Sentences with phrase «effects supervisor making»

You need to work in tandem with the visual effects supervisor making sure you're getting the live action stuff you need.

Not exact matches

Make sure that supervisors are monitoring the relationship and its effect on co-workers and the workplace.

Camera (color, widescreen), Thierry Arbogast; editor, Julien Rey; music, Eric Serra; production designer, Hugues Tissandier; art directors, Gilles Boillot, Steplane Robuchon, Thierry Zemmour; costume designer, Olivier Beriot; sound, Guillaume Bouchateau, Stephane Bucher, Didier Lozahic, Shannon Mills, David Parker; sound designer, Shannon Mills; re-recording mixer, David Parker; special effects supervisor, Philippe Hubin; senior visual effects supervisor, Nicholas Brooks; visual effects, Industrial Light & Magic, Rodeo FX, Digital Factory, Savage Visual Effects, Make, Hatch; stunt coordinator, Laurent Demianoff; assistant director, Ludovic Pernard; casting, Nathalie Cheron.

Extras repeat the U.K. release including a feature length audio commentary track with the Chiodo Brothers, The Making of Killer Klowns: a 20 - minute featurette looking at the film's production, including an interview with the Chiodo Brothers alongside behind - the - scenes footage, Visual Effects with Gene Warren Jr.: an interview with Charles Chiodo and visual effects supervisor Gene Warren Jr., Kreating Klowns: an interview with Charles Chiodo and creature fabricator Dwight Roberts, Bringing Life to These Things - A Tour of Chiodo Bros..

Jonah Loop, a visual effects supervisor on such pics as «Collateral» and «A Perfect Getaway,» is making his directorial debut with the film, while MPCA's Brad Krevoy and Mike Callaghan are producing with Mark Williams.

Though the strong work of Sandra Bullock and George Clooney — the only two actors who appear on camera — is essential to what the film accomplishes, the great lure of «Gravity» is the way director Alfonso Cuarón, cinematographer Emmanuel Lubezki and visual effects supervisor Tim Webber have collaborated to make us feel we're stranded in outer space ourselves, no questions asked.

Commentary with director Genndy Tartakovsky, producer Michelle Murdocca and visual effects supervisor Daniel Kramer; Goodnight Mr. Foot; Prologue; «Monster Remix» music video by Becky G, featuring will.i.am; Making «Monster Remix.»

With the help of Joseph Gordon - Levitt, cinematographer Dariusz Wolski, production designer Naomi Shohan, and visual effects supervisor Kevin Baillie, he's created an amazing film that makes dazzling use of cinematic storytelling and deserves to be seen in 3 - D.

Of course, the 120 - plus critics, broadcasters, and writers who make up the London Film Critics» Circle likely have no overlap with Oscar voters, but it's still a nice boost for both «Amour,» which also landed best actress honors for Emanuelle Riva, and «Life of Pi,» which also recieved a special award for Technical Achievement of the Year for visual effects supervisor Bill Westenhofer.

Extras: New 4K scan from the original film elements; new audio commentary with writer - director Albert Pyun; new «A Ravaged Future — The Making of Cyborg» featuring interviews with Pyun, actors Vincent Klyn, Deborah Richter and Terrie Batson, director of photography Philip Alan Waters and editor Rozanne Zingal; new «Shoestring Fantasy - The Effects of Cyborg» featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallery.

Productions; «The Making of Killer Klowns» archive production featurette; «Visual Effects with Gene Warren Jr.» archive interview with co - writer / producer Charles Chiodo and visual effects supervisor Gene Warren Jr.; «Kreating Klowns» archive interview with Charles Chiodo and creature fabricator Dwight Roberts; «Komposing Klowns» archive interview with composer John Massari; «Klown Auditions»; deleted scenes; bloopers; image galleries; original theatrical trailer; reversible sleeve featuring original and newly commissioned artwork by Sara Deck.

«Matilda's Movie Magic» (16:14) allows DeVito and others (including Davidtz, Perlman, a make - up effects artist and a visual effects supervisor) to break down the film's illusions one at a time, with help from behind - the - scenes footage and some graphic illustrations.

The name of the restaurant is Nic & Norman's, and Reedus shared a photo of the restaurant's logo, which has a paintbrush to represent Nicotero, who's also the special make - up effects supervisor on TWD, while the arrow is a nod to Reedus» character on the show.

The movie that ended up in theaters is drastically different from the one that executive producer and visual effects supervisor John Knoll originally pitched, and it even has significant changes that were made from the first draft of the script by Gary Whitta.

A veteran visual effects artist, Parker served as the visual effects supervisor on 2010's critically acclaimed «Let Me In» and makes his directorial debut with this project.

Longtime visual effects supervisor, Pitof (pronounced «peet - off»), joins one - word moniker, McG (Charlie's Angels), in trying to make themselves a product rather than in presenting a story as it needs to be told.

Working with production designer John Barry and special effects supervisor John Dykstra, writer - director George Lucas makes escapist entertainment respectable again, and more — he turns it into art.

The making - of overview «Reforging the Future» (19:01, HD) covers all aspects of production with set footage and interviews with McG, Halcyon producers Victor Kubicek & Derek Anderson, Christian Bale, executive producer Jeanne Allgood, producer Jeffrey Silver, associate producer Steve Gaub, Sam Worthington, production designer Martin Laing, assistant art director Greg Hooper, location manager Michael J. Burmeister, Moon Bloodgood, Anton Yelchin, set decorator Victor Zolfo, costume designer Michael Wilkinson, Terminator makeup and animatronic effects man John Rosengrant of Stan Winston Studios, visual effects art director Christian Alzmann, ILM animation supervisor Marc Chu, second unit director / visual effects supervisor Charles Gibson, special effects coordinator Michael Meinardus, key powder foreman Anthony Simonaitis, ILM visual effects supervisor Ben Snow, and CG supervisor Pat Conran.

The disc's primary making - of is «The Alien Agenda: A Filmmaker's Log» (34:19, HD), which includes a wealth of behind - the - scenes footage and interviews with Sharlto Copley, Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, Jason Cope, director of photography Trent Opaloch, Vanessa Haywood, Mandla Gaduka, David James, special effects supervisor Max Poolman, lead set decorator Guy Potgieter, art director Mike Berg, art director Emelia Weavind, production designer Philip Ivey, sound design & alien vocals Dave Whitehead, supervising sound editor Brent Burge, and film editor Julian Clarke.

As visual effects supervisor Ben Morris said, «It's just a remarkable piece of filmmaking and action, and I think it started off with the stunts, but the visuals and the sounds are what made it in the end.»

Terry Ackland - Snow, art director: «We did a rough design sketch of what was required, and then it got handed over to the special effects supervisor, John Evans, who made all the gadgets.

lasts eight minutes, 12 seconds and includes Spielberg, special make - up effects artist Chris Walas, and visual effects supervisor Richard Edlund.

Interviewees include director Louis Leterrier, Sam Worthington, producer Basil Iwanyk, Jason Flemyng, Liam Neeson, costume designer Lindy Hemming, Ralph Fiennes, make - up and hair designer Jenny Shircore, visual effects supervisor Nick Davis, prosthetics supervisor Conor O'Sullivan, supervising location manager Robin Higgs, Gemma Arterton, location manager Terry Blyther, «Draco» stunt double Mark Mottram, Liam Cunningham, associate producer Karl McMillan, visual effects supervisor for Cinesite Simon Stanley - Clamp, animation supervisor for Cinesite Quentin Miles, stunt coordinator Paul Jennings, Mads Mikkelsen, Alexa Davalos, producer Kevin De La Noy, visual effects supervisor Neil Corbould, production designer Martin Laing, visual effects supervisor for Framestore Tim Webber, Medusa lead modeler from Framestore Scott Eaton, animation supervisor for Framestore Max Solomon, character designer Aaron Sims, animation supervisor for MPC Greg Fisher, CG supervisor for MPC Patric Roos, and visual effects supervisor for MPC Gary Brozenich.

The production features a number of other Romero collaborators, notably special make - up effects creator Greg Nicotero, co-founder of the Oscar - winning special effects group KNB EFX Group and co-executive producer, supervisor and occasional director on The Walking Dead.

Rawhead FX — featurette bringing together interviews with creature effects artists Peter Mackenzie Litten and John Schroonraad, special effects supervisor Gerry Johnson, second unit cameraman Sean Corcoran and make - up artist Rosie Blackmore

The special features include a commentary featuring creator Todd MacFarlane, director Mark Dieppe, producer Clint Goldman and visual effects supervisor Steve «Spaz» Williams; an interview with Todd McFarlane, a behind - the - scenes Making of Spawn feauterette, a Spawn sketch gallery with over 200 original concept illustrations, scene - to - storyboard comparisons; original Todd McFarlane sketches; Filter & the Crystal music video and the original theatrical trailer.

Academy Award ® - winner Dean Semler returns as cinematographer with William Elliott returning as production designer, William Kerr returning as editor with special make - up effects wizard and five - time Academy Award ® - winner Rick Baker and visual effects supervisor Jon Farhat also returning.

Mendez is played in a suitably understated, steely way by Affleck (let's ignore that Mendez is, er, Hispanic), who decides to undertake this risky rescue mission using the rather ludicrous concept of a fake movie production with the help of his supervisor, Jack O'Donnell (Bryan Cranston, Drive), Hollywood producer Lester Siegel (Alan Arkin, Little Miss Sunshine), and make - up effects master John Chambers (John Goodman, The Artist), against the wishes of Presidential Chief of Staff Hamilton Jordan (Kyle Chandler, Super 8).

First - time director Cedric Nicolas - Troyan (the visual effects supervisor on the first movie) provides some nice visuals and plenty of action, but he's unable to make the story engaging or even the least bit surprising.