Interviewees include director Louis Leterrier, Sam Worthington, producer Basil Iwanyk, Jason Flemyng, Liam Neeson, costume designer Lindy Hemming, Ralph Fiennes, make - up and hair designer Jenny Shircore, visual effects supervisor Nick Davis, prosthetics supervisor Conor O'Sullivan, supervising location manager Robin Higgs, Gemma Arterton, location manager Terry Blyther, «Draco» stunt double Mark Mottram, Liam Cunningham, associate producer Karl McMillan, visual
effects supervisor for Cinesite Simon Stanley - Clamp, animation supervisor for Cinesite Quentin Miles, stunt coordinator Paul Jennings, Mads Mikkelsen, Alexa Davalos, producer Kevin De La Noy, visual effects supervisor Neil Corbould, production designer Martin Laing, visual
effects supervisor for Framestore Tim Webber, Medusa lead modeler from Framestore Scott Eaton, animation supervisor for Framestore Max Solomon, character designer Aaron Sims, animation supervisor for MPC Greg Fisher, CG supervisor for MPC Patric Roos, and visual
effects supervisor for MPC Gary Brozenich.
«It all depends on how you define animation, but to me the tools and techniques [of visual effects and animation] are all the same,» suggested Joe Letteri, Weta's Oscar - winning senior visual
effects supervisor for bothTintin and Rise of the Planet of the Apes (August 5).
In his role as on - set visual
effects supervisor for Game of Thrones, Raisani has helped craft much of the show's most iconic imagery; when not in Westeros, he also found time to direct his first feature, out this Friday from IFC.
«Interstellar» was driven by scientific accuracy and top - notch visual effects, says Paul Franklin,
the effects supervisor for the sci - fi hit.
«We learned more about hairstyling than perhaps we wanted to know,» reports Ken Bielenberg, the visual -
effects supervisor for both Shrek movies.
Not exact matches
He's now hit the
effects industry mountain top with getting the «Star Wars» gig (he was also the
effects supervisor on «The Force Awakens») and the Yoda / Skywalker scene
for him is one of his favorites.
«You don't root
for Thanos,» Dan DeLeeuw, Infinity War's visual
effects supervisor, told Newsweek.
Chautauqua County was governed by a board of
supervisors until 1975, when a new county charter went into
effect with provisions
for a county executive and a 13 - seat county legislature.
Deery later said, again in response to Newsday, that although the ethics law would not take
effect until 2018, «the
supervisor intends
for the town board to readopt it with the appropriate definition.»
Under the tutelage of her PhD
supervisor, Southampton's Sumeet Mahajan, Professor in Molecular Biophotonics & Imaging in Chemistry & Institute
for Life Sciences (IfLS), Catarina is using ultra-fast lasers to achieve the same
effect but in a less invasive way.
The Curt Flood
Effect 3 August 2007 Standing up
for your rights — like those related to pregnancy and childbirth — is especially perilous
for people, like postdocs, whose prospects depend on the subjective recommendations of
supervisors.
The panel found that the paper's first author, Oona Lönnstedt, committed misconduct by fabricating data in the paper; her lone co-author and
supervisor, Peter Eklöv, bears responsibility
for the fabrication as well, the board said, but was not guilty of misconduct under the regulations in
effect when the paper was published.
Rosemary Johann - Liang, a former FDA drug safety
supervisor, had recommended a black box warning label
for Avandia due to its harmful
effects on the heart one year prior to Nissen's publication.
Reimagining the Spaghetti Western: The Horse and Stunts of Django Unchained goes
for 13 minutes, 46 seconds and provides comments from writer / director Quentin Tarantino, stunt coordinator Jeff Dashnaw, producers Pilar Savone and Stacey Sher, stunt men Nick Dashaw and Freddie Hice, boss wrangler Rusty Hendrickson, special
effects supervisor John McLeod, quick draw expert Thell Reed, and actors Jamie Foxx and Christoph Waltz.
Oscar ® - winning visual
effects studio Weta Digital is again handling the visual
effects for the film, led by senior visual
effects supervisor Joe Letteri.
A few years later, after nearly two decades in development hell, it was none other than «Jurassic Park» (1993) that gave Kubrick hope
for «A.I.» Christopher Baker came on as concept artist, and Chris Cunningham took the role of
effects supervisor.
Gravity special
effects supervisor Neil Corbould, has been nominated
for an Academy Award and a Bafta in the Best Visual
Effects category this year — along with Tim Webber, Chris Lawrence and David Shirk.
Universal Pictures has released a new featurette
for Jurassic World: Fallen Kingdom which takes us behind the scenes of the blockbuster sequel and sees director J.A. Bayona, creature
Effects supervisor Neal Scanlan, executive producer Colin Trevorrow, and stars Bryce Dallas Howard and Chris Pratt how practical
effects are being used during filming to bring the movie's -LSB-...]
«VFX Breakdown» (8:39, HD) allows visual
effects supervisor Frazer Churchill to speak over footage demonstrating what has been done
for the more
effects - intensive shots of the film.
Additional crew members will include stunt coordinator Rob Inch (World War Z, Marvel's Captain America: The First Avenger), creature
effects supervisor Neal Scanlan (Prometheus) and co-costume designers Dave Crossman (costume
supervisor for the Harry Potter series, Saving Private Ryan) and Glyn Dillon (costume concept artist
for Kingsman: The Secret Service, Jupiter Ascending).
Production values are at the highest levels, so we can also expect nominations
for cinematographer Hoyte van Hoytema, who figured out how to take large - size cameras into challenging small places, production designer Nathan Crowley, editor Lee Smith, costume designer Jeffrey Kurland, VFX
supervisor Andrew Jackson, and special
effects supervisor Scott Fisher, not to mention composer Hans Zimmer, who is often taken
for granted but is at the top of his game here.
While the movie does all of its characters the favor of not condescending to them or their perspectives — a Bible Study group that might have been played
for snickers is accorded, at the very least, a neutral view — its strategy of withholding both particular characters and information about their actions (the mine
supervisor played by Josh Lucas doesn't show up until a half hour or so into the picture), while perhaps looking attractively, insinuatingly oblique on paper, has on the screen the general
effect of blunting potential emotional impact.
Of course, the 120 - plus critics, broadcasters, and writers who make up the London Film Critics» Circle likely have no overlap with Oscar voters, but it's still a nice boost
for both «Amour,» which also landed best actress honors
for Emanuelle Riva, and «Life of Pi,» which also recieved a special award
for Technical Achievement of the Year
for visual
effects supervisor Bill Westenhofer.
Originally intended to be shot in full Cinerama, it was eventually filmed in the more conventional Super Panavison 70 process when special
effects supervisor Douglas Trumbull pointed out that it offered less chance
for visual distortion.
Running time: 95 minutes Distributor: 20th Century Fox Home Entertainment DVD Extras: «Nimrod and Stinky's Antarctic Adventure,» «Ladies and Gentoomen» and «Ready
for Their Close - up» featurettes, deleted scenes with optional commentary by director Mark Waters, editor Bruce Green and visual
effects Supervisor Richard Hollander, gag reel, audio commentary with director Mark Waters, editor Bruce Green and visual
effects supervisor Richard Hollander, original story sampler, theatrical trailer and a sneak peek.
Keynote speakers include Baobab Studios executive and «Madagascar» movies Eric Darnell, who will discuss immersive storytelling in virtual reality; Weta Digital senior visual
effects supervisor and four - time Oscar winner Joe Letteri, who will discuss the evolution of visual
effects technology and one of his latest projects, «War
for the Planet of the Apes»; and «World of Warcraft» game designer Rob Pardo, the CEO of Bonfire Studios.
On Blu - ray and DVD with two commentary tracks (one from director Paul Feig and co-writer Katie Dippold, the other featuring editor Brent White, producer Jessie Henderson, production designer Jeff Sage, visual
effects supervisor Pete Travers, and special
effects supervisor Mark Hawker), the featurettes «Meet the Team,» «Visual
Effects: 30 Years Later,» and «Slime Time,» and «Jokes a Plenty: Free
For All,» and a collection of alternate improvisational takes (what was called «Line - o-rama» in Judd Apatow disc releases).
Meanwhile, Industrial Light and Magic's Russell Earl, a three - time Oscar nominee, had the opposite job of delivering highly visible
effects for two critical scenes as VFX
supervisor on Marvel's Ant - Man.
The production VFX
supervisor divulges how they handled the «invisible»
effects for Nolan's immersive Oscar contender.
The other yak - track reunites makeup head and creature performer Walter Phelan, creature
effects head (and head of the company who did the
effects for the series) Todd Masters, mechanical
effects guy Thomas Bellissimo, and visual
effects supervisor John van Vilet and is full of great information congenially delivered, along with a lot of fooling around.
The visual
effects supervisor discusses working with director D.J. Caruso, molding the
effects shots
for this sci - fi adventure, and more.
Weta Digital take on the visual
effects for both films, led by the film «Äôs visual
effects supervisor, Joe Letteri.
Industrial Light & Magic's visual
effects supervisor John Knoll has been telling stories in the «Star Wars» universe
for many years, though typically in segments and pieces, providing some of the prequel saga's most lavish and eye - popping FX.
Visual
effects supervisor Steve Emerson explained that while they are relying more on CG
effects for backgrounds and non-central characters, «we embrace technology in a way that is respectful to the stop - motion and honors it.»
ED - 209, a heavily - armed robot resembling a cross between a minotaur and a helicopter, is a visual gag of comical genius from
effects supervisor Rob Bottin, bookended by a cleverly poetic reference to Theseus with a staircase standing in
for the labyrinth.
For the audio, you can choose from two different commentary tracks; one from Kevin Haug and the other from visual
effects supervisor Kevin Mack.
Groundbreaking Visual
Effects: From Imagination to Execution goes
for eight minutes, six seconds and provides remarks from Bekmamvetov, Platt, Khabensky, editor David Brenner, producer Jim Lemley, visual
effects supervisors Craig Lyn, Stefen Fangmeier and Jon Farhat, senior visual
effects supervisor Pavel Perepelkin, and visual
effects producer Maria Karneeva.
Producers Patrick Crowley and Paul Sandberg, Berlin location chief Marcus Bensch, Lucian Stevenson of SnowBusiness (the go - to company
for fake snow), stuntman Adam Kirley, 2nd Unit Assistant Director Robert Grayson, visual
effects supervisor Charlie Noble explain how and why Berlin doubles
for Moscow, and the pitfalls of shooting in a train station.
«Cast» offers listings
for Duchovny, Moore, Jones and Scott, while «Filmmakers» packs in -(takes deep breath)- director Reitman, producers Daniel Goldberg and Joe Medjuck, story writer Don Jakoby, screenwriters David Weissman and David Diamond, executive producers Tom Pollock, Jeff Apple, and David Rodgers, co-producer Paul Deason, director of photography Michael Chapman, production designer J. Michael Riva, editor / associate producer Sheldon Kahn, editor Wendy Green Bricmont, visual
effects supervisor Phil Tippett, costume designer Aggie Guerard Rodgers, and composer John Powell.
While Parker is best known as the director of Chernobyl Diaries, he is also known as a visual
effects supervisor on films such as We Own the Night and Let Me In, as well as second unit director of Dawn of the Apes and War
For the Planet of the Apes.
Thanks to our friends at ArcLight Cinemas, we're showing «War
for the Planet of the Apes» tonight with a Q&A featuring senior visual
effects supervisor Joe Letteri, composer Michael Giacchino, production designer James Chinlund, and editor Stan Salfas!
Thanks to our friends at ArcLight Cinemas we're showing «War
For The Planet Of The Apes» in early November with a Q&A with senior visual
effects supervisor Joe Letteri, composer Michael Giacchino, production designer James Chinlund, and editor Stan Salfas!
B&R does boast the most impressive visual
effects of the series;
effects supervisor John Dykstra (of the recently closed Warner Bros.
effects house) comes up with some very convincing
for Freeze's freezing weapons and Ivy's pheremone dust.
In an interview with Yahoo! Movies, visual
effects supervisor Chris Townsend shared that Russell's final de-aged look
for Guardians of the Galaxy Vol.
«The bar that I wanted to reach was
for anyone to watch it and go, «That's a shot from The Shining,»» senior visual
effects supervisor Roger Guyett told McIntyre.
On a hot and humid summer evening in Pasadena, California on the campus of the California Institute of Technology, a four - time Oscar winning visual
effects supervisor gives an eager audience a sneak peek at how he brought the apes to life
for «Rise of the Planet of the Apes.»
It's a very weird thing to have to do — particularly then, when the technology wasn't really there at all,» visual
effects supervisor Rob Harvey, who won an Oscar
for his work on the movie, told the BBC.
And I remember I wore a balaclava
for the first couple of days, and my physical
effects supervisor just said, «Let your beard freeze.»
The positive
effects of targeted, purposeful and systematic coaching on career development are well recognised, with those who receive coaching more likely to set goals
for their development, seek ideas
for improvement, act on feedback from colleagues and
supervisors, and improve their performance.
For example, Hiller, Day and Vance (2006) recently reported significant
effects of collective leadership on
supervisor - rated team performance in a road maintenance department.