Sentences with phrase «effects wizard stefen»

All of Jason's kills in Friday the 13th: The Game were designed by Tom Savini, the same special effects wizard who supplied the gory makeup for Friday the 13th and Friday the 13th: The Final Chapter.
The year is 2023 and Wolfe's life and everything he knows are turned upside down when the widow of a murdered special - effects wizard enters his office.
In this turbulent new world order, Wolfe's life and everything he knows are turned upside down when the widow of a murdered special - effects wizard enters his office.
Special effects wizard Rick Baker designed the costumes that Murphy put to life.
Academy Award ® - winner Dean Semler returns as cinematographer with William Elliott returning as production designer, William Kerr returning as editor with special make - up effects wizard and five - time Academy Award ® - winner Rick Baker and visual effects supervisor Jon Farhat also returning.
Special special effects wizard Rick Baker was hired to create the creatures and it was scheduled to shoot after «Raiders of the Lost Ark.» But after the scope, violence and intensity of that Tunisia - set shoot, Spielberg was all too happy to switch gears to the more tranquil «E.T.» and «Night Skies» was abandoned (it didn't help that Sayles» one and only draft needed work and they had parted ways).
The Dino De Laurentiis 1976 reimagining where make - up and special effects wizard Rick Baker played Kong in a giant ape suit.
The man is a visual - effects wizard.
Making appearances are Don Hahn, Rob Minkoff, Mona May, Jay Redd, production designer Rob Myhre, make - up effects wizard Rick Baker, visual effects producer Lynda Thomspon, and actors Eddie Murphy and Jennifer Tilly.
The quintessential Christmas classic gets yet another movie incarnation with this visually impressive version from effects wizard Zemeckis.
The sequences are actually designed by the same make up effects wizard Rick Baker; but in this case rather than the fruits of physical labour being brought to the screen, it is all a bit of a CG unimpressive mess of cracking bones and sprouting hairs — like that guy you used to sit beside in school.
Make - up effects wizard Rob Bottin — who'd previously worked on John Carpenter's The Thing and went on to do RoboCop and Total Recall, among others — makes magic things happen with prosthetics throughout.
Industrial Light and Magic special - effects wizard Stefen Fangmeier makes the leap into the director's chair with this coming - of - age fantasy concerning a young boy whose discovery of a mysterious dragon egg leads him on a predestined journey to become a Dragon Rider and defend his peaceful world against an evil king.
Peter Aldhous joined them on set in San Francisco to find out how these special - effects wizards became standard - bearers for TV science
Interviews with horror directors Wes Craven («A Nightmare on Elm Street»), Dario Argento («Suspiria») and Tobe Hooper («The Texas Chainsaw Massacre»), and special - effects wizards Rick Baker («An American Werewolf in London») and Tom Savini («Dawn of the Dead»).
Another is figuring out how long it took computer - effects wizards to turn a lovely, majestic creature, the kangaroo, into something vulgar and vaguely creepy.
They're brothers, visual effects wizards, and filmmakers - Colin & Greg Strause - and their second feature film after AVP: R, a low budget sci - fi movie called Skyline, hits theaters today.
Seeing Benedict Cumberbatch bring the dragon Smaug to life with the aid of an army of digital effects wizards was incredible.
Thanks to the special effects wizards at Industrial Light and Magic, Universal Studios has exhumed its remains again - this time with a whole new set of bandages.
Just go with Banner's Hulkus Interruptus condition that frustrates him mightily as the effects wizards achieve a half - and - half manifestation to externalize the problem, or the serio - comic quality of the ersatz father - son relationship, the one that makes them both awkward, between Iron Man and high - schooler Peter Parker (Tom Holland), who gets a spiffy and shiny new Spiderman suit from Stark just in time to join him in outer space.
«Harry Potter and the Half - Blood Prince» is the most balanced Harry Potter film to come along, perhaps because the right combination of screenwriter (Steve Kloves - writer on «Sorcerer's Stone,» «Chamber of Secrets,» «Prisoner of Azkaban, and «Goblet of Fire») and director has been firmly established, along with an appropriate team of special effects wizards and talented production crew.
We're promised a lot of combat, then, a dash of magic and plenty of character drama, with Jones promising that the effects wizards have cooked up some impressive creatures.
Our special effects wizards produce visually rich and interesting videos using Adobe After Effects, Premiere, Final Cut Pro, and other tools.

Not exact matches

The special effects have almost always been powerfully elegant, none more so than in «Deathly Hallows 2,» where a trip to a wizard bank turns into a supernal roller coaster ride inside a cavernous vault where heaps of jewels and gold multiply voluminously, insanely.
Such digital effects as the marauding giants that squash baby wizards like bugs or the inky terror that is the Death Eaters — acolytes to the mad, bad wizard Voldemort (Fiennes)-- are magnificent and experienced in one long, clutched breath.
Yet it's Steven Spielberg, grand wizard of stunts and special effects, who has most influentially steered contemporary notions of bravery back along older - fashioned routes.
It lacks, despite the remarkable techno effects by wizard Stan Winston, originality and charisma.
Directed by Andrew Stanton (Finding Nemo) with the animation wizards at Pixar, it takes on the challenge of delivering an animated feature that is predominantly wordless (and even some of those used are closer to sound effects than dialogue) and succeeds with both creative humor and visual grace.
Certainly the special effects, designed by the wizards at Rhythm and Hues, reach a new plateau of believability for talking - animal CGI, and, computer - animation aside, the 2001 film has a distinctive, endearing Eighties flavour that's unique to this era.
Director David Yates did wonders with Harry Potter And The Order Of The Phoenix, turning the dullest book in the series into a wizard romp of top - notch effects and high emotions.
& visual effects, and a wizarding world story away from the UK!
Five decades after American science destroyed Hiroshima, U.S. special - effects artists joining Japanese experts, to craft a CG reconstruction of the entire city for a documentary... including some of the wizards behind The Day After Tomorrow.
Raimi has assembled his own band of technical wizards and movie magicians on the project, which includes cinematographer Peter Deming («Mulholland Dr.,» «Drag Me to Hell»), two - time Academy Award ® — winning production designer Robert Stromberg («Alice in Wonderland,» «Avatar»), Oscar ® - winning film editor Bob Murawski («The Hurt Locker,» the «Spider - Man» trilogy), veteran Oscar ® - nominated costume designer Gary Jones («Spider - Man 2,» «The Talented Mr. Ripley»), visual effects Oscar ® winner Scott Stokdyk («Spider - Man 2,» «Spider - Man») and Academy Award ® — winning special makeup artist Howard Berger («The Chronicles of Narnia» series), who will create the looks of several of the unique denizens of Oz, including creatures such as the Whimsies, the Tinkers and the Winkies, as well as the ghastly look of the Wicked Witch of the West.
If you want to compare and contrast, go check out the «Art Of The Title «article on our opening sequence, featuring in - depth interviews with me, my graphic wizard of a brother Oscar, VFX supervisor Frazer Churchill and animation geniuses Shynola about how we achieved the effects in our movie.
The formulaic film is basically another special effects - driven adventure featuring an epic showdown between righteous and rogue wizards.
Money allows players to visit a shop, which carries new equipment such as robes, hats and wands that increase the wizard's health, damage output, add elemental effects, and more.
This time, The Gamesmen talk about leaked Fallout 4 footage, recurring characters in Mass Effect: Andromeda, the upcoming Bayonetta Pachislot machine, the Everspace trailer, the newest homebrew called Ironhax, Virtual Reality gaming in Australia, Nintendo fires employee over podcast, what drugs are banned from the Electronic Sports League, a PS Vita Steam Machine, the Smart Ring controller, and finally the ability to become a wizard.
It boasts gorgeous vivid particle effects that make you feel like a very powerful wizard.
It's taken a real team effort to get it all together; our coders have written magical code to get everything working (I'm quite sure they're wizards), art have got us some fantastic looking assets to fly around and through, rendering have made things look even prettier, we've got badass particle effects going on, the audio continues to be outstanding, the UI team have worked miracles and given us everything we needed and made it very pretty, QA have been invaluable in play testing and of course, finding bugs, and of course the design team who have made something really fun to play.
While Life magazine in 1964 called him «one of the new wizards of Op», he was never formally associated with the global movement, but shared with its proponents an interest in the formal optical effects of color and geometry.
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