory system» which would make it more accessible to small producers); collective bargaining (notes limits of Sugar Industry Act (Qld); authorisation and notification approval costly and limited and not a viable alternative - peak bodies should be able to «commence and progress collective bargaining with mills on behalf of their members» and current threshold too restrictive)» competitive neutrality (mixed outcomes - perverse outcomes in the case of natural monopolies - suggest remove «application of competitive neutrality provisions to natural monopoly essential services»)

(a) the economic effect on the dairy industry of announced reductions in prices to be paid to producers by milk processors,

A series of reports produced by respected economic researchers lay out clearly how a well - planned transition could be managed to minimise effects on producers, and produce net gains for our economy and rural communities.

• Revising how subsidies are allotted to producers, and how different practices are taxed across the value chain; • Influence the evolution of production standards so that they guide producers toward increasingly sustainable practices; • Refining public education regarding what are best practices of production systems (and accounting for them), and how to make them more widespread; • Studying the effects different practices and production systems have on society - wide challenges such as public health (and health insurance, whether it is publicly or privately provided), climate change mitigation, job creation and family income, etc..

Among other issues, he targeted trade issues and the effect of large volumes of Chinese goods on local economies and local producers.

Economically, the removal of tariffs on manufacturing and agricultural goods would have a sudden, punishing effect on domestic producers, leading to widespread job losses.

This series examines the effects New York state's energy policies are having on Appalachian natural gas producers, consumers and the Northeast.

There are good reasons to believe that the deleterious effects of mandated labels will fall more heavily on commercial producers like Monsanto than on the broader cause of food bioengineering.

The major carbon producers data can be applied to climate models to derive the carbon input's effect on climate change impacts including global average temperature, sea level rise, and extreme events such as heat waves.

An assessment of climate effects on Montana agriculture is complex because of uncertainties inherent in the timing and manifestation of climate change, and because of complexity in how natural systems, agricultural producers, and market processes will react.

Not one producer will really tell you what is their effect on your figure or even more important — your health.

And the best part, I mean, you got all these different seance from monstrosity to ghosts, to technology, to special effects, this is not a cheap underground movie, The producers really deserve some credit on the graphics and audio!

Production company: Marvel Studios Distributor: Buena Vista Cast: Chadwick Boseman, Michael B. Jordan, Lupita Nyong «o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Sterling K. Brown, Florence Kasumba, John Kani, Angela Bassett, Forest Whitaker, Andy Serkis Director: Ryan Coogler Screenwriters: Ryan Coogler, Joe Robert Cole, based on the Marvel comics by Stan Lee, Jack Kirby Producer: Kevin Feige Executive producers: Louis D'Esposito, Victoria Alonso, Nate Moore, Jeffrey Chernov, Stan Lee Director of photography: Rachel Morrison Production designer: Hannah Beachler Costume designer: Ruth E. Carter Editors: Michael P. Shawver, Debbie Berman Music: Ludwig Goransson Visual effects supervisor: Geoffrey Baumann Special effects supervisor: Dan Sudick Casting: Sarah Finn

Production companies: Scott Rudin, DNA Films Distributor: Paramount Cast: Natalie Portman, Jennifer Jason Leigh, Gina Rodriguez, Tessa Thompson, Tuva Novotny, Oscar Isaac Director - screenwriter: Alex Garland, based on the novel by Jeff Vandermeer Producers: Scott Rudin, Andrew Macdonald, Allon Reich, Eli Bush Executive producers: David Ellison, Dana Goldberg, Don Granger, Jo Burn Director of photography: Rob Hardy Production designer: Mark Digby Costume designer: Sammy Sheldon Differ Editor: Barney Pilling Music: Ben Salisbury, Geoff Barrow Visual effects supervisor: Andrew Whitehurst Casting: FrancinProducers: Scott Rudin, Andrew Macdonald, Allon Reich, Eli Bush Executive producers: David Ellison, Dana Goldberg, Don Granger, Jo Burn Director of photography: Rob Hardy Production designer: Mark Digby Costume designer: Sammy Sheldon Differ Editor: Barney Pilling Music: Ben Salisbury, Geoff Barrow Visual effects supervisor: Andrew Whitehurst Casting: Francinproducers: David Ellison, Dana Goldberg, Don Granger, Jo Burn Director of photography: Rob Hardy Production designer: Mark Digby Costume designer: Sammy Sheldon Differ Editor: Barney Pilling Music: Ben Salisbury, Geoff Barrow Visual effects supervisor: Andrew Whitehurst Casting: Francine Maisler

The death of horror legend George A. Romero was very much on the minds of the producers of AMC's «Fear the Walking Dead» during the show's Hall H panel Friday morning — especially effects artist and series executive producer Greg Nicotero, who worked with Romero on 1985's «Dawn of the Dead.»

Joined on stage by stars Kevin Bacon, Shawn Ashmore and Valorie Curry, and executive producer Marcos Siega, series creator / executive producer Kevin Williamson opened the panel with a clip from the Season 1 finale in which the ex-girlfriend of Ryan Hardy (Bacon) reveals herself to be a follower of charismatic killer Joe Carroll (James Purefoy), to devastating effects.

Production company: Marvel Studios Distributor: Disney Cast: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Don Cheadle, Benedict Cumberbatch, Tom Holland, Chadwick Boseman, Zoe Saldana, Karen Gillan, Tom Middleston, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Idris Elba, Danai Gurira, Peter Dinklage, Benedict Wong, Pom Klementieff, Dave Bautista, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Benicio Del Toro, Josh Brolin, Chris Pratt, William Hurt Directors: Anthony Russo, Joe Russo Screenwriters: Christopher Markus, Stephen McFeely, based on the Marvel comics by Stan Lee, Jack Kirby Producer: Kevin Feige Executive producers: Louis D'Esposito, Victoria Alonso, Michael Grillo, Trihn Tran, Jon Favreau, James Gunn, Stan Lee Director of photography: Trent Opaloch Production designer: Charles Wood Costume designer: Judianna Makovsky Editors: Jeffrey Ford, Matthew Schmidt Music: Alan Silvestri Visual effects supervisor: Dan DeLeeuw Casting: Sarah Finn

The adequate special - effects work by Wizards, Inc. gets extra juice from energetic cutting by Michael Kewley (later a producer on «Law & Order: Criminal Intent»), and the music by Peter Kaye suggests a particularly diabolical episode of «Hearts of Space».

The decision will ultimately come down to producers Amy Pascal, Marvel's Kevin Feige, and Sony Pictures head Tom Rothman, but will have to get their skates on as there is still no casting of any kind on the picture, which bound to be very - effects heavy, and will need an extensive post-production period.

China now has the biggest movie market on the planet and its effecting all producers.

I've had a great history working with Producer Josh McLaglen who has worked on epic effects films from Titanic to Avatar and effects producer, Ron Ames was integral in bringing us together and organizing all of the visual effects on tProducer Josh McLaglen who has worked on epic effects films from Titanic to Avatar and effects producer, Ron Ames was integral in bringing us together and organizing all of the visual effects on tproducer, Ron Ames was integral in bringing us together and organizing all of the visual effects on the film.

Benicio Del Toro, a confessed horror geek, was the prime mover behind The Wolfman; with producer Rick Yorn (The Aviator, Gangs of New York) he managed to sell Universal on the idea of an old - school monster movie that would keep the digital effects to a minimum and instead focus on audience identification with the star and his makeup.

Isolated track of Jerry Goldsmith's score with sound effects on standard theatrical cut (Disc 1), with commentary by music producer Nick Redman, film music historian Jon Burlingame, screenwriter / film historian Lem Dobbs between cues.

On Blu - ray and DVD with two commentary tracks (one from director Paul Feig and co-writer Katie Dippold, the other featuring editor Brent White, producer Jessie Henderson, production designer Jeff Sage, visual effects supervisor Pete Travers, and special effects supervisor Mark Hawker), the featurettes «Meet the Team,» «Visual Effects: 30 Years Later,» and «Slime Time,» and «Jokes a Plenty: Free For All,» and a collection of alternate improvisational takes (what was called «Line - o-rama» in Judd Apatow disc releases).

At the recent press day, Core, Ramirez, Bracey, wingsuit stunt pilot Jeb Corliss, professional free climber Chris Sharma, Alcon producers Andrew A. Kosove and Broderick Johnson, and 2nd unit director Philip Boston talked about how they went about creating the ultimate sports movie, how the actors viewed their characters and built the bro - mance, the challenges of coordinating a production that shot around the world in 11 countries and on 4 continents, why all the 2nd unit work was shot prior to the first unit work, why vision and authenticity were paramount, why the imagination, energy and focus required to shoot a film in camera is much greater than when visual effects are used everywhere, and why it took courage to make this film.

We hear from restoration supervisor Mike Matessino, «Director's Edition» producer David C. Fein, «Director's Edition» visual effects supervisor Daren Dochterman, and a bunch of folks from Foundation Imagery, the effects house that worked on the new version: Adam Lebowitz, Ron Thornton, John Teska, David Morton, Trevor Pierce, Robert Bonchure, Sherry Hitch, Bob Quinn, PJ Foley, and Lee Stringer.

Revealing on - set footage, concept art, blueprints, and storyboards accompany comments by the lion's share of the cast and crew: in addition to Stamp, Heller, Melfi, Stevenson, and Walker, we get writer Eoghan Mahony and directors Allen Coulter, Tim Van Patten, and Roger Young; actors Kevin McKidd, James Purefoy, Lyndsey Marshal, Simon Woods, Kerry Condon, Tobias Menzies, and Allen Leech; production designer Anthony Pratt; costume designer April Ferry; military trainer Billy Budd; unit production manager Fabiomassimo Dell «Orco; co-executive producer Jim Dyer; visual effects supervisor James Madigan; Special effects supervisor Daniel Acon; and key hair stylist Stefano Ceccarelli.

Blu - ray extras consist of audio commentary by Trachtenberg and producer J.J. Abrams as well as various making - of featurettes focusing on the bunker design, the sound effects and more.

Extras on Star Trek include audio commentary by Abrams, Kurtzman, Orci and producers Bryan Burk and Damon Lindelof; various making - of featurettes exploring the effects, the costumes, the music and more; deleted scenes; and a gag reel.

The Australian filmmaker has previously served as a producer and creative designer for Will Young Live in London and worked on the visual effects for...

- «The Jungle Book» Reimagined — Favreau sits down with producer Brigham Taylor and visual effects supervisor Robert Legato to discuss «The Jungle Book» and reflect on the years they devoted to the reimagining of this timeless tale.

The Australian filmmaker has previously served as a producer and creative designer for Will Young Live in London and worked on the visual effects for quite a few projects.

PRODUCERS: Gordon Carroll, David Giler, Walter Hill; DIRECTOR: Ridley Scott; SCREENWRITER: Dan O'Bannon (based on a story by O'Bannon and Ronald Shusett); EDITORS: Terry Rawlings, Peter Weatherley; CINEMATOGRAPHER: Derek Vanlint; COMPOSER: Jerry Goldsmith; PRODUCTION DESIGNER: Michael Seymour; SET DESIGNER: Ian Whittaker; SPECIAL EFFECTS: Carlo Rambaldi, Bernard Lodge; COSTUMES: John Mollo, H.R. Giger, Roger Dicken

To be fair, Forster «was not allowed to bring on his usual team», because the production felt he needed more seasoned supporting players like line producer Colin Wilson (Avatar) and Oscar - winning effects man John Nelson (Gladiator), and Oscar - winning cinematographer Robert Richardson (Hugo), all of whom were eventually replaced.

The production features a number of other Romero collaborators, notably special make - up effects creator Greg Nicotero, co-founder of the Oscar - winning special effects group KNB EFX Group and co-executive producer, supervisor and occasional director on The Walking Dead.

Shortly after the film's release, Favreau sits down with producer Brigham Taylor and visual effects supervisor Robert Legato to reflect on the movie.

These special effects are merely the epitome of Stargate's second - hand wonder; part of the film's value as a curiosity piece is its New York street - merchant vibe: like peddlers of the Rolux watch or Parda handbag, Emmerich and co - producer / co-writer Dean Devlin are selling us an approximation of a blockbuster by a licensed hitmaker, and we excuse them the same way we allow for the smudgy print of carbon copies or the colour bleed on VHS dubs.

Newcomers include actors Orlando Bloom, Treva Etienne, Geoffrey Rush, and Jonathan Pryce, executive producer Bruce Hendricks, a huge special effects team from Industrial Light and Magic, set decorator Larry Dias, art director Derek R. Hill, sword master Bob Anderson (who also worked on the original Star Wars Trilogy and The Lord of the Rings), and costume designer Penny Rose, among many other crew members.

Instead of hopping on the effects - laden PG - 13 tentpole bandwagon, writer - director Alex and writer - producer Stephen have made movies that embody their belief system and appeal to the members of Sherwood Baptist,

Audio Commentary by Director Paul Schrader / Interviews: «Cat People: An Intimate Portrait» by Paul Schrader (25:20) + Filmmaker Robert Wise on the producer of the original 1942 Cat People, Val Lewton (3:32) / Featurettes: Vintage «On The Set» with Director Paul Schrader (10:20) + Special Makeup effects by Tom Burman (11:13) / Stills of Cat People Matte Paintings + 67 Production Photographs / Theatrical trailer for «Cat People&raquon the producer of the original 1942 Cat People, Val Lewton (3:32) / Featurettes: Vintage «On The Set» with Director Paul Schrader (10:20) + Special Makeup effects by Tom Burman (11:13) / Stills of Cat People Matte Paintings + 67 Production Photographs / Theatrical trailer for «Cat People&raquOn The Set» with Director Paul Schrader (10:20) + Special Makeup effects by Tom Burman (11:13) / Stills of Cat People Matte Paintings + 67 Production Photographs / Theatrical trailer for «Cat People»