Sentences with phrase «effects supervisor paul»

Most substantial of the three standard supplements offered is a feature - length audio commentary by director Michael Katleman and visual effects supervisor Paul Linden.

Interviewed in these featurettes are Nolan, producer Emma Thomas, Leonardo DiCaprio, production designer Guy Hendrix Dyas, special effects supervisor Chris Corbould, stunt coordinator Tom Struthers, visual effects supervisor Paul Franklin, editor Lee Smith, director of photography Wally Pfister, special effects coordinator Scott Fisher, first assistant director Nilo Otero, Joseph Gordon - Levitt, co-producer Jordan Goldberg, and composer Hans Zimmer.

Not exact matches

«Interstellar» was driven by scientific accuracy and top - notch visual effects, says Paul Franklin, the effects supervisor for the sci - fi hit.

Camera (color), Wyatt Garfield; editor, Robert K. Lambert; music, Alexis & Sam; music supervisors, Frankie Pine, Mandi Collier; production designer, Kara Lindstrom; art director, Rosa Palomo; set decorator, Javed Noorullah; costume designer, Ane Crabtree; sound (Dolby Digital), Paul Sorohan; supervising sound editor, Rob Webber; re-recording mixers, Patrick Ciccone, Joel Catalan; visual effects supervisor, Sean Thigpen; visual effects, Wunderfilm, Stargate Studios; special effects coordinator, Bob Shelley; stunt coordinator, Guss Williams; line producer, Gary Guidice; associate producer, Fritzi Horstman; assistant director, Joe Suarez; casting, Vickie Thomas.

We find notes from director Peter Jackson, extras wrangler Josie Leckie, director of photography Andrew Lesnie, camera operator Richard Bluck, armour weapons standby John Harding, greens master Brian Massey, co-producer Rick Porras, designer / sculptor Daniel Falconer, senior machinist / engineer Dominic Taylor, animation supervisor Randall William Cook, stunt performer Steve Reinsfield, extras casting Miranda Rivers and Victoria Cole, painter Brett Larsen, carpenters Geoff Goss and Ross Hoby, supervising unit location manager Richard Sharkey, 2nd AD Marc Ashton, stunt performers Mana Davis and Sala Baker, 2nd unit director Geoff Murphy, boom operators Eoin Cox and Corrin Ellingford, on set art director Simon Bright, camera operator Peter McCaffrey, motion control operator Henk Prins, previsualisation supervisor Christian Rivers, digital surveyor Nick Booth, stable foreman Lee Somervell, gaffer David Brown, set finishing supervisor Kerry Dunn, on set art director Joe Bleakley, effects technician Peter Zivkovic, on set prosthetics makeup Tami Lane, 3rd AD Chris Husson, Weta Workshop's Richard Taylor, effects technicians Darryl Richards and Scott Harens, stunt rigger Paul Shapcott, New Zealand stunt coordinator Kirk Maxwell, swordmaster Bob Anderson, medic and safety officer Andy Buckley, supervising art director Dan Hennah, conceptual artist Alan Lee, Gimli scale double Brett Beattie, and actors Dominic Monaghan, Billy Boyd, Andy Serkis, Bernard Hill, Brad Dourif, Elijah Wood, Orlando Bloom, Sean Astin, Miranda Otto, and Viggo Mortensen.

Across these, we hear from director Christopher Nolan, composers James Newton Howard and Hans Zimmer, costume designer Lindy Hemming, costume FX supervisor Graham Churchyard, producers Emma Thomas and Charles Roven, production designer Nathan Crowley, special effects supervisor Chris Corbould, stunt coordinator Paul Jennings, director of photography Wally Pfister, sound designer Richard King, IMAX consultant David Keighley, visual effects supervisor Nick Davis, editor Lee Smith, executive producer Kevin de la Noy, and actor Christian Bale.

Production company: Marvel Studios Distributor: Disney Cast: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Don Cheadle, Benedict Cumberbatch, Tom Holland, Chadwick Boseman, Zoe Saldana, Karen Gillan, Tom Middleston, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Idris Elba, Danai Gurira, Peter Dinklage, Benedict Wong, Pom Klementieff, Dave Bautista, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Benicio Del Toro, Josh Brolin, Chris Pratt, William Hurt Directors: Anthony Russo, Joe Russo Screenwriters: Christopher Markus, Stephen McFeely, based on the Marvel comics by Stan Lee, Jack Kirby Producer: Kevin Feige Executive producers: Louis D'Esposito, Victoria Alonso, Michael Grillo, Trihn Tran, Jon Favreau, James Gunn, Stan Lee Director of photography: Trent Opaloch Production designer: Charles Wood Costume designer: Judianna Makovsky Editors: Jeffrey Ford, Matthew Schmidt Music: Alan Silvestri Visual effects supervisor: Dan DeLeeuw Casting: Sarah Finn

Camera (Fotokem color, widescreen), Brian Pearson; editor, Tim Alverson; music, Joseph Bishara; production designer, Jennifer Spence; art director, Jason Garner; set decorator, Lori Mazuer; costume designer, Ariyela Walk - Cohain; sound, Buck Robinson; sound designer, Martyn Zub; supervising sound editor, Paul Hackner; re-recording mixers, Craig Mann, Martyn Zub; visual effects supervisor, James Hattin; visual effects producer, Nate Smalley; visual effects, Legion; special makeup effects, Fractured FX; special effects supervisor, John Hartigan; associate producer, Laura Altmann; assistant director, Dan «Laz» Lazarovits; casting, Terri Taylor.

Oscar winner Paul Franklin («Inception») served as visual effects supervisor and Scott Fisher («The Dark Knight Rises») as special effects supervisor.

I talked to cinematographer Barry Ackroyd, editors Chris Innis and Bob Murawski, sound designer Paul Ottosson and special effects supervisor Richard Stutsman about their contributions to this humble spectacular.

Camera (Deluxe color, Panavision widescreen), Bojan Bazelli; editors, Craig Wood, James Haygood; music, Hans Zimmer; production designers, Jess Gonchor, Crash McCreery; supervising art directors, Jon Billington, Brad Ricker; set decorator, Cheryl Carasik; costume designer, Penny Rose; sound (Dolby Digital / Datasat), Lee Orloff; supervising sound editors, Addison Teague, Shanon Mills; re-recording mixers, Paul Massey, Christopher Boyes; sound designers, Teague, Mills, Boyes, Gary Rydstrom; special effects supervisor, John Frazier; special effects coordinators, Jim Schwalm, Jon G. Belyeu; visual effects supervisors, Tim Alexander, Gary Brozenich; visual effects producer, Shari Hanson; visual effects, Industrial Light & Magic, Base FX, MPC, lola VFX, Smoke Donkey VFX, Atomic Fiction, Virtuos; ILM animation supervisor, Kevin Martel; MPC visual effects supervisor, Matt Middleton; special makeup effects, Joel Harlow; animal coordinator, Boone Narr; stunt coordinator, Thomas Robinson Harper; associate producers, Pat Sandston, Melissa Reid, Shari Hanson, Tom Engelman, Morgan Des Groseillers; assistant director, Simon Warnock; second unit director, Charles Gibson; second unit camera, Patrick Loungway; casting, Denis Chamian.

On Blu - ray and DVD with two commentary tracks (one from director Paul Feig and co-writer Katie Dippold, the other featuring editor Brent White, producer Jessie Henderson, production designer Jeff Sage, visual effects supervisor Pete Travers, and special effects supervisor Mark Hawker), the featurettes «Meet the Team,» «Visual Effects: 30 Years Later,» and «Slime Time,» and «Jokes a Plenty: Free For All,» and a collection of alternate improvisational takes (what was called «Line - o-rama» in Judd Apatow disc releases).

Camera (Deluxe color, 35 mm), Roger Deakins; editors, Joel Cox, Gary D. Roach; music, Johann Johannsson; music supervisor, Deva Anderson; production designer, Patrice Vermette; art director, Paul Kelly; set decorator, Frank Galline; set designers, Mayumi Konishi - Valentine, Aaron Linker; costume designer, Renee April; sound (Datasat / Dolby Digital / SDDS), Mary H. Ellis; sound designer, Tom Ozanich; supervising sound editor, Alan Robert Murray; re-recording mixers, John Reitz, Greg Rudloff; visual effects, Pacific Title & Art Studio, Luma Pictures; stunt coordinator, Steven Ritzi; assistant director, Donald L. Sparks; casting, Kerry Barden, Paul Schnee

This doc from the 2003 Director's Cut special edition DVD features comments from Johnson, Arad, Kilkenny, producer Gary Foster, costume designer James Acheson, textile artist Matt Reitsma, art department coordinator Jamie Neese, costume supervisor Lisa Lovaas, Paul Ben - Victor, Joe Pantoliano, action choreographer Master Cheung - Yan Yuen, Jennifer Garner, stunt coordinator Jeff Imada, Ben Affleck, Colin Farrell, Affleck's fight trainer David Lea, director of photography Ericson Core, sight - impaired consultant Tom Sullivan, Jon Favreau, special effects coordinator John McLeod, visual effects supervisor Rich Thorne, Shadow World fx lead Eric Horton, and composer Graeme Revell.

These last a total of 42 minutes, 16 seconds and offer comments from director of photography Daniel Landin, co - writer / director Jonathan Glazer, editor Paul Watts, music supervisor / producer Peter Raeburn, production designer Chris Oddy, producer James Wilson, sound designer Johnnie Burn, 2nd unit director / visual effects supervisor Tom Debenham, one - cam camera engineer Arron Smith, one - cam technical supervisor Louis Mustill, Kahleen Crawford, locations manager Eugene Strange, composer Mica Levi, graphic designer Neil Kellerhouse, visual effects supervisor Dominic Parker and co - writer / executive producer Walter Campbell.

Camera (Deluxe color, HD), Chayse Irvin; editor, Cindy Thoennessen, Franklin Peterson; music, Matthew Puckett; music supervisor, Mark Wike; production designer, Matt Hyland; art director, Lee Clayton; set decorator, Ryan Brennan; costume designer, Anney Perrine; sound, Dan Bricker; supervising sound editor, Michael Feuser; re-recording mixer, Leslie Shatz; sound designer, Andrea Bella; visual effects supervisor, Paul Silverstein, Gabriel Napora, Hassini Krshna; visual effects, 5eDigital, Tiyabella VFX; associate producers, Mandy Sherman, Sari Knight; assistant director, Randall Ehrmann; casting, Mandy Sherman, Sari Knight.

We get modern - day remarks from executive producer / story creator George Lucas, director Steven Spielberg, screenwriters Lawrence Kasdan (Raiders), Willard Huyck and Gloria Katz (Temple), actors Harrison Ford, Alfred Molina, Paul Freeman, Karen Allen, John Rhys - Davies, Kate Capshaw, Ke Huy Quan, Roshan Seth, Sean Connery, Julian Glover, and Alison Doody, production designer Norman Reynolds, costume designers Deborah Nadoolman (Raiders) and Anthony Powell (Temple and Crusade), producer Frank Marshall, director of photography Douglas Slocombe, associate producer (Raiders) / producer (Temple) Robert Watts, associate to Spielberg (Raiders) / associate producer (Temple) / production executive (Crusade) Kathleen Kennedy, second unit director Michael Moore, editor Michael Kahn, and mechanical effects supervisor (Temple and Crusade) George Gibbs.

It provides info from Spielberg, Lucas, ILM digital artist Paul Huston, ILM animation supervisor Steve Rawlins, ILM digital model supervisor Dave Fogler, ILM view paint supervisor Steve Walton, ILM digital compositing supervisors Sean MacKenzie and Jay Cooper, visual effects supervisor / aerial unit / unit director Pablo Helman, ILM digital matte supervisor Richard Bluff, Kerner Optical model supervisor Brian Gernand, ILM lead TD supervisor Craig Hammack, ILM associate visual effects supervisor Marshall Krasser, ILM digital production supervisor Jeff White, ILM creature and simulations supervisor Eric Wong, Kerner Optical lead model maker Nicholas A. D'Abo, and ILM visual effects art director Christian Alzmann.

Camera (Tehcnicolor, Panavision widescreen), Carlos Catalan; editors, Chris Gill, Celia Haining; music, Benjamin Wallfisch; music supervisors, Iain Cooke, Ian Neil; choreography, Akram Khan; production designer, Shahram Karimi; art directors, Alistair Kay (Morocco), Lee Gordon (U.K.); costume designer, Louise Stjernsward; sound, Will Whale; supervising sound editors, Andy Shelley, Stephen Griffiths; re-recording mixer, Robert Farr; visual effects supervisor, Ben Shepherd; visual effects producer, Paul Driver; visual effects, LipSync Post; associate producer, Bia Oliveira; assistant director, Olly Robinson; casting, Manuel Puro.

They provide notes from author / artist Frank Miller, writer / director Zack Snyder, producers Gianni Nunnari, Bernie Goldmann, Deborah Snyder and Mark Canton, editor Bill Hoy, historians Bettany Hughes and Victor Davis Hanson, creature effects Mark Rappaport, DC Comics group editor Bob Schreck, production designer Jim Bissel, VFX supervisor Chris Watts, composer Tyler Bates, screenwriter Kurt Johnstad, director of photography Larry Fong, creature and special makeup effects supervisor Shaun Smith, assistant stunt coordinator / fight choreographer Chad Stahelski, stunt coordinator Damon Caro, comic book creator Neal Adams, DC Comics president / publisher Paul Levitz, and actors Gerard Butler, Lena Headey, Dominic West, Vincent Regan, David Wenham, and Rodrigo Santoro.

Camera (color), Andrew Dunn; editor, Paul Machliss; music, Dickon Hinchliffe; music supervisor, Nick Angel; production designer, Dick Lunn; art director, Andrea Matheson; set decorator, Anna Kasabova; costume designer, Suzie Harman; sound, Mitch Low; supervising sound editor, Jeremy Price; re-recording mixer, Nigel Squibbs; visual effects supervisor, Thomas Proctor; visual effects, Double Negative; stunt coordinator, Paul Kennington; line producer, Danny Gulliver; assistant director, Martin Curry; casting, Theo Park.

Producers Patrick Crowley and Paul Sandberg, Berlin location chief Marcus Bensch, Lucian Stevenson of SnowBusiness (the go - to company for fake snow), stuntman Adam Kirley, 2nd Unit Assistant Director Robert Grayson, visual effects supervisor Charlie Noble explain how and why Berlin doubles for Moscow, and the pitfalls of shooting in a train station.

«Cast» offers listings for Duchovny, Moore, Jones and Scott, while «Filmmakers» packs in -(takes deep breath)- director Reitman, producers Daniel Goldberg and Joe Medjuck, story writer Don Jakoby, screenwriters David Weissman and David Diamond, executive producers Tom Pollock, Jeff Apple, and David Rodgers, co-producer Paul Deason, director of photography Michael Chapman, production designer J. Michael Riva, editor / associate producer Sheldon Kahn, editor Wendy Green Bricmont, visual effects supervisor Phil Tippett, costume designer Aggie Guerard Rodgers, and composer John Powell.

Interviewees include director Louis Leterrier, Sam Worthington, producer Basil Iwanyk, Jason Flemyng, Liam Neeson, costume designer Lindy Hemming, Ralph Fiennes, make - up and hair designer Jenny Shircore, visual effects supervisor Nick Davis, prosthetics supervisor Conor O'Sullivan, supervising location manager Robin Higgs, Gemma Arterton, location manager Terry Blyther, «Draco» stunt double Mark Mottram, Liam Cunningham, associate producer Karl McMillan, visual effects supervisor for Cinesite Simon Stanley - Clamp, animation supervisor for Cinesite Quentin Miles, stunt coordinator Paul Jennings, Mads Mikkelsen, Alexa Davalos, producer Kevin De La Noy, visual effects supervisor Neil Corbould, production designer Martin Laing, visual effects supervisor for Framestore Tim Webber, Medusa lead modeler from Framestore Scott Eaton, animation supervisor for Framestore Max Solomon, character designer Aaron Sims, animation supervisor for MPC Greg Fisher, CG supervisor for MPC Patric Roos, and visual effects supervisor for MPC Gary Brozenich.

Perhaps not entirely, suggests Paul Franklin, visual effects supervisor on Inception.

Camera (color, Arri Alexa HD, widescreen), Roger Deakins; editor, Joe Walker; music, Johan Johannsson; executive music producers, Tara Moross, Darren Blumenthal; production designer, Patrice Vermetter; supervising art director, Paul Kelly; art director, Bjarne Sletteland; set decorator, Jan Pascale; set designer, Ricardo Guillermo; costume designer, Renee April; sound (Dolby Digital), William Sarokin; sound designer, Tom Ozanich; supervising sound editor, Alan Robert Murray; re-recording mixers, John Reitz, Tom Ozanich; visual effects supervisor, Louis Morin; visual effects, Oblique FX, Fly Studio, Cinesite; special effects supervisor, Stan Blackwell; stunt coordinator, Keith Woulard; associate producer, Emma McGill; assistant director, Donald L. Sparks; casting, Francine Maisler.

Camera (color, widescreen), Matthew J. Lloyd, Larkin Seiple; editors, Megan Brooks, Andrew Hasse; music, Phil Mossman; music supervisor, Mark Wike; production designer, Michael Powsner; costume designer, Ruby Katilius; sound, Ty Klocke; supervising sound editor, Paul Hsu; re-recording mixer, Michael Barry; stunt coordinator, Manny Siverio; visual effects supervisor, Alex Hardy; special effects coordinator, Jim Milligan.