Sentences with phrase «effects supervisor stefen»

«Creating Heaven» (4:24) addresses the film's approach to visualizing heaven, with director Randall Wallace and visual effects supervisor Dan Levitan discusses the techniques and the rationale behind them.

The director's creative brain trust includes Academy Award ® - nominated director of photography Dante Spinotti («L.A. Confidential»), production designer Shepherd Frankel («Ant - Man»), costume designer Louise Frogley («Spider - Man: Homecoming»), visuals effects supervisor Stephane Ceretti («Doctor Strange») and seven - time Academy Award ® nominee, special effects supervisor Dan Sudick («Captain America: Civil War»).

The legendary industry pioneer shares his insights as an artist, director, visual effects supervisor and survivor, including thoughts on digital character performance and conflicts with studio executives.

I have chosen to list just the visual effects supervisor (s), and hope that I have left no one out.

Shortly after the film's release, Favreau sits down with producer Brigham Taylor and visual effects supervisor Robert Legato to reflect on the movie.

The effects supervisor cues up the first shot, a big crowd scene at the Pyongyang airport.

Indeed, Derrickson, DP Ben Davis, production designer Charles Wood, and special effects supervisor Stéphane Cerretti (whose credits include The Prestige and Guardians of the Galaxy) have not merely pushed the boat out but turned the boat inside out and twisted it into a Moebius - strip replica of itself.

Rawhead FX — featurette bringing together interviews with creature effects artists Peter Mackenzie Litten and John Schroonraad, special effects supervisor Gerry Johnson, second unit cameraman Sean Corcoran and make - up artist Rosie Blackmore

Camera (color, HD), Yaron Orbach; editor, Andrew Marcus; music, Gregg Alexander; music supervisor, Andrea Von Foerster; music consultant, Joel Sill; production designer, Chad Keith; set decorator, Kris Moran; costume designer, Arjun Bhasin; sound, Tod Maitland; supervising sound editor / re-recording mixer, Lew Goldstein; special effects coordinator, Drew Jiritano; visual effects supervisor, Yuval Levy; visual effects producer, Joyce Boll; visual effects, Gravity; stunt coordinator, Brian Smyj; assistant director, Mariela Cornitini; casting, Jeanne McCarthy.

On a hot and humid summer evening in Pasadena, California on the campus of the California Institute of Technology, a four - time Oscar winning visual effects supervisor gives an eager audience a sneak peek at how he brought the apes to life for «Rise of the Planet of the Apes.»

Camera (color, widescreen, 35 mm), Linus Sandgren; editor, Andrew Mondshein; music, A.R. Rahman; music supervisor, E. Gedney Webb; production designer, David Gropman; supervising art directors, Karen Schulz Gropman, Alain Guffroy; set decorator, Sabine Delouvrier; costume designer, Pierre - Yves Gayraud; sound (Datasat / Dolby Digital), Jean - Marie Blondel; supervising sound editor, Michael Kirchberger; sound designers, Dave Paterson, Kirchberger; re-recording mixers, Michael Barry, Paterson; special effects supervisor, Philippe Hubin; special effects coordinator, Jean - Christophe Magnaud; visual effects supervisor, Brendan Taylor; visual effects producer, Mitchell Ferm; visual effects, Mavericks VFX, Mr. X, Lola VFX; stunt coordinator, Dominique Fouassier; assistant director, Mishka Cheyko; second unit camera, Hugues Espinasse; casting, Lucy Bevan.

I got together with Gerd [Nefzer], our effects supervisor from Germany.

«The special effects as a department brings to a production the chaos and mayhem,» Sam Conway, the show's special effects supervisor, said in HBO's newly - released clip detailing just what goes into the show's.

Camera (color, widescreen), Matthew J. Lloyd, Larkin Seiple; editors, Megan Brooks, Andrew Hasse; music, Phil Mossman; music supervisor, Mark Wike; production designer, Michael Powsner; costume designer, Ruby Katilius; sound, Ty Klocke; supervising sound editor, Paul Hsu; re-recording mixer, Michael Barry; stunt coordinator, Manny Siverio; visual effects supervisor, Alex Hardy; special effects coordinator, Jim Milligan.

That's right, according to Lucasfilm president Kathleen Kennedy, visual effects supervisor John Knoll and director Gareth Edwards in an interview with Empire Magazine (courtesy of Slash Film), Rogue Two, as Kennedy jokingly called it, will never happen.

Comments from visual effects supervisor Ken Ralston and raw B - roll footage deconstruct the sequences, the final versions of which are then seen (if applicable).

Our effects supervisor, John Nelson, actually had aerial shots shot in Las Vegas, although the Las Vegas we have doesn't look anything like what was shot.

Camera (Fotokem color, widescreen), Shelly Johnson; editor, Padriac McKinley, Thomas J. Nordberg; music, Dario Marianelli; music supervisor, Maggie Rodford; production designer, Greg Berry; costume designer, Lizz Wolf; sound (Dolby Digital), Jay Meagher; supervising sound editor, Daniel Pagan; re-recording mixers, Jeffrey J. Haboush, Chris Carpenter; visual effects supervisor, Dottie Starling; visual effects, Wildfire Studios; action choreographer, Cory Yuen; associate producers, Samantha Brooks, David Shojai, John McLaughlin, RJ Cipriani; assistant director, Ann C. Salzer; casting, Barbara Fiorentino.

«The bar that I wanted to reach was for anyone to watch it and go, «That's a shot from The Shining,»» senior visual effects supervisor Roger Guyett told McIntyre.

In an interview with Yahoo! Movies, visual effects supervisor Chris Townsend shared that Russell's final de-aged look for Guardians of the Galaxy Vol.

B&R does boast the most impressive visual effects of the series; effects supervisor John Dykstra (of the recently closed Warner Bros. effects house) comes up with some very convincing for Freeze's freezing weapons and Ivy's pheremone dust.

Screenwriters Chris Weitz (About a Boy) and Tony Gilroy (The Bourne Identity)-- who brought to life the story by visual effects supervisor John Knoll and Gary Whitta (The Book of Eli)-- do a solid job creating these new characters.

Thanks to our friends at ArcLight Cinemas we're showing «War For The Planet Of The Apes» in early November with a Q&A with senior visual effects supervisor Joe Letteri, composer Michael Giacchino, production designer James Chinlund, and editor Stan Salfas!

Thanks to our friends at ArcLight Cinemas, we're showing «War for the Planet of the Apes» tonight with a Q&A featuring senior visual effects supervisor Joe Letteri, composer Michael Giacchino, production designer James Chinlund, and editor Stan Salfas!

Camera (color), Robert Brinkmann; editor, Sharon Rutter; music, Steffan Fantini, Marc Fantini; production designer, Seth Reed; art director, Jennifer Moller; set decorator, Kat Wilson; costume designer, Sandra Burns; sound, John C. Taylor; visual effects supervisor, Billy Brooks; associate producers, Billy Brooks, Melodi Hallenbeck, Alexander Koehne, Ilana Marks; assistant director, Jeremy Phoenix; casting, Eric Souliere.

Camera (color, Arri Alexa HD, widescreen), Roger Deakins; editor, Joe Walker; music, Johan Johannsson; executive music producers, Tara Moross, Darren Blumenthal; production designer, Patrice Vermetter; supervising art director, Paul Kelly; art director, Bjarne Sletteland; set decorator, Jan Pascale; set designer, Ricardo Guillermo; costume designer, Renee April; sound (Dolby Digital), William Sarokin; sound designer, Tom Ozanich; supervising sound editor, Alan Robert Murray; re-recording mixers, John Reitz, Tom Ozanich; visual effects supervisor, Louis Morin; visual effects, Oblique FX, Fly Studio, Cinesite; special effects supervisor, Stan Blackwell; stunt coordinator, Keith Woulard; associate producer, Emma McGill; assistant director, Donald L. Sparks; casting, Francine Maisler.

In the film Bridges appears as a digitally rendered version of his younger self; captured by VFX company Digital Domain and leading special effects supervisor Eric Barba, who previously took Brad Pitt through the seasons in The Curious Case of Benjamin Button.

Perhaps not entirely, suggests Paul Franklin, visual effects supervisor on Inception.

While Parker is best known as the director of Chernobyl Diaries, he is also known as a visual effects supervisor on films such as We Own the Night and Let Me In, as well as second unit director of Dawn of the Apes and War For the Planet of the Apes.

Eric Saindon is the visual effects supervisor, with David Clayton serving as animation supervisor.

These feature information from Spielberg, Cruise, Wilson, Muren, Johnston, Wagner, Koepp, Fanning, Chatwin, director of photography Janusz Kaminski, producer Kathleen Kennedy, visual effects supervisor Pablo Helman, production designer Rick Carter, concept designer Doug Chiang, property master Doug Harlocker, stunt coordinator Vic Armstrong, special effects coordinator Daniel Sudick, digital production supervisor Curt Miyashiro, military technical advisor Major Joseph Todd Breasseale, model / miniature supervisor Steve Gawley, actor Tim Robbins, set decorator Ann Kuljian, compositing supervisor Marshall Krasser.

Feature - length audio commentary with director Robert Zemeckis, director of Photography Don Burgess, visual effects supervisor Ken Ralston and assistant Carey Villegas, and sound designer Randy Thom.

Directed by Matt Reeves; written by Mark Bomback, Rick Jaffa and Amanda Silver; director of photography, Michael Seresin; edited by William Hoy and Stan Salfas; music by Michael Giacchino; production design by James Chinlund; visual effects supervisor, Joe Letteri; produced by Mr. Jaffa, Ms. Silver, Peter Chernin and Dylan Clark; released by 20th Century Fox.

During Twister, visual effects supervisor Stefen Fangmeier accompanied de Bont, so the track took a pretty technical bent.

It features comments from Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, director of photography Trent Opalach, special effects supervisor Max Poolman, lead set decorator Gary Potgieter, art directors Emelia Weavind and Mike Berg, production designer Philip Ivey, sound designer Dave Whitehead, supervising sound editor Brent Burge, film editor Julian Clarke, and actors Sharlto Copley, Jason Cope, Vanessa Haywood, Mandla Gaduka, and David James.

Interviewees include director Louis Leterrier, Sam Worthington, producer Basil Iwanyk, Jason Flemyng, Liam Neeson, costume designer Lindy Hemming, Ralph Fiennes, make - up and hair designer Jenny Shircore, visual effects supervisor Nick Davis, prosthetics supervisor Conor O'Sullivan, supervising location manager Robin Higgs, Gemma Arterton, location manager Terry Blyther, «Draco» stunt double Mark Mottram, Liam Cunningham, associate producer Karl McMillan, visual effects supervisor for Cinesite Simon Stanley - Clamp, animation supervisor for Cinesite Quentin Miles, stunt coordinator Paul Jennings, Mads Mikkelsen, Alexa Davalos, producer Kevin De La Noy, visual effects supervisor Neil Corbould, production designer Martin Laing, visual effects supervisor for Framestore Tim Webber, Medusa lead modeler from Framestore Scott Eaton, animation supervisor for Framestore Max Solomon, character designer Aaron Sims, animation supervisor for MPC Greg Fisher, CG supervisor for MPC Patric Roos, and visual effects supervisor for MPC Gary Brozenich.

«Cast» offers listings for Duchovny, Moore, Jones and Scott, while «Filmmakers» packs in -(takes deep breath)- director Reitman, producers Daniel Goldberg and Joe Medjuck, story writer Don Jakoby, screenwriters David Weissman and David Diamond, executive producers Tom Pollock, Jeff Apple, and David Rodgers, co-producer Paul Deason, director of photography Michael Chapman, production designer J. Michael Riva, editor / associate producer Sheldon Kahn, editor Wendy Green Bricmont, visual effects supervisor Phil Tippett, costume designer Aggie Guerard Rodgers, and composer John Powell.

Foremost is an audio commentary from director Robert Wise, special photographic effects director Douglas Trumbull, special photographic effects supervisor John Dykstra, music composer Jerry Goldsmith, and actor Stephen Collins.

It includes comments from ILM associate visual effects supervisor Doug Smythe.

Producers Patrick Crowley and Paul Sandberg, Berlin location chief Marcus Bensch, Lucian Stevenson of SnowBusiness (the go - to company for fake snow), stuntman Adam Kirley, 2nd Unit Assistant Director Robert Grayson, visual effects supervisor Charlie Noble explain how and why Berlin doubles for Moscow, and the pitfalls of shooting in a train station.

Participants include head trainer Beggs, Fraser, visual effects supervisor David Goldberg, Keith Goldberg, Kinsey, executive producer Ira Shuman and Shields.

Camera (color), Andrew Dunn; editor, Paul Machliss; music, Dickon Hinchliffe; music supervisor, Nick Angel; production designer, Dick Lunn; art director, Andrea Matheson; set decorator, Anna Kasabova; costume designer, Suzie Harman; sound, Mitch Low; supervising sound editor, Jeremy Price; re-recording mixer, Nigel Squibbs; visual effects supervisor, Thomas Proctor; visual effects, Double Negative; stunt coordinator, Paul Kennington; line producer, Danny Gulliver; assistant director, Martin Curry; casting, Theo Park.

They provide notes from author / artist Frank Miller, writer / director Zack Snyder, producers Gianni Nunnari, Bernie Goldmann, Deborah Snyder and Mark Canton, editor Bill Hoy, historians Bettany Hughes and Victor Davis Hanson, creature effects Mark Rappaport, DC Comics group editor Bob Schreck, production designer Jim Bissel, VFX supervisor Chris Watts, composer Tyler Bates, screenwriter Kurt Johnstad, director of photography Larry Fong, creature and special makeup effects supervisor Shaun Smith, assistant stunt coordinator / fight choreographer Chad Stahelski, stunt coordinator Damon Caro, comic book creator Neal Adams, DC Comics president / publisher Paul Levitz, and actors Gerard Butler, Lena Headey, Dominic West, Vincent Regan, David Wenham, and Rodrigo Santoro.

Next we find AI / FX, a seven - minute and 45 - second discussion with special effects supervisor Michael Lantieri.

(Color, widescreen, 3D); Music, Ramin Djawadi; production designer, Jeremie Degruson; sound (Dolby Digital), Yves Renard, Pierre Lebecque; supervising sound editors, Frederic Demolder, Simon Jamart, David Vranken; re-recording mixer, Luc Thomas; animation supervisor, Dirk De Loose; visual effects supervisor, Yannick Lasfas; line producer, Vincent Philbert; associate producers, Gina Gallo, Mimi Maynard, Domonic Paris; casting, Gina Gallo, Mimi Maynard.

In this one - hour, nine - minute, two - second show, we hear from Fricke, Ebsen, composers / lyricists Marc Shaiman and Stephen Schwartz, author's great - great - grandson Robert A. Baum, film critic Michael Sragow, film historians Leonard Maltin and Sam Wasson, filmmakers William Friedkin and Rob Marshall, Bert Lahr's son John, actors Ruth Duccini and Margaret Pelligrini, author William Wellman, Jr., costume designer Ruth Myers, makeup artist Charles H. Schram, cinematographer Peter Deming, visual effects supervisor Craig Barron, sound designer Ben Burtt,

Camera (Tehcnicolor, Panavision widescreen), Carlos Catalan; editors, Chris Gill, Celia Haining; music, Benjamin Wallfisch; music supervisors, Iain Cooke, Ian Neil; choreography, Akram Khan; production designer, Shahram Karimi; art directors, Alistair Kay (Morocco), Lee Gordon (U.K.); costume designer, Louise Stjernsward; sound, Will Whale; supervising sound editors, Andy Shelley, Stephen Griffiths; re-recording mixer, Robert Farr; visual effects supervisor, Ben Shepherd; visual effects producer, Paul Driver; visual effects, LipSync Post; associate producer, Bia Oliveira; assistant director, Olly Robinson; casting, Manuel Puro.

The eight - minute Steven Spielberg and the Original War of the Worlds includes comments from Spielberg, costume designer Joanna Johnston, senior visual effects supervisor Dennis Muren, and actors Gene Barry and Ann Robinson.

We hear from writer / producer David Giler, producer Gordon Carroll, almost - director Renny Harlin, actors Michael Biehn, Carrie Henn, and Sigourney Weaver, story writer / another almost - director Vincent Ward, production executive Jon Landau, production designer Norman Reynolds, storyboard artist Martin Asbury, and additional special effects supervisor Joss Williams.

In addition to two theatrical trailers, we find a running audio commentary from director Jan De Bont and visual effects supervisor Stefen Fangmeier.