Sentences with phrase «effects upon the viewer»

It is capable of a powerful effect upon its viewers.

His careful use of simple media is intended to call attention to their manipulation, display, and materiality, as well as their effects upon the viewer's perceptual awareness.

The effect upon the viewer is not only optical, but sensory, emotive and even — at its most extreme — visceral.

Not exact matches

Those viewers, in turn, go online to search for the video and share it with their friends, creating a ripple - upon - ripple - upon - ripple effect.

The critic Jonathan Romney once discussed a phenomenon he called the «Kaurismäki effect»: encountering just one film by the director invariably leaves a viewer puzzled by his style and sensibility, but, upon seeing two or three, things gratifyingly begin to click and fall into place.

At 18th Street's main gallery, Dizon will weave video that she has shot together with archival footage, text from philosophical, political, and literary sources, and sounds composed from field recordings, scores, and voice, into an intricate work that invites viewers to reflect upon diasporic subjectivity, postcolonial history, and the effects of global capitalism in the Philippines.

One is Griselda [Pollock], who Richmond cites to make the case that, «a feminist perspective (or problematic) is determined not by the gender or political identity of the artist but rather the «effect» of the work: «the way it acts upon, makes demands of, and produces positions for its viewers.

At 18th Street's main gallery, Dizon will weave the video that she has shot together with archival footage, text from philosophical, political, and literary sources, and sounds composed from field recordings, scores, and voice, into an intricate work that invites viewers to reflect upon diasporic subjectivity, postcolonial history, and the effects of global capitalism in the Philippines.

The desired effect of this body of work upon the viewer is self - investigation.

While 20th century experiments with the effects of pure color — particularly Color Field painting and abstract expressionism — often relied upon immersive force and the use of large canvases to envelop the viewer's entire body, Amm's work elicits sustained acts of seeing and a more consciously analytical stance.

However this may apply to Takeshi's work specifically, for an artist basing his career upon the effect of digital media and moving images on viewers, the incorporation of narrative is an interesting move and additional visceral experience for a genre that once separated itself from commercial media by eschewing plot entirely — truly something «new» in New Media.

It's the follow up to «NDD Immersion Room,» in which viewers had to hand over their phones before entering a darkened nature - themed installation, and continues to build upon her investigation of the effects of cell phone culture.

Deepest blue and acidic yellow and red bestow upon the viewer illustrious light effects that edges on the experimental.