Peter Jackson serves as co-writer and producer on the Mortal Engines film, which will be the directorial debut for Christian Rivers, who served as a visual
effects supervisor on (and won an Academy Award for) Jackson's King Kong remake.
First - time director Cedric Nicolas - Troyan (the visual
effects supervisor on the first movie) provides some nice visuals and plenty of action, but he's unable to make the story engaging or even the least bit surprising.
Perhaps not entirely, suggests Paul Franklin, visual
effects supervisor on Inception.
While Parker is best known as the director of Chernobyl Diaries, he is also known as a visual
effects supervisor on films such as We Own the Night and Let Me In, as well as second unit director of Dawn of the Apes and War For the Planet of the Apes.
A veteran visual effects artist, Parker served as the visual
effects supervisor on 2010's critically acclaimed «Let Me In» and makes his directorial debut with this project.
The name of the restaurant is Nic & Norman's, and Reedus shared a photo of the restaurant's logo, which has a paintbrush to represent Nicotero, who's also the special make - up
effects supervisor on TWD, while the arrow is a nod to Reedus» character on the show.
Jonah Loop, a visual
effects supervisor on such pics as «Collateral» and «A Perfect Getaway,» is making his directorial debut with the film, while MPCA's Brad Krevoy and Mike Callaghan are producing with Mark Williams.
Rookie director Cedric Nicolas - Troyan earned an Oscar nomination as a visual
effects supervisor on the first «Huntsman.»
He was replaced by another first - timer, Cedric Nicolas - Troyan, the Oscar - nominated special
effects supervisor on the 2012 movie.
This franchise is clearly a valuable property, so it's no wonder that Universal would return to the well with a sequel, this time directed by Cedric Nicolas - Troyan, the visual -
effects supervisor on the first film.
Miller, a title sequence animator and visual
effects supervisor on video games, was in the process of working on the Deadpool 2 script when the creative differences arose, with sources telling The Hollywood Reporter that star Ryan Reynolds and Miller differing on the direction of «the Merc with a Mouth.»
John Bruno, special
effects supervisor on Terminator 2 tries to reinvent the haunted house sub-genre in his directorial debut, much as Ridley Scott did in Alien.
He's now hit the effects industry mountain top with getting the «Star Wars» gig (he was also
the effects supervisor on «The Force Awakens») and the Yoda / Skywalker scene for him is one of his favorites.
They're one of a team of vendors, a number of special effects companies, working together under a visual
effects supervisor on the film.
Not exact matches
Make sure that
supervisors are monitoring the relationship and its
effect on co-workers and the workplace.
What we found was that when the
supervisor behaved positively by calling the coworker a «good guy» and suggesting that they worked well together, the influence of the ingratiation had almost no
effect on observers» impressions.
Observing ingratiation had no
effect on non-newcomers» impressions of the
supervisor.
From the printer to your
supervisor, the dangers presented in a typical office can have real
effects on your physical well - being and mental health.
Next, use your empathy skills to minimize the
effect on the team of what you don't like: the chaos of the graduate student, the busyness of the
supervisor, and the same old stories by the retired expert.
The Curt Flood
Effect 3 August 2007 Standing up for your rights — like those related to pregnancy and childbirth — is especially perilous for people, like postdocs, whose prospects depend
on the subjective recommendations of
supervisors.
«Study investigates
effects of domestic violence
on workplaces, by asking perpetrators: Abusers are «our co-workers, our
supervisors, those working under our supervision».»
If a
supervisor is perceived as having favorites, it can have a devastating
effect on productivity, akin to sibling rivalry in a dysfunctional family.
Research
supervisor Professor Simon Watkins, said flight testing
on a micro plane showed the system significantly reduced the
effects of turbulence.
Rosemary Johann - Liang, a former FDA drug safety
supervisor, had recommended a black box warning label for Avandia due to its harmful
effects on the heart one year prior to Nissen's publication.
Production company: Marvel Studios Distributor: Buena Vista Cast: Chadwick Boseman, Michael B. Jordan, Lupita Nyong «o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Sterling K. Brown, Florence Kasumba, John Kani, Angela Bassett, Forest Whitaker, Andy Serkis Director: Ryan Coogler Screenwriters: Ryan Coogler, Joe Robert Cole, based
on the Marvel comics by Stan Lee, Jack Kirby Producer: Kevin Feige Executive producers: Louis D'Esposito, Victoria Alonso, Nate Moore, Jeffrey Chernov, Stan Lee Director of photography: Rachel Morrison Production designer: Hannah Beachler Costume designer: Ruth E. Carter Editors: Michael P. Shawver, Debbie Berman Music: Ludwig Goransson Visual
effects supervisor: Geoffrey Baumann Special
effects supervisor: Dan Sudick Casting: Sarah Finn
Production companies: Scott Rudin, DNA Films Distributor: Paramount Cast: Natalie Portman, Jennifer Jason Leigh, Gina Rodriguez, Tessa Thompson, Tuva Novotny, Oscar Isaac Director - screenwriter: Alex Garland, based
on the novel by Jeff Vandermeer Producers: Scott Rudin, Andrew Macdonald, Allon Reich, Eli Bush Executive producers: David Ellison, Dana Goldberg, Don Granger, Jo Burn Director of photography: Rob Hardy Production designer: Mark Digby Costume designer: Sammy Sheldon Differ Editor: Barney Pilling Music: Ben Salisbury, Geoff Barrow Visual
effects supervisor: Andrew Whitehurst Casting: Francine Maisler
Alien Outpost is the directorial debut of Game of Thrones» visual
effects supervisor, Jabbar Raisani and will be in select theaters
on January 30th.
A few years later, after nearly two decades in development hell, it was none other than «Jurassic Park» (1993) that gave Kubrick hope for «A.I.» Christopher Baker came
on as concept artist, and Chris Cunningham took the role of
effects supervisor.
In his role as
on - set visual
effects supervisor for Game of Thrones, Raisani has helped craft much of the show's most iconic imagery; when not in Westeros, he also found time to direct his first feature, out this Friday from IFC.
«They are like predatory animals that can't control themselves,» Visual
effects supervisor John Nelson («Iron Man «-RRB- told EW about the undead
on this film.
We find notes from director Peter Jackson, extras wrangler Josie Leckie, director of photography Andrew Lesnie, camera operator Richard Bluck, armour weapons standby John Harding, greens master Brian Massey, co-producer Rick Porras, designer / sculptor Daniel Falconer, senior machinist / engineer Dominic Taylor, animation
supervisor Randall William Cook, stunt performer Steve Reinsfield, extras casting Miranda Rivers and Victoria Cole, painter Brett Larsen, carpenters Geoff Goss and Ross Hoby, supervising unit location manager Richard Sharkey, 2nd AD Marc Ashton, stunt performers Mana Davis and Sala Baker, 2nd unit director Geoff Murphy, boom operators Eoin Cox and Corrin Ellingford,
on set art director Simon Bright, camera operator Peter McCaffrey, motion control operator Henk Prins, previsualisation
supervisor Christian Rivers, digital surveyor Nick Booth, stable foreman Lee Somervell, gaffer David Brown, set finishing
supervisor Kerry Dunn,
on set art director Joe Bleakley,
effects technician Peter Zivkovic,
on set prosthetics makeup Tami Lane, 3rd AD Chris Husson, Weta Workshop's Richard Taylor,
effects technicians Darryl Richards and Scott Harens, stunt rigger Paul Shapcott, New Zealand stunt coordinator Kirk Maxwell, swordmaster Bob Anderson, medic and safety officer Andy Buckley, supervising art director Dan Hennah, conceptual artist Alan Lee, Gimli scale double Brett Beattie, and actors Dominic Monaghan, Billy Boyd, Andy Serkis, Bernard Hill, Brad Dourif, Elijah Wood, Orlando Bloom, Sean Astin, Miranda Otto, and Viggo Mortensen.
In addition to the scads of
on - set footage, we get comments from Barrie Osborne, unit production manager Zane Weiner, Elijah Wood, Viggo Mortensen, Dominic Monaghan, Andrew Lesnie, John Rhys - Davies, Peter Jackson, Sean Astin, Billy Boyd, Sala Baker, Karl Urban, Orlando Bloom, Mark Ordesky, Bernard Hill, Miranda Otto, Andy Serkis, Richard Taylor, Brad Dourif, Carrie Thiel, John Mahaffie, Jed Brophy, Sean Bean, David Wenham, Rick Porras, Craig Parker, Lani Jackson, George M. Ruge, Philippa Boyens, and physical
effects supervisor Steve Ingram.
Directed by Michael Bay; written by Ehren Kruger, based
on Hasbro's Transformers action figures; director of photography, Amir Mokri; edited by Roger Barton, William Goldenberg and Joel Negron; music by Steve Jablonsky; production design by Nigel Phelps; costumes by Deborah L. Scott; visual
effects supervisor, Scott Farrar; produced by Lorenzo di Bonaventura, Tom DeSanto, Don Murphy and Ian Bryce; released by Paramount Pictures in association with Hasbro.
Production company: Marvel Studios Distributor: Disney Cast: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Don Cheadle, Benedict Cumberbatch, Tom Holland, Chadwick Boseman, Zoe Saldana, Karen Gillan, Tom Middleston, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Idris Elba, Danai Gurira, Peter Dinklage, Benedict Wong, Pom Klementieff, Dave Bautista, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Benicio Del Toro, Josh Brolin, Chris Pratt, William Hurt Directors: Anthony Russo, Joe Russo Screenwriters: Christopher Markus, Stephen McFeely, based
on the Marvel comics by Stan Lee, Jack Kirby Producer: Kevin Feige Executive producers: Louis D'Esposito, Victoria Alonso, Michael Grillo, Trihn Tran, Jon Favreau, James Gunn, Stan Lee Director of photography: Trent Opaloch Production designer: Charles Wood Costume designer: Judianna Makovsky Editors: Jeffrey Ford, Matthew Schmidt Music: Alan Silvestri Visual
effects supervisor: Dan DeLeeuw Casting: Sarah Finn
While the movie does all of its characters the favor of not condescending to them or their perspectives — a Bible Study group that might have been played for snickers is accorded, at the very least, a neutral view — its strategy of withholding both particular characters and information about their actions (the mine
supervisor played by Josh Lucas doesn't show up until a half hour or so into the picture), while perhaps looking attractively, insinuatingly oblique
on paper, has
on the screen the general
effect of blunting potential emotional impact.
Though the strong work of Sandra Bullock and George Clooney — the only two actors who appear
on camera — is essential to what the film accomplishes, the great lure of «Gravity» is the way director Alfonso Cuarón, cinematographer Emmanuel Lubezki and visual
effects supervisor Tim Webber have collaborated to make us feel we're stranded in outer space ourselves, no questions asked.
We had to work out how to film it, so we worked
on some camera technology that had been used
on helicopters before and handed that over to special
effects supervisor Dom Tuohy, who built a really cool rig to film it.
It was the last movie
on which one Ray Harryhausen (1920 --RRB- has ever worked as
effects supervisor.
«It became very apparent early
on that he's very much into building the stuff,» says the film's visual
effects supervisor, Tim Alexander, of Verbinski.
«It all depends
on how you define animation, but to me the tools and techniques [of visual
effects and animation] are all the same,» suggested Joe Letteri, Weta's Oscar - winning senior visual
effects supervisor for bothTintin and Rise of the Planet of the Apes (August 5).
Joining del Toro
on the film are long time collaborators costume designer Luis Sequeira (THE STRAIN, MAMA, CARRIE), director of photography Dan Laustsen -(JOHN WICK: CHAPTER TWO, CRIMSON PEAK, MIMIC), visual
effects supervisor Dennis Berardi (CRIMSON PEAK, MAMA, FIGHT CLUB) and editor Sidney Wolinsky («The Strain,» «House of Cards,» «The Sopranos»).
On Blu - ray and DVD with two commentary tracks (one from director Paul Feig and co-writer Katie Dippold, the other featuring editor Brent White, producer Jessie Henderson, production designer Jeff Sage, visual
effects supervisor Pete Travers, and special
effects supervisor Mark Hawker), the featurettes «Meet the Team,» «Visual
Effects: 30 Years Later,» and «Slime Time,» and «Jokes a Plenty: Free For All,» and a collection of alternate improvisational takes (what was called «Line - o-rama» in Judd Apatow disc releases).
Meanwhile, Industrial Light and Magic's Russell Earl, a three - time Oscar nominee, had the opposite job of delivering highly visible
effects for two critical scenes as VFX
supervisor on Marvel's Ant - Man.
Weta Digital take
on the visual
effects for both films, led by the film «Äôs visual
effects supervisor, Joe Letteri.
Visual
effects supervisor Steve Emerson explained that while they are relying more
on CG
effects for backgrounds and non-central characters, «we embrace technology in a way that is respectful to the stop - motion and honors it.»
Adamson, who was born in New Zealand, lived in Papua New Guinea until the age of about 18, leaving in 1984, setting off
on his career as a visual
effects supervisor and later a filmmaker.
«Conception and Design: Creating the World of District 9» (13:18, HD) includes interviews with Ivey, prosthetics
effects supervisor Joe Dunckley, Weta Workshop lead concept designer Greg Broadmore, Weta design &
effects supervisor Richard Taylor, Weta lead creature designer David Meng, Image Engine visual
effects supervisor Dan Kaufman, Tatchell, Berg, Kliptown liaison David Bloem, and Embassy Visual
Effects visual
effects supervisor Robert Habros, while «Alien Generation: The Visual
Effects of District 9» (10:18, HD) features Blomkamp, Habros, Kaufman, Cope, Dunckley, Copley, and Embassy Visual
Effects on - set VFX
supervisor Winston Helgason.
In a new HD interview, special
effects supervisor Colin Chilvers spends 16 minutes weighing in
on the production, describing Stanley Donen's approach to the material and his relationship with John Barry, the difficulties of working with the robot and executing miniature FX
on a tight budget («In those days, there was no such thing as a big - budget science - fiction movie,» he says), and even the age differential between Douglas and Fawcett.
Too bad director Cedric Nicolas - Troyan, who worked as visual
effects supervisor and second unit director
on the first film, never finds a way to incorporate suspenseful action into the narrative.
Directed by John Stevenson and Mark Osborne; written by Jonathan Aibel and Glenn Berger, based
on a story by Ethan Reiff and Cyrus Voris; music by Hans Zimmer and John Powell; production designer, Raymond Zibach; visual
effects supervisor, Markus Manninen; produced by Melissa Cobb; released by DreamWorks Animation and Paramount Pictures.