And this all took place against a background of a fearsomely
efficient commercial culture, the one that had employed a young Warhol as illustrator, in which denials grow harder to hear anyhow.
It is wrong to consider that the arbitral
culture, drawing upon the very best practices of good
commercial courts, does not empower the arbitrator, the tribunal and the institution to require
efficient and fair process based on cooperation in good faith of parties.