It had a great story and amazing CGI
effects with the apes.
Not exact matches
Because these framing
effects are shared
with our nonhuman relatives, Krupenye says, the results suggest that these biases are hardwired into our biology and may have conferred some evolutionary benefit as
apes foraged for food.
• More effective management and protection of large areas outside of formally protected areas; • Increased law enforcement combined
with improved legal frameworks and stiffer sanctions for poachers; • Coordination across all sectors on land use and protection of natural resources
with a priority on conserving great
ape populations; • Conservation advocacy for wildlife and law enforcement to
effect behavior change; • An enhanced understanding of diseases such as Ebola to guide conservation actions; • Monitoring of great
ape abundance and distribution, habitat loss, and illegal activities.
If the filmmakers are going to try to convince us that their hero could be an expert on
apes, an amateur in genetic science, a do - it - all former soldier, and able to survive a gunshot
with little to no detrimental side
effects, they kind of have to cast Johnson.
To hit that elevated goal post, Spielberg worked in concert
with New Zealand - based Weta Digital, known for its boundary - expanding work on the «Lord of the Rings» and «Hobbit» trilogies, «Avatar,» the rebooted «Planet of the
Apes» films and Spielberg's own «Tintin,»
with a team headed up by Oscar - winning senior visual
effects artist Joe Letteri.
I admire a lot of the
effects work in this category, and I am acutely aware of the Academy's continued neglect of the masterful work Weta has done
with the
Apes films over the years.
Thanks to our friends at ArcLight Cinemas, we're showing «War for the Planet of the
Apes» tonight
with a Q&A featuring senior visual
effects supervisor Joe Letteri, composer Michael Giacchino, production designer James Chinlund, and editor Stan Salfas!
Thanks to our friends at ArcLight Cinemas we're showing «War For The Planet Of The
Apes» in early November
with a Q&A
with senior visual
effects supervisor Joe Letteri, composer Michael Giacchino, production designer James Chinlund, and editor Stan Salfas!
Rise of the Planet of the
Apes and Dawn of the Planet of the
Apes both earned visual
effects artists Daniel Barrett, Joe Letteri, and Dan Lemmon nominations in this category, and all three (along
with Joel Whist) are nominated here for War for the Planet of the
Apes, the ostensible final film in the rebooted Planet of the
Apes series.
Dark Horse has had a great deal of success
with its Mass
Effect and Dragon Age comics, while
Ape Entertainment sold a million Pocket God comics by marketing them in the same space as the game, in the app store; they are now following that up
with comics based on Squids and Temple Run.